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游仙文学
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  “游仙文学”译为未确定词的双语例句
     Mystical Literature and Women Images in the Middle Ancient Times
     试论中古游仙文学中的女性形象
短句来源
     The influence of Witchcraft-culture on the structure of celestial literature
     论巫文化对游仙文学艺术结构生成的影响
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     On the Youxian in the Chinese Classical Literature
     游仙文学刍论
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     The Pre-Qin and Han Dynasty was the source of Chinese literature, the literature works of this times had founded the major types and the basic patterns of expression of the literature of fairyland excursion.
     先秦两汉是中国文学的源头,这一时期的文学作品,已经奠定了游仙文学的主要类型与基本表现模式。
短句来源
     There are varied images of women in the mystical literary works in the middle ancient times.
     在中古游仙文学中,女性形象主要有四种类型:母亲型、情人型、女乐型和女仙型。
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     On the Youxian in the Chinese Classical Literature
     文学刍论
短句来源
     Mystical Literature and Women Images in the Middle Ancient Times
     试论中古文学中的女性形象
短句来源
     On the Difference in Aesthetic Standards between Chinese and Japanese Literature through the Fate of "Travelling in the God's Cave
     从《窟》的命运看中日传统文学理念的差异
短句来源
     The influence of Witchcraft-culture on the structure of celestial literature
     论巫文化对文学艺术结构生成的影响
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     Discovery of the "You Xia-Literature
     文学发微
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The literature about immortals is dependent on religion and politics in the Qin and Han Dynasties. It is generally considered that grows up in the Wei, Jin and Six Dynasties under influence of the Taoism rising at the same time. In face, it has a more intimate relation to the consciousness of litrature which goes with the awakening of individual life sense emerging at the end of the Han Dynasty, so it shows human theme and turns to aesthetic creation, thereby convers  into the main trend of literature of the...

The literature about immortals is dependent on religion and politics in the Qin and Han Dynasties. It is generally considered that grows up in the Wei, Jin and Six Dynasties under influence of the Taoism rising at the same time. In face, it has a more intimate relation to the consciousness of litrature which goes with the awakening of individual life sense emerging at the end of the Han Dynasty, so it shows human theme and turns to aesthetic creation, thereby convers  into the main trend of literature of the time.

游仙文学在秦汉是宗教的或政治的附庸,它在魏晋六朝的崛起,一般认为是受到同时兴起的道教的影响,但实际上与以汉末个体生命意识的觉醒为契机的文学的自觉有更密切的联系,所以在创作上表现人的主题,追求美的创造,从而汇入到当时的主流文学中。

The mystical culture is closely related to gardens in the Middle Ancient Times. The desire to go on a mystical excursion exerts a notable impact on the layout and buildings of gardens. And the garden culture in return arouses man's further imagination of and enthusiasm for fairyland. As to literature, astonishing parallels can often be found between garden works and fairy works. A study of the links and connections between the mystical culture and gardens is conducive to a better understanding of the profound...

The mystical culture is closely related to gardens in the Middle Ancient Times. The desire to go on a mystical excursion exerts a notable impact on the layout and buildings of gardens. And the garden culture in return arouses man's further imagination of and enthusiasm for fairyland. As to literature, astonishing parallels can often be found between garden works and fairy works. A study of the links and connections between the mystical culture and gardens is conducive to a better understanding of the profound implications of the culture in Middle Ancient Times.

在中古文化中,游仙和游园是密切相关的。游仙思想对园林的造景布局和建筑设置产生了深刻的影响,而园林文化又反过来进一步激发了人们的仙境想象和游仙热忱。在文学领域,游园文学和游仙文学,无论在表层还是深层,都存在着同构或共生的现象。对园林与游仙关系的研究,有助于我们更好地理解中古文化的内在意蕴。

There are varied images of women in the mystical literary works in the middle ancient times. They can be divided into four types: the first type describes typical mothers; the second type portrays lovers, the third type delineates female performers, and the forth type fairy maidens. A study of the images of women is conducive to a better understanding of the profound implications of the mystical literary works.

在中古游仙文学中,女性形象主要有四种类型:母亲型、情人型、女乐型和女仙型。母亲型的形象是西王母,她是传说中的太阴之神,兼管死亡与复活;情人型的形象是作为男性游仙者的追求或被追求者而出现的,其原型较为复杂,可能与迎神巫术、春祭仪式及房中术等有关;女乐型形象的出现可能源于娱神乐舞;女仙型形象指的是作为仙界象征符号而出现女性。

 
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