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During the periods of Han& Wei Six dynasties, free imagination in activities was expressed by "imagine freely to one's heart content", i.e. human nature fully emacipated and personality completely freed. The writers of prose and poetry, with populace's curiocity and interests, composed their prose and poetry wilfully in the face of the colorful nature and the society of common people. Therefore, free imagination in their prose and poetry is displayed as anti-neutral beauty, being contained in the objective discription...

During the periods of Han& Wei Six dynasties, free imagination in activities was expressed by "imagine freely to one's heart content", i.e. human nature fully emacipated and personality completely freed. The writers of prose and poetry, with populace's curiocity and interests, composed their prose and poetry wilfully in the face of the colorful nature and the society of common people. Therefore, free imagination in their prose and poetry is displayed as anti-neutral beauty, being contained in the objective discription to the full with vulgartint, in the emotional betterness by gorgeous expressions, in the poetry like prose with no resevvation in style, and as to rhetorics, in the mixure and roling of splendid wording all of which formed the free imagination times of prose and poetry.

汉魏六朝时期,畅神在行为层面表现为“纵心调畅”,人性充分解放,个性充分自由。辞赋作家,以市民好奇之心和世俗情趣,面对着异彩纷呈的大自然和芸芸众生的社会,率意而赋。因此,在辞赋作品中,畅神表现为反中和之美,蕴涵于题材层面的穷情写物而不避丑俗、抒情层面的危苦悲哀而侈陈艳逸、文体层面的辞赋诗化而言情无忌、辞采层面的淫辞丽藻而心折骨惊的混融和滚动,于是,形成辞赋的畅神时期。

 
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