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   视听文化 的翻译结果: 查询用时:0.179秒
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视听文化
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  audio-visual culture
     By making a survey of students' learning Chinese in middle school, I find that many students have little interest in extracurricular reading because of their being misled by exam-centered education in Chinese reading, single and rigid teaching methods of their teachers, their lack of culture basis, the shock of audio-visual culture and so on.
     笔者经过调查研究发现,中学生在语文阅读方面因为应试教育误导、教学程式单一、学生文化积淀浅薄、视听文化冲击等因素的影响导致对语文阅读兴趣不高。
短句来源
     At present we are being placed in an unprecedented transformation period, the university faces strong challenge about the science and technology revolution, knowledge-based economy, network technique, audio-visual culture, the public cultural etc.
     当前我们正处于一个前所未有的转型时期,大学面临着科技革命、知识经济、网络技术、视听文化、大众文化等方面的强烈挑战。
短句来源
     When literature has no longer been the main stream of social culture, its place will inevitably be taken by movie, which has the characteristics of an audio-visual culture.
     当文学不再成为社会文化的主流 ,以视听文化为其主要表征的电影势必将成为社会文化的主体 ;
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  “视听文化”译为未确定词的双语例句
     Exploration of College Moral Education Teaching In Audiovisual Culture Era
     视听文化时代大学思想道德教法新探
短句来源
     First, with the development of technology and media in the culture industrial era, animated cartoon gradually evolves into an independent artistic genre and innately acquires the characteristics of the time, which is evident in their alert responses to the audio-visual tendencies brought about by technological reason and media and their compliance with the consumption logic of the cultural production in the cultural industry.
     首先,伴随着文化工业时代的科学技术的发展和媒介手段的更新,动画逐渐成为一种独立的文化形式,并成为文化工业时代的表征。 这体现在动画对技术理性、媒介带来的视听文化转向的敏锐感应和反映,以及遵从文化工业的文化生产—消费逻辑。
短句来源
     In audiovisual culture era, to introduce music elements into moral education class is an effective way.
     视听文化时代,把音乐元素引进《思想道德修养》课堂是一种行之有效的方法。
短句来源
     In moral education class, audiovisual culture can be used synthetically to create the integrated atmosphere of vision, singing and sense so as to achieve the aim of inspiring emotion with emotion and educating emotion with emotion.
     在《思想道德修养》教学中,可以综合运用视听文化,创设融视、唱、感为一体的氛围,达到以情激情、以情育情之目的;
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  相似匹配句对
     Culture
     文化
短句来源
     Culture
     文化
短句来源
     TV is the representative media of the “visual cultural” and net is the vanguard of the “new visual and audio culture”.
     网络是“新视听文化的先锋媒介。
短句来源
     On cultivating students' social culture competence at vocational college——culture introduction in visual audio class
     英语视听文化导入的尝试与收获
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     Enjoy in Seeing and Hearing
     享受视听
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Abstract Differing from the first four merger & acquisition waves,the fifth one,appearing at the turn of the century,is characterized by information enterprises as the leading factor and the main form of enterprise development.The reasons for this are:1.to get leading technology and develop new products;2.to occupy new market space through economical informatization;3.to accelerate the integration of economy and technology and loosen the government...

Abstract Differing from the first four merger & acquisition waves,the fifth one,appearing at the turn of the century,is characterized by information enterprises as the leading factor and the main form of enterprise development.The reasons for this are:1.to get leading technology and develop new products;2.to occupy new market space through economical informatization;3.to accelerate the integration of economy and technology and loosen the government control.Finally,this paper holds that the idea of“forging ahead or you will fall behind”is the basis and the motive of merger & acquisition of information enterprises.

