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   民族文化心理结构 的翻译结果: 查询用时:0.21秒
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民族文化心理结构
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  the psychological structure of national culture
     At the same time, it explores how the psychological structure of national culture, which plays the key role in the cultural tradition, influences the current vocational education development.
     分析了文化传统中最具核心作用的民族文化心理结构对当前职业技术教育发展的影响。
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     With its aim at seeking the root of national culture, analyzing the psychological structure of national culture, rebuilding the soul of national culture, the root-seeking literature has engendered in the social cultural background.
     正是在这样的社会文化背景下,旨在探寻民族文化之根,剖析民族文化心理结构、重树民族文化精神的“寻根小说”应运而生了。
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     From the angle of the psychological structure of national culture,the article emphasizes the probing into the negative influence of authoritative ideology upon language teaching. [
     文章从民族文化心理结构的角度,着重探讨权威化意识对现代语文教育的反面影响。
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  “民族文化心理结构”译为未确定词的双语例句
     The emergence,development and prosperity of Chinese ancient landscape arts was the artistic representation of the consciousness.
     中国古代山水艺术的出现、发展和繁荣,是民族文化心理结构中山水生命意识高度艺术化表现的结果。
短句来源
     On the Influence of the Psychological Structure of National
     论民族文化心理结构对语文教育的影响
短句来源
     Romanticism under the Impact of Cultural-psychological Formation and the Times:a comparison between Shen Congwen and Tennessee Wiliams
     民族文化心理结构与时代背景作用下的浪漫主义——沈从文与田纳西·威廉斯之比较
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     On the Consciousness of Life and Nature in the Psychological Structure of Ancient Chinese
     中国古代民族文化心理结构中的山水生命意识
短句来源
     The fact that the Chinese culture is confronted with actual challenges increasingly necessitates the research into the cultural-psychological structure of the Han nationality and the retrospection of the self-consciousness of the Han nationality.
     中国文化面临的现实挑战使得探讨汉民族文化心理结构,反思汉民族自我意识的课题闩益紧迫,我们应回溯先秦,重释原典,寻找智慧。
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     On the Influence of the Psychological Structure of National
     论民族文化心理结构对语文教育的影响
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     The Structure of Culture and Psychology in the Art
     艺术中的文化心理结构
短句来源
     This paper presents the cultural outlook that social system and national psychology are main elements of cultural structure.
     提出了社会机制和民族心理文化主体结构文化观。
短句来源
     On the Consciousness of Life and Nature in the Psychological Structure of Ancient Chinese
     中国古代民族文化心理结构中的山水生命意识
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     View the National Cultural Psychology from the Borrowed Words
     从舶来语看民族文化心理
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This paper is trying to have a deep insight into Beijing-flavoured literature fromthe scope of cultural implication,and to discuss the historical cause of formation and three cul-tural gradations of Beijing-flavoured literature from both the macroscopic and microcosmic as-pects. The flavour with a local characteristic discussed in the paper is actually the reflection oflocal cuItural features. Among all the factors forming the flavour,human beings are the crys-tallization of culture. In high-grade and high-taste...

This paper is trying to have a deep insight into Beijing-flavoured literature fromthe scope of cultural implication,and to discuss the historical cause of formation and three cul-tural gradations of Beijing-flavoured literature from both the macroscopic and microcosmic as-pects. The flavour with a local characteristic discussed in the paper is actually the reflection oflocal cuItural features. Among all the factors forming the flavour,human beings are the crys-tallization of culture. In high-grade and high-taste Beijing-flavoured literature,attentionshould be paid to creating characters who not only represent the local character trait, but havethe psychological composition with a deep-grade ethnical culture,It is pointed out that LaoShe's creative works are the cultural pursuit of the high gradation and high taste of Beijing-flavoured literature, After diverse cultural pondering based on Lao She's special position in lit-erature, it is concluded that Lao She fully deserves the world-class writer of Beijing-flavouredliterature.[

试从“文化蕴含”的广角,对京味儿文学予以观照,从宏观和微观两方面探讨京味儿文学的历史成因和三个文化层次。其中论述了“一种地方特色的‘味儿’,实际上是一种地方文化特征的体现”,在构成“味儿”的诸因素中,“人是文化的结晶”。高层次、高品位的京味儿文学必须将注意力放在塑造既具有地方性格特征又具有深层次民族文化心理结构的人物形象上。指出了老舍的创作即是京味儿文学“高层次”、“高品位”的文化追求;并从老舍特殊的文学地位中进行了多向性的文化思考,得出了老舍是当之无愧的世界量级的京味儿文学作家的结论。

In the perspective of the Manipulation School and with refere nce to certain theories of culturology, psychology, and sociology, this paper ex pounds why and how culrural manipulation of translation occurs. The discussion involves macroscopic cultural factors such as the objective necessity of cultura l communication, the nature and level of cultures, peoples' cultural and psychol ogical structures, and cultural stability; it also involves microscopic factors such as morality, religion, and academic tradition...

In the perspective of the Manipulation School and with refere nce to certain theories of culturology, psychology, and sociology, this paper ex pounds why and how culrural manipulation of translation occurs. The discussion involves macroscopic cultural factors such as the objective necessity of cultura l communication, the nature and level of cultures, peoples' cultural and psychol ogical structures, and cultural stability; it also involves microscopic factors such as morality, religion, and academic tradition as well as its development le vel. Then, the paper points out the positive and negative function of the contro l, and suggests that in the present situation the positive function can be reinf orced by advocating diversity in culture and translation on the precise of stick ing to the given mainstream.

本文借鉴西方操控学派的研究视角,结合文化学、心理学、社会学的理论成果,探讨文化对于翻译的多层面操控的原因及表现。其中,宏观文化因素包括文化交流的客观需要、文化的性质和水平、民族的文化心理结构和文化的稳定性,微观文化因素包括道德、宗教和学术传统及其发展水平。在目前的社会历史条件下,增强操控的积极作用之根本方法是在坚持主旋律的前提下倡导文化及翻译的多样性。

As an Taoist, Zhuangzhou thinks that the Tao (meaning "the wa y") is the essence of the universe and is thus ubiquitous and almighty, making sure that everything exist the way that is. Together with Confucianism, his aesthetic idea s, that the Tao is the highest aesthetic standard with natural beauty as its cor e, are of far-reaching influence on the development of Chinese aesthetics and ha ve always been the foundation on which the Chinese cultural and psychological fr amework develops and from which many...

As an Taoist, Zhuangzhou thinks that the Tao (meaning "the wa y") is the essence of the universe and is thus ubiquitous and almighty, making sure that everything exist the way that is. Together with Confucianism, his aesthetic idea s, that the Tao is the highest aesthetic standard with natural beauty as its cor e, are of far-reaching influence on the development of Chinese aesthetics and ha ve always been the foundation on which the Chinese cultural and psychological fr amework develops and from which many of the basic Chinese philosophical notions and concepts derive. His thought on social ideas and living attitudes has, doubt lessly, cast profound influence of generations of Chinese to come.

道家学派的庄子认为“道”是宇宙万物的根本,它无所不在,无所不为。“道”使一切事物显得自然而然,好象事物本来就如此。“道”是最高的审美境界,自然美是庄子美学的核心。庄子的美学观对中国美学史的发展具有深远的影响,与儒家一道奠定了汉民族的文化心理结构。中国哲学史的主要论题和基本观念,不少是引发于庄子,无疑的,在社会思想和人生态度上,庄子的思想对后人亦起着深远的影响。

 
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