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题材特征
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  “题材特征”译为未确定词的双语例句
     Technique introduction of Qing Dynasty jade article
     清代玉器的器型、工艺、题材特征
短句来源
     In the twentieth century, Modernism inherits and develops such subject matters such as the alienation expressed in expressionist literature, and the absurdness exhibited in existential literature.
     到了20世纪,现代主义继承并发展了这一题材特征,例如,表现主义所表现的异化主题,荒诞派文学的荒诞性。
短句来源
     In other words, concerning the subject matter, Modernism with Symbolism as its beginning brings the ugly and absurd into the literary world in order to disclose the absurdness of society and life in modern times and man's loneliness, disappointment and despair in the highly civilized society.
     从这一发展过程可以看出,以象征主义为开端的现代主义超越了传统的题材特征,将丑恶、怪诞、荒谬等范畴引入文学,从而揭示了现代社会和人生的荒诞,以及在高度“文明”的社会中人类的孤独感、失落感以及绝望感。
短句来源
     Contrasted with a marked characteristic about the subject matter,native literature in the 1920s did not have a distinct theme,as to its reasons,the author of this paper believes that most of the literary works are mutually contradictory in many aspects such as how to describe and reflect the rural life and what subject matters should be choosen and so on.
     对于20世纪20年代的乡土文学来说,鲜明的题材特征并没有带来明确的意义属性或审美内涵,其原因在于由于乡土作家在反映、描写以及对待乡土生活、乡土气息等各方面都存在着某种“矛盾心理”,并且在表达艺术和写作技巧方面对于乡土题材进行了“矛盾修饰”。
短句来源
  相似匹配句对
     Technique introduction of Qing Dynasty jade article
     清代玉器的器型、工艺、题材特征
短句来源
     On the Aesthetic Characteristics of Motherlove Motif in Bingxin's Poems
     略论冰心诗歌“母爱”题材的审美特征
短句来源
     Characteristics of Fault
     错误的特征
短句来源
     (2)essential features;
     基本特征;
短句来源
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  theme characteristic
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This paper discusses the influence of Freudianism on ChenLun in two angles. First, the enlightment by the subconscious theory. Yu Dafu expressed his inner world in a romantic way with lyric form. He bestowed his subject matter with a special feature. Second, the encouragement by sexual instinct theory. Yu was a brave fighter against the feudalism and defended the liberation of personification, which was explicitly shown in his special sincere and unvanished literary style.

本文论述了弗洛依德主义对《沉沦》两个方面的影响:一是潜意识理论启发了郁达夫小说内心浪漫抒情的表现方法和《沉沦》特有的题材特征;二是性本能理论鼓舞了郁达夫反对封建主义、主张个性解放的勇气,形成了独特的坦诚、自我暴露的毫不讳饰的文学风格。

In the histoiy of the development of Chinese novels, we always use "the romance in the Tang Dynasty" to represent the short novels in the Tang Dynasty. In fact, this kind of novels flourished in the Tang Dynasty while its naming appeared in the SouthSong Dynasty. This article aims at the evolution of the romance; biography of the historical figures in the Tang Dynasty-thelove novels in the Song Dynasty - the naming process and evolution of the romance in the late period of the South SongDynasty. During these...

In the histoiy of the development of Chinese novels, we always use "the romance in the Tang Dynasty" to represent the short novels in the Tang Dynasty. In fact, this kind of novels flourished in the Tang Dynasty while its naming appeared in the SouthSong Dynasty. This article aims at the evolution of the romance; biography of the historical figures in the Tang Dynasty-thelove novels in the Song Dynasty - the naming process and evolution of the romance in the late period of the South SongDynasty. During these three periods romance gradually assumed a fixed literary form and possessed some obvious features in subject matters. From then on, the romance became an important type of classical novels.

在小说发展史上,人们往往以“唐传奇”称谓唐人小说。实际上,传奇小说的创作兴盛于唐,而“传奇”小说概念命名始于南宋,这是小说史上值得思考的一个学术问题。本文以传奇小说的衍变作为考察对象,阐述了传奇小说发展的三个阶段,即唐人杂传体——宋人丽情小说——南宋末期传奇命名及其衍变,传奇小说的概念命名、文体题材特征逐渐明确,其文体类型也逐渐趋于稳定。

Contrasted with a marked characteristic about the subject matter,native literature in the 1920s did not have a distinct theme,as to its reasons,the author of this paper believes that most of the literary works are mutually contradictory in many aspects such as how to describe and reflect the rural life and what subject matters should be choosen and so on.Although the feature of oxymoron appears to weaken its related literary theme and the spirit of the works,the oxymoron itself is a particular angle of view...

Contrasted with a marked characteristic about the subject matter,native literature in the 1920s did not have a distinct theme,as to its reasons,the author of this paper believes that most of the literary works are mutually contradictory in many aspects such as how to describe and reflect the rural life and what subject matters should be choosen and so on.Although the feature of oxymoron appears to weaken its related literary theme and the spirit of the works,the oxymoron itself is a particular angle of view so far as widening one's vision to better understand native literature is concerned.

对于20世纪20年代的乡土文学来说,鲜明的题材特征并没有带来明确的意义属性或审美内涵,其原因在于由于乡土作家在反映、描写以及对待乡土生活、乡土气息等各方面都存在着某种“矛盾心理”,并且在表达艺术和写作技巧方面对于乡土题材进行了“矛盾修饰”。尽管“矛盾修饰”削减了题材特征与文学主题之间相互联系的紧密性,但是对于进一步深化理解乡土作家的创作观念以及乡土题材的意义属性来说,“矛盾修饰”具有独特的“视角”价值。

 
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