隐含着“世纪交接”意义的世界第五次企业购并浪潮区别于前四次的产业特点是信息企业为主流。这主要表现在通信业、电脑业、广播视听文化业等。购并成为信息企业扩展的主要方式的原因是多方面的,包括抢占领先技术,开拓新产品的技术动因;由世界经济信息化趋势提供广阔的需求空间的市场规模动因;由加速经济技术一体化和政府管制放松而形成的外部原因。文章最后认为,“不进则退”的理念是信息企业购并与扩展的人文基础与内在动因。

For a long time, Chinese movies have been involved in an intricate relationship with literature and television. "Movie literature" has grown to be a classic term being inseparable with Chinese movies and frequently appearing on various occasions, so that the close intercourse between Chinese movies and Chinese literature proves to be an indisputable fact. However, when people talk about TV programs, especially TV plays along with the entering of television into ordinary Chinese families, "movie and television...

For a long time, Chinese movies have been involved in an intricate relationship with literature and television. "Movie literature" has grown to be a classic term being inseparable with Chinese movies and frequently appearing on various occasions, so that the close intercourse between Chinese movies and Chinese literature proves to be an indisputable fact. However, when people talk about TV programs, especially TV plays along with the entering of television into ordinary Chinese families, "movie and television literature" instead of "movie literature" becomes the most commonly used concept. The phenomenon itself suggests that we have neglected the essence of movie and television purposely or unintentionally, though it may also have something to do with the fact that Chinese movies have always lacked the power of visual appeal. Therefore, the breaking of the relationship between movie and literature or movie and television is a special product under Chinas particular social and cultural environment during the change of the centuries. When literature has no longer been the main stream of social culture, its place will inevitably be taken by movie, which has the characteristics of an audio-visual culture. But for Chinese audience who are lingering in the "primary stage" and facing a "primary stage" Chinese movie, a home made movie which is hard to survive under the attack of movies made in Hollywood, U S A.and other forms of cultural entertainment, they will shift their eyesight to television without the least hesitation, though television can not satisfy them either. This perhaps is the necessary outcome of things in the "primary stage".

中国电影与文学、与电视之间一直存在着一种纠缠不清的关系。“电影文学”的概念成为与中国电影相伴的经典词汇而频频出现在各种场合 ,中国电影与中国文学的亲密关系也是不争的事实。当电视开始普及 ,“影视文学”取代“电影文学”成为人们讨论的电视节目 ,特别是讨论电视剧时最常用的一个概念。其间包含了我们对于电影本性和电视本性的一种有意无意的忽略 ,而中国电影一直缺乏视觉表现力 ,恐怕与这种观念不无关系。而电影与文学、电影与电视关系的颠覆 ,则是世纪之交中国特殊的社会文化语境下的特殊产物。当文学不再成为社会文化的主流 ,以视听文化为其主要表征的电影势必将成为社会文化的主体 ;而尚处于“初级阶段”的中国观众 ,面对着同样处于“初级阶段”的中国电影 ,面对着美国好莱坞电影、其他各种文化娱乐形式冲击下艰难生存的本土电影 ,毫不犹豫地将目光投放到同样不能令他们满意的电视跟前 ,这也许是“初级阶段”一种必然的选择。

The four media forms, newspaer, broadcast, TV and net, have different propapation features and cultural implications respectively. Newspapers is the symbolic media of the “reading cultural”, while broadcast is the typical media of the “audio cultural”. TV is the representative media of the “visual cultural” and net is the vanguard of the “new visual and audio culture”. The appearance of each new media is the reforming and stretching of the media in existence. Every innovation of media accompanies the change...

The four media forms, newspaer, broadcast, TV and net, have different propapation features and cultural implications respectively. Newspapers is the symbolic media of the “reading cultural”, while broadcast is the typical media of the “audio cultural”. TV is the representative media of the “visual cultural” and net is the vanguard of the “new visual and audio culture”. The appearance of each new media is the reforming and stretching of the media in existence. Every innovation of media accompanies the change of human thought and the developing of social culture.

报纸、广播、电视、网络等四大媒体有着各自的传播特质和文化意蕴。报纸是“读”文化的象征媒介 ;广播是“听”文化的典型媒介 ;电视是“看”文化的代表媒介 ;网络是“新视听”文化的先锋媒介。每一种新媒介的出现都是对已有媒介的整合和延伸。大众传媒的每一次革新 ,都伴随着人类思维的变化和社会文化的发展

 
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