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The Relic of lakefront,the remnant of Lei Hill and the fragrances in the rain lane,which constituted the image of Hangzhou in the contemporary literature,implied the tracks of this city changed from the classical appearance of West Lake landscape to the modern characters of the town and lane in the former half part of 20th century.In the face of beautiful landscape of the old capital,the scenery surmounted the person and visitor's perspective and became the two greatest characteristics which molded the image...

The Relic of lakefront,the remnant of Lei Hill and the fragrances in the rain lane,which constituted the image of Hangzhou in the contemporary literature,implied the tracks of this city changed from the classical appearance of West Lake landscape to the modern characters of the town and lane in the former half part of 20th century.In the face of beautiful landscape of the old capital,the scenery surmounted the person and visitor's perspective and became the two greatest characteristics which molded the image of Hangzhou in the contemporary literature.Modern writer always hardly broke away from ambivalent mentality who have both enjoyed and rejected or both turned down and been reluctant to leave.The marginalizatian of Hangzhou in the contemporary literature has the inner relations to the history of the Chinese nation in 20thcentury,the emotion and time consciousness.

湖畔遗韵、雷峰残景和雨巷清香组成了现代文学中的杭州形象,暗隐了20世纪上半叶杭城从西湖山水风光的古典风貌向市井巷弄的现代气质的转变。面对秀山丽水的古都特色,景物超越人物和游客视角成为现代文学中杭州形象塑造的两大特点,现代作家总是难以摆脱既欣赏又排斥、既拒绝又留恋的矛盾。现代文学中的杭城现象的边缘化与20世纪中华民族的历史记忆、情感基调和时代意识有着内在联系。

 
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