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中国古典戏曲理论
相关语句
  “中国古典戏曲理论”译为未确定词的双语例句
     The "originally simplicity approach"in theories about Chinese classical opera
     中国古典戏曲理论中的“当行本色”论
短句来源
     Based on an examination of the studies conducted in the 20th century on classic dramaturgy, the paper holds that these studies are defective in that they are not constructive in explaining the ethnicity and comprehensiveness of classical Chinese dramaturgy.
     通过对20世纪以来中国古典戏曲理论研究专著的回顾,认为目前现有的研究成果在把握古典戏曲理论的民族性和全面性等方面还比较薄弱。
短句来源
     The paper goes on to propose that a new research system based on a combination of the Chinese tradition and modern methodology be established and that future dramaturgical studies include drama production, creation and acting.
     由此本文提出建立当代中国古典戏曲理论研究的新体系,它既要立足于本民族的理论传统,又要具有先进性,能够系统、全面地容纳古典曲论的内容。 因此,古典戏曲理论研究至少应该包括戏曲本体、创作、表演等三个层面的理论内涵。
短句来源
     Natural Color” and “Adeptness” are two important terminologies in the theory of Chinese classic drama.
     “本色”与“当行”是中国古典戏曲理论的重要术语。
短句来源
  相似匹配句对
     The "originally simplicity approach"in theories about Chinese classical opera
     中国古典戏曲理论中的“当行本色”论
短句来源
     Natural Color” and “Adeptness” are two important terminologies in the theory of Chinese classic drama.
     “本色”与“当行”是中国古典戏曲理论的重要术语。
短句来源
     Discussion on the Purpose of Aesthetic Education of China's Classical Opera
     中国古典戏曲美育目的论
短句来源
     The tragedy in classical Chinese traditional opera
     中国古典戏曲中的悲剧
短句来源
     The Study on the Tragic of Chinese Traditional Opera
     中国古典戏曲的悲剧性研究
短句来源
查询“中国古典戏曲理论”译词为用户自定义的双语例句

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Tang Xianzu's theories of writing drama have a system of his own. His proposition of writing drama about "taking indistinction for beauty" is an important rule of the system. Tang Xianzu obeyed and applied the rule consciously in his artistic creation and met with great success .Tang Xianzu's theories of writing drama have the following three characteristics: "having a system of his own", "rich in practicality "and "depth of philosophy". Tang Xianzu, Whang Jide and Li Yu are our country's precious wealth of...

Tang Xianzu's theories of writing drama have a system of his own. His proposition of writing drama about "taking indistinction for beauty" is an important rule of the system. Tang Xianzu obeyed and applied the rule consciously in his artistic creation and met with great success .Tang Xianzu's theories of writing drama have the following three characteristics: "having a system of his own", "rich in practicality "and "depth of philosophy". Tang Xianzu, Whang Jide and Li Yu are our country's precious wealth of the dramatic theories .They are three summits of Chinese classic dramatic theories standing side by side.

汤显祖的作剧理论自成体系,“以若有若无为美”的作剧主张是其中的重要法则。汤显祖在艺术创作中自觉地遵循和运用这一法则,并取得了很大的成功。汤显祖的作剧理论具有“自成体系”、“富有实践性”、“哲理深度”三大特色,是我国戏曲理论的宝贵财富。汤显祖可与王骥德、李渔并称,他们三人是中国古典戏曲理论鼎立而峙的三座高峰。

Based on an examination of the studies conducted in the 20th century on classic dramaturgy, the paper holds that these studies are defective in that they are not constructive in explaining the ethnicity and comprehensiveness of classical Chinese dramaturgy. The paper goes on to propose that a new research system based on a combination of the Chinese tradition and modern methodology be established and that future dramaturgical studies include drama production, creation and acting.

通过对20世纪以来中国古典戏曲理论研究专著的回顾,认为目前现有的研究成果在把握古典戏曲理论的民族性和全面性等方面还比较薄弱。由此本文提出建立当代中国古典戏曲理论研究的新体系,它既要立足于本民族的理论传统,又要具有先进性,能够系统、全面地容纳古典曲论的内容。因此,古典戏曲理论研究至少应该包括戏曲本体、创作、表演等三个层面的理论内涵。

Natural Color” and “Adeptness” are two important terminologies in the theory of Chinese classic drama. “Natural Color”, only in accordance with the language style of composing drama, mainly shows in three gists: indicative language, character tongue, and describing language. “Adeptness”, also concludes the art of composing drama, means experienced which shows in three gists: coping with the style of drama's language, the way of harmony between diction and tonality, and the evaluation on the whole art level of...

Natural Color” and “Adeptness” are two important terminologies in the theory of Chinese classic drama. “Natural Color”, only in accordance with the language style of composing drama, mainly shows in three gists: indicative language, character tongue, and describing language. “Adeptness”, also concludes the art of composing drama, means experienced which shows in three gists: coping with the style of drama's language, the way of harmony between diction and tonality, and the evaluation on the whole art level of work. To need the highest appreciation of the beauty, their relationship is that: one which fits in with “nature color”, one should fit in with “adeptness”, contrariwise. The work to transform and overtake them by nature and artistic conception started from the Ming dynasty and completed by Wang Guowei who lived in modern times.

“本色”与“当行”是中国古典戏曲理论的重要术语。“本色”“只指填词”语言自然的艺术风格 ,主要表现在叙述语言、人物语言、描写语言三方面。“当行”“兼论作法” ,指内行之义 ,表现在戏曲语言风格的处理、戏曲辞律和谐的作法要求、戏曲整体创作艺术水平的评价三方面。两者关系从审美最高要求论 :“本色”的应该“当行” ,“当行”的也要“本色”。从“本色”、“当行”到“自然”、“有意境”的范畴改造和超越工作起于明代 ,成于近代王国维 ,使王国维能站在前人的肩膀上自立新说 ,独成一家。

 
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