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诗学文化
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  poetic culture
     Through this,we can recognize the function of the temporal spatial poetic culture as a transmitter of dialogue.
     从中 ,我们可以认识到屈赋的时空间诗学文化对话载体功能
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  “诗学文化”译为未确定词的双语例句
     Subjectivism:A Study on the Modern Chinese Poetry
     主体化:异质诗学文化中的中国现代诗歌意象艺术
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     "The Poem Says Will"——The First Cultural Trace To The Source Of Classical Poetrics
     “诗言志”——古典诗学文化溯源之一
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     This thesis is to analysis its poetical literary system from the corner of theory explaination .
     本文试图立足于文本研读,分析性灵派诗话的诗学文化体系,揭示它与传统诗学之间继承与突破的关系。
短句来源
     Derrida thinks that the center of metaphysics in the western cultural traditional is logos.
     德里达认为西方诗学文化传统的形而上学就是以“逻各斯”为中心的。
短句来源
     Based on Chinese Poetics cultural traditions and overlapping research of Chinese Poetics and Communication Studies, we may find academic features of Chinese Poetry Communication Studies are getting distinct.
     立足于中国诗学文化传统,进行中国诗学与传播学的交叉研究,中国诗歌传播学的学科特质已经渐趋明显。
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  相似匹配句对
     The Restriction of The Peotics of Culture
     文化诗学的限制
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     CULTURAL HORIZON OF MARXIST POETICS
     马克思主义诗学文化视野
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     Hospital culture is an important position in hospital.
     文化
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     Culture
     文化
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     Confucian poetics
     孔子的诗学
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Some important turnings took place in Zhu Guangqian's theory around 1936. The change of time and the advance of his own academic studies made him shift from the approach of the poetics of self-expressionism based on the intuitionism to that of the cultural poetics. He devoted himself to the exploration of the sources of the traditional forms of national literature. He believed that a new literary form could not gain its vitality before it was associated with the traditional form which embodied the common morale...

Some important turnings took place in Zhu Guangqian's theory around 1936. The change of time and the advance of his own academic studies made him shift from the approach of the poetics of self-expressionism based on the intuitionism to that of the cultural poetics. He devoted himself to the exploration of the sources of the traditional forms of national literature. He believed that a new literary form could not gain its vitality before it was associated with the traditional form which embodied the common morale of the nation. Therefore, the motive to create a new literary form came from national culture. He proposed that only the emotional aspect of the culture could be regarded as culture of poetics and the role of a poet was to develop this emotional culture. On this basis he advocated the method of personality-style criticism.

朱光潜的文学理论观点在 1936年左右发生了某种重要转向 ,由于时代环境以及自身学术研究的进展 ,他从以“直觉论”为基础的个体表现论的诗学走向了文化诗学的探索 ,他致力于探讨民族文学传统形式的源流 ,认为只有接通凝聚了民族共同情感的文学形式传统 ,新文学才有可能获得强大的生命力。因此 ,文学的形式创造动力在于文化 ,但是 ,只有情感性的文化才能成为诗学的文化 ,而诗人的作用就在于创造一种情感性的诗学文化 ,由此他提出并实践了一种人格—风格论批评

ly defined.With the dual-dimensioned space transcended,dialogue can be conducted between the latent cultural background as a projection of Qufu and the contemporary Huxiang fork customs.Through this,we can recognize the function of the temporal spatial poetic culture as a transmitter of dialogue.

对话 (dialogue)是人类文化中习见的日常交往方式 ,是与人类的社会性相伴而生的个体或群体间相互联系彼此交流的重要手段 ,作为一个诗学概念 ,对话并不具有可以抽象界定的基本特征。突破二维空间 ,在屈赋影射的潜在背景与今日湖湘民俗事象二者之中可以进行跨时空的文化诗学对话。从中 ,我们可以认识到屈赋的时空间诗学文化对话载体功能

The conflict between domestication and foreignization as opposite translation strategies can be regarded as the poetic, cultural and political rather than linguistic extension of the time-worn controversy over free translation and literal translation. The present paper endeavors to explore relative definitions and theoretical developments of the two concepts.

归化与异化之争可谓直译与意译之争的延伸。只是论争的战场由语言层次上升到诗学、文化和政治层面。本文拟对归化与异化的概念厘定、历史缘起与理论现状进行综述。

 
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