Studying his calligraphystyle and the evolution of his calligraphy thoughts may helps us know the great master of calligraphy better, and understandthe basic situations and spiritual qualities of the calligraphy in South Song Dynasty.
This paper treats the general aesthetic development before Sushi when Chinese scholars esteem Dan. By researching history materials, art works of Sushi, and primary discussing the reason of forming Sushi' calligraphy ideology, the paper focuses on the contribution which Sushi has made to the aesthetic ideology of esteeming Dan through the follow three ways: the characteristics of esteem Dan, way of making it into reality and the aesthetic standard of esteeming Dan.
This kind of artistic view of calligraphists' noble perfect personality, which carries forward the unification of political ideal and artistic ideal, is the ideological quintessence of Sun Guo - ting' s calligraphic study.
The unity of political ideal and artistic ideal is regarded as the goal of a calligrapher and represents the quintessence of the author’s understanding of calligraphy.
This thesis first of all, introduced the theme of angle of study of Confucian classic, andinvestigated the origin of Ruan Yuan's calligraphic thoughts in three aspects: involvement ofQianjia School and Yangzhou School, dominance of study of inscription on ancient bronzes andstone tablets in study of Epigraphy and the general situation of calligraphy in the early and lateQing Dynasty background with study of Confucian classic.
From the beginning of the thought :The importance of calligraphy is self-consciousness, the article discusses Zhang Bi`s ideas on learning from predecessors creation and calligraphy, and analyzes the cause of his thought of calligraphic theory.
This text comment Zhi standard , study thought ,etc. three respects still from calligraphy view , calligraphy of ChangWen Zhu mainly, learn to probe into research in thought about the book that contains in " Xu Shu Duan ";