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中国现代主义诗学
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  chinese modernist poetics
     Based on their rich poetic practice, their theories present their conscious thinking and construction of Chinese modernist poetics.
     他们是对现代主义诗学进行自觉思考和建设的一代诗人 ,代表了中国现代主义诗学发展的一个高度。
短句来源
  china ' s modernistic poetics
     “Look for a Poetic Way of Thinking” ——Studies on China's Modernistic Poetics ( 1 )
     “找一种诗的思维术”——中国现代主义诗学研究之一
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  “中国现代主义诗学”译为未确定词的双语例句
     The western modernist poetry and Chinese classical poetry affect the conceptions, the way of thinking, the tactics of Chinese modernist poetry.
     中国现代主义诗学在中国古典诗学的纵向制约与西方现代主义诗学的横向影响的双重作用下 ,在诗歌观念、诗思方式、诗学策略等方面产生了从古典诗学到现代主义诗学的种种变异
短句来源
     These papers aiming at the modernization of Chinese new poetry represent the highest level of China's modernist poetic theory at that time.
     这些论文代表着那一年代中国现代主义诗学理论的最高水平,其指归是中国新诗现代化。
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  相似匹配句对
     The Aesthetics of Chinese Classic Poetry and Ezra Pound's Modernist Poetics
     中国古典诗歌美学与庞德现代主义诗学
短句来源
     The Modernism Poetry in Chinese Style——A Discussion on the “Nine Leaves”Poetry Group
     中国式的现代主义——浅论“九叶”派诗学
短句来源
     Approaching A Poetics of Chinese Modernity
     通向中国现代性诗学
短句来源
     On the practicality of Chinese poetics
     论中国诗学的实践性
短句来源
     MODERNISTIC POEMS WITH CHINESE CHARACTERISTICS
     现代主义诗歌的中国面孔
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Chinese modernist poetry was produced under the cultural backgrounds of western poetry and Chinese classical poetry, and it is the production of cultural communication and the merging of poetry in this century. It is the second revolution to the aesthetic tradition of classical poetry. In this process, the western modernist poetry and the Chinese classical poetry, modernization and nationalization are opposed and merged. The western modernist poetry and Chinese classical poetry affect the conceptions, the way...

Chinese modernist poetry was produced under the cultural backgrounds of western poetry and Chinese classical poetry, and it is the production of cultural communication and the merging of poetry in this century. It is the second revolution to the aesthetic tradition of classical poetry. In this process, the western modernist poetry and the Chinese classical poetry, modernization and nationalization are opposed and merged. The western modernist poetry and Chinese classical poetry affect the conceptions, the way of thinking, the tactics of Chinese modernist poetry.

中国现代主义诗学是在西方现代主义诗学与中国古典诗学的双重文化背景下生成的 ,是本世纪中西文化交流和诗学融会的产物 ,它的成熟构成了对古典诗歌美学传统的“二次革命”。在这一生成过程中 ,西方现代主义诗学 /中国古典诗学、现代化 /民族化呈现出互相消长、对立、融合的态势。中国现代主义诗学在中国古典诗学的纵向制约与西方现代主义诗学的横向影响的双重作用下 ,在诗歌观念、诗思方式、诗学策略等方面产生了从古典诗学到现代主义诗学的种种变异

Chinese new poets of the 1940s cherished an intense consciousness of modern culture. Influenced by Western modernist poetics of T.S.Eliot, they also showed and inclination to the late symbolism and other English and American modernist poetics. They made a great effort to “modernize Chinese new poetry”.Based on their rich poetic practice, their theories present their conscious thinking and construction of Chinese modernist poetics. The present paper explores the relationship between poetry and reality, poet's...

Chinese new poets of the 1940s cherished an intense consciousness of modern culture. Influenced by Western modernist poetics of T.S.Eliot, they also showed and inclination to the late symbolism and other English and American modernist poetics. They made a great effort to “modernize Chinese new poetry”.Based on their rich poetic practice, their theories present their conscious thinking and construction of Chinese modernist poetics. The present paper explores the relationship between poetry and reality, poet's subjectivity, poetic forms, and readers' acceptance of the modernist poetics of the Chinese new poetry.

四十年代的中国新诗派诗人群具有鲜明的现代文化意识。他们主张接受“以艾略特为核心的现代西洋诗的影响” ,向后期象征主义诗学和英美现代主义诗学倾斜 ,明确提出了“新诗现代化”的目标。他们的理论思考既超前又富有现实针对性 ,且有大量的现代主义倾向的诗歌创作实践作为坚实的基础。他们是对现代主义诗学进行自觉思考和建设的一代诗人 ,代表了中国现代主义诗学发展的一个高度。本文从诗与现实的关系、诗人主体精神、诗作形式追求、对读者接受的态度等角度入手 ,系统地阐析了中国新诗派诗人的有关现代主义诗学思想 ,总结其特点及得失

The transition from the 1930s to the 1940s witnessed a crucial era for the construction of modernist poetry in China. Modern poets represented by Mu Dan, absorbed the "aesthetics of negativity" idea in western modernism, and broke the rigidity of mode in former Chinese "modernists" in which western discourse and the Chinese reality were pieced together by force in terms of technique and content. The experimental practices of Mu Dan demonstrate the social criticism and subjective independence of modern poetry,...

The transition from the 1930s to the 1940s witnessed a crucial era for the construction of modernist poetry in China. Modern poets represented by Mu Dan, absorbed the "aesthetics of negativity" idea in western modernism, and broke the rigidity of mode in former Chinese "modernists" in which western discourse and the Chinese reality were pieced together by force in terms of technique and content. The experimental practices of Mu Dan demonstrate the social criticism and subjective independence of modern poetry, which is of great value to the development of Chinese modern poetry.

2 0世纪 3 0、40年代相交时期 ,中国的现代主义诗学建构进入一个新的阶段。以穆旦为代表的现代诗人注重吸收西方现代主义“否定性美学”的精神内核 ,突破了中国旧现代主义者从技法、内容上强行拼凑西方话语于中国现实之上的僵硬模式。穆旦探索的每一步都突出地切合了现代诗的社会批判和主体独立的要求 ,对中国现代诗的发展有着重要的价值涵义

 
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