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   20世纪湖南小说叙事 的翻译结果: 查询用时:0.199秒
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世纪湖南小说叙事
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  the narration of hunan novels in the 20 th century
     On the Relationship between the Spirit of Modern Huxiang Culture and the Narration of Hunan Novels in the 20th Century
     近世湖湘文化精神与20世纪湖南小说叙事
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     The suffering narrative pattern is also related to the narrative visual angle in the 20th century's Hunan novels, the narrative language form and voice of the 20th century's Hunan novels still have obvious limitation.
     忧患的叙述情调是与20世纪湖南小说叙事视角相关的一个特点。 20世纪湖南小说叙事语式和语态带有明显的局限性。
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  相似匹配句对
     The Changes of Narrative in Chinese Fiction of the 20th Century
     20世纪中国小说叙事之流变
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     On the Relationship between the Spirit of Modern Huxiang Culture and the Narration of Hunan Novels in the 20th Century
     近世湖湘文化精神与20世纪湖南小说叙事
短句来源
     Rational Narrative in 20~(th) Century Chinese Local-Color Novels
     20世纪中国乡土小说的理性化叙事
短句来源
     Narrative Time in the Novel of 20 Century and Life Experiences
     20世纪小说叙事时间与生命体验
短句来源
     The narrative visual angle of the 20th Hunan novels also has a method as "imply author".
     20世纪湖南小说文本的叙事视角还存在一个"隐含作者"现象。
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The most popular narration which Hunan novalists in the 20th century used is still traditional omniscient visual angle, and a lot works adopt the first person narrate by "I", but this narrator-"I" is a person who narrate himself, and hardly hase distance from the writer. The choose of narrative visual angle is a strengthen express of Hunan 20th century's writers' creat psychology which restrict by Huxiang culture spirit, this kind of culture spirit make politics as the most important life significance, and...

The most popular narration which Hunan novalists in the 20th century used is still traditional omniscient visual angle, and a lot works adopt the first person narrate by "I", but this narrator-"I" is a person who narrate himself, and hardly hase distance from the writer. The choose of narrative visual angle is a strengthen express of Hunan 20th century's writers' creat psychology which restrict by Huxiang culture spirit, this kind of culture spirit make politics as the most important life significance, and make "Put classics into reality" as life's basic principles. The narrative relation in the 20th century's Hunan novels mostly uses "narrator (author)-personage", narrative language form and voice mostly are a kind of direct convey of the author's experiencing, identily, emotion. The narrative visual angle of the 20th Hunan novels also has a method as "imply author". The suffering narrative pattern is also related to the narrative visual angle in the 20th century's Hunan novels, the narrative language form and voice of the 20th century's Hunan novels still have obvious limitation.

20世纪湖南小说家用得最多的叙事视角还是传统的全知视角,也有不少作品是采用第一人称"我"叙述的,但这个叙述者"我"和作者几乎没有距离,是一个自我叙事者。叙事视角的选择是由以政治作为人生第一要义、以经世致用作为立身处世的基本原则的湖湘文化精神规约着的20世纪湖南作家创作心理定势的强力表达。20世纪湖南小说文本中的叙事关系大多可用"叙述者(作者)———人物"模式来表示,叙事语式和语态大多是作者经历、身分、思想情感的一种直接的投射。20世纪湖南小说文本的叙事视角还存在一个"隐含作者"现象。忧患的叙述情调是与20世纪湖南小说叙事视角相关的一个特点。20世纪湖南小说叙事语式和语态带有明显的局限性。

 
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