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   魔幻 在 戏剧电影与电视艺术 分类中 的翻译结果: 查询用时:0.031秒
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魔幻
相关语句
  magic
    THE MAGIC FESTIVAL
    这一场魔幻盛宴
短句来源
    Transgression and Subversion——A Magic Realistic Interpretation of Woza Albert!
    颠覆和跨越——《阿尔伯特站起来!》之魔幻现实主义解读
短句来源
    Magic Russian Cartoon——The First Russian long cartoon The Little Longnose
    魔幻俄国风——评俄罗斯第一部动画长片《大鼻子小英雄》
短句来源
    Influenced by the trend of "mythology revival" in the world literature and primitive religion in Japanese traditional culture, HayaoMiyazaki's cartoons are filled with magic features.
    受世界文学“神话复兴”潮流以及日本传统文化原始宗教信仰的影响,宫氏动画充满魔幻的色彩,主要角色大都具有神奇的魔力;
短句来源
  “魔幻”译为未确定词的双语例句
    Harru Potter and the Prisoner of Azkaban
    哈利·波特与阿兹卡班囚徒走进魔幻世界
短句来源
    Reality,Fantasy and Love Motif
    现实、奇幻、爱的母题——关于当代魔幻童话电影创作一些共通规律的思考
短句来源
  相似匹配句对
    THE MAGIC FESTIVAL
    这一场魔幻盛宴
短句来源
    Harru Potter and the Prisoner of Azkaban
    哈利·波特与阿兹卡班囚徒走进魔幻世界
短句来源
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  magic
The association of potassium nonanoate molecules in aqueous Aerosil dispersions at high and low surface charges of its particles are studied by the 13C NMR technique at frequencies of 75 and 125 MHz with the rotation of a sample at a magic angle.
      
The structure of sulfate-phosphate glasses is investigated by high-resolution 31P solid-state nuclear magnetic resonance with magic-angle sample spinning (31P MAS NMR spectroscopy).
      
Generalized Crystallography of Nanoparticles and Magic Numbers
      
These numbers are usually called the magic numbers.
      
The magic numbