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   京派批评 的翻译结果: 查询用时:0.202秒
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京派批评
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  “京派批评”译为未确定词的双语例句
     Based on the case studies of the Beiping School critics, such as Shen Congwen(沈从文), Zhu Guangqian(朱光潜), Li Jianwu(李健吾), Liang Zongdai(梁宗岱) and Li Changzhi(李长之), we make an emphatic enquiry into their achievement in critical theory and practice when they approach toward a conscious aesthetic criticism.
     但是对于京派批评的研究至今仍然不够充分,本论文将回顾京派及京派批评的产生与发展的历史概况与历史境遇,并对沈从文、朱光潜、李健吾、梁宗岱、李长之等具有代表性的京派批评家进行个案研究,在此基础上重点考察京派批评在走向自觉的审美批评的道路上所进行的批评的理论建设及其实践成就。
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     A survey of the study of Beijing School criticism since 1980'
     八十年代以来京派批评研究综论
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     The Cultural Characteristics of Beijing School's Criticism
     论京派批评的文化特征
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     Beijing School criticism consists of literature criticism and other kinds of art criticism.
     京派批评涵盖文学批评和其他各类艺术批评。
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     I think literature and literature criticism are unattached to each other and the dialogic relations between them are the best Surely there are some dialogic relations that have a characteristic and worthy of studying between Beijing School criticism and the modem Chinese literature history.
     “文学”和“文学批评”是彼此平等、独立的,它们的最佳关系是对话关系。 京派批评与中国现代文学史之间的确存在“对话”关系,这种关系具有独特的个性和有效的研究价值。
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     The Cultural Characteristics of Beijing School's Criticism
     论京派批评的文化特征
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     On the literary criticism of Shen Cong-wen(沈从文)
     论京派巨子沈从文的文学批评
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     The Task of Arts Critique
     批评的任务
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     The Responsibility of Criticism
     批评的责任
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Since 1980,academia have gotten some achievements on the study of Beijing School criticism,but because of the inertia of ideation, there is still lots of illogicality and puzzle in the understanding of the criticism and the literature theory of Beijing School.This treatise analyzes these illogicality and puzzle,and suggests that we have a thorough grasp of the Beijing schools aesthetic and culture logic on the premise of Self conscious Aesthetic Critic.

八十年代以来 ,学术界对京派批评的研究取得了一定的成果 ,但是由于某种思维惯性的影响 ,对京派批评与京派文学思想的理解仍充满矛盾与困惑 ,本文着重分析了这些矛盾与困惑 ,认为应从“自觉的审美批评”这一理论前提出发 ,更深入完整地把握京派批评自身的审美文化逻辑。

Li Guangtian was an important critic of poems in the 1940s.He surpassed and inherited the aesthetic criticism of Jingpai:in the standard of criticism,he not only emphasized the ideology nature of literature,but also payed close attention to the poetic forms;and in the style,his criticism not only was good at logical thinking and positive analyse,but also contained a lot of audio-visual experience and factors of impression criticism.His surpassing and inheriting the criticism of Jingpai brought about the distinctiveness...

Li Guangtian was an important critic of poems in the 1940s.He surpassed and inherited the aesthetic criticism of Jingpai:in the standard of criticism,he not only emphasized the ideology nature of literature,but also payed close attention to the poetic forms;and in the style,his criticism not only was good at logical thinking and positive analyse,but also contained a lot of audio-visual experience and factors of impression criticism.His surpassing and inheriting the criticism of Jingpai brought about the distinctiveness of his criticism.

李广田是20世纪40年代一位重要的诗歌批评家。他的诗评对20世纪30年代京派审美批评既有超越又有继承:在批评标准上,既强调文学的意识形态性和政治功利性,又对诗歌的形式和诗性给予了高度关注;在批评的风格上,既以逻辑思维和实证分析见长,又包容了许多直观感悟和印象批评。李广田的新诗批评对京派批评的超越与继承造就了其独特性,并使之具有了独特的价值———与典型的京派批评相比,它在理论上多了些明晰和深刻;与当时单纯的社会历史批评相比,它又多了些灵性和美感。

Beijing school is widely known for its criticisms in morden Chinese literature history.Beijing school's criticisms have obviously cultural characters which are made up of the Beijing school's groups nature:culture meaning of community forming,literature orientation,trains of thought integrating east culture and west culture,strong enlightening consciousness.

从四个方面论析京派批评的文化特征:群落构成的文化内涵、文学本位的话语立场、东西整合的文化思维及浓厚的文化启蒙色彩。这构成了京派批评的群落标识。

 
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