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性别书写
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  gender writing
     The second part of thesis intends to describe the instinct characteristic of "Yixing Qiaozhuang" drama from there aspects: gender culture, gender aesthetic and gender writing.
     本文第二章通过对“易性乔装”剧的的整体检阅和文本细读,从性别文化、性别美学和性别书写三个方面概括出“易性乔装"剧所独具的特色。
短句来源
     On the basis of feminist view, she makes a bold creation of novel arts, though implicit relater and female consciousness, these techniques, fully displaying her independent thinking on gender writing as a feminist writer.
     她从女性主义立场出发,对传统小说的艺术规范进行了大胆的突破,通过内隐叙述者、女性的意识化展示和话语的诗化等策略,充分展示了自己作为一名女权主义作家对性别书写问题的独立思考。
短句来源
  “性别书写”译为未确定词的双语例句
     Using the theory of narratology together with text-oriented approach, this thesis expounds the cultural significance and gender politics embodied in James’s“American girl”on two levels:“the story”and“the narration”by means of cultural logic and male utterance.
     本文借鉴叙事学的相关理论,在评述詹姆斯国际小说与女性形象塑造特色的基础上,采用文本分析的方法,从文化逻辑与性别书写的角度切入文本的叙事内容与叙事形式两大层面,解读和阐释亨利·詹姆斯国际小说文本中的“美国女孩”形象,探索“美国女孩”想像的文化蕴涵与性别话语特色。 论文共五部分。
短句来源
     The value of the novel in the modern literary history lies in its bold exposure of various seamy consciousness of females in the traditional society and in its demonstration of their intricate cultural and mental awareness, thus having stuck to the standpoint of an authoress.
     小说在现代文学史中的价值,是敢于面对传统社会中女性的种种阴暗意识,揭示其复杂的文化与心理上的深层意识,从而坚持了作者女性性别书写的立场。
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  相似匹配句对
     THE STUDY ON SEX DIFFERENCES IN CALLIGRAPHY
     书写字体的性别差异研究
短句来源
     ②gender;
     ②性别
短句来源
     Childishness Expression
     书写童心
短句来源
     Inspection of Sexes: Loving and Marriage Expression in the Novels of Macao
     性别体验:澳门小说中的爱情与婚姻书写
短句来源
     (9)writing test;
     (9)书写;
短句来源
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The male centrality in the traditional patriarchal Chinese society has instilled into females such veneration as the three obediences and the four virtues, the three cardinal guides and the five constant virtues, etc. As has been portrayed in the narration of boudoir politics in the novel " Ban Sheng Yuan" by Zhang Ailing, the conflicting female groups are not merely feeble political protesters against the patriarchal culture but the compelled accomplices of male schemes as well. The value of the novel in the...

The male centrality in the traditional patriarchal Chinese society has instilled into females such veneration as the three obediences and the four virtues, the three cardinal guides and the five constant virtues, etc. As has been portrayed in the narration of boudoir politics in the novel " Ban Sheng Yuan" by Zhang Ailing, the conflicting female groups are not merely feeble political protesters against the patriarchal culture but the compelled accomplices of male schemes as well. The value of the novel in the modern literary history lies in its bold exposure of various seamy consciousness of females in the traditional society and in its demonstration of their intricate cultural and mental awareness, thus having stuck to the standpoint of an authoress.

中国传统宗法社会的男性中心论,形成了三从、三纲、四德、七出等女性传统恐惧。张爱玲小说《半生缘》的闺阁政治叙述,暴露了女性冲突族群既有对父权文化极其有限的政治反抗,更是男权诡计的被迫同谋。小说在现代文学史中的价值,是敢于面对传统社会中女性的种种阴暗意识,揭示其复杂的文化与心理上的深层意识,从而坚持了作者女性性别书写的立场。

The feminism theory holds that women encounter discourse hegemony in man-conducted society. The post-colonial culture emerging as China entering 90s arouses human to concern the western culture hegemony and maltreatment of orient al culture colonization. The culture and discourse hegemony is a kind of isomorp hic relationship with different matter of gender and nation issue formed in care lessness process. This paper takes Chinese female films conductors and films the mselves as two parallel points appraising...

The feminism theory holds that women encounter discourse hegemony in man-conducted society. The post-colonial culture emerging as China entering 90s arouses human to concern the western culture hegemony and maltreatment of orient al culture colonization. The culture and discourse hegemony is a kind of isomorp hic relationship with different matter of gender and nation issue formed in care lessness process. This paper takes Chinese female films conductors and films the mselves as two parallel points appraising gender description in Chinese films an d culture as well as concerning the cultural going direction in Chinese films. I t points out Chinese women and films should go out of the sight fence under the double anxiety, to let women have the right to speak out and rewrite their own c ultural identity by Chinese films.

女性主义理论认为女性在男权中心的社会中遭遇“话语霸权”。中国进入 90年代以来“后殖民文化”的提出 ,提醒人们关注西方的“文化霸权”和东方文化后殖民化的“受虐”。“文化霸权”和“话语霸权”是性别问题与民族问题在不经意之间所产生的异质同构的关系。本文以中国女性导演和中国电影作为平行切入点 ,既审视既往中国电影和文化中的性别书写 ,也关注中国电影的文化走向 ,认为处于双重焦虑下的中国女性与中国电影应主动走出“目光的樊篱” ,使女性拥有话语的权力、中国电影重新书写自己的文化身份。

Woolf is a self-conscious experimenter of contemporary novel, and her writing with feminization represents her pursuit for artistic experiment. On the basis of feminist view, she makes a bold creation of novel arts, though implicit relater and female consciousness, these techniques, fully displaying her independent thinking on gender writing as a feminist writer. Meanwhile, her unique modern narrative makes her a successful example of female writing in contemporary literature.

伍尔夫是一位现代小说艺术的自觉实验者,女性化书写是其艺术实验的一个自觉追求。她从女性主义立场出发,对传统小说的艺术规范进行了大胆的突破,通过内隐叙述者、女性的意识化展示和话语的诗化等策略,充分展示了自己作为一名女权主义作家对性别书写问题的独立思考。而与此同时,其独具特色的现代叙述艺术也使她的创作成了现代文学史上女性书写的一个成功例证。

 
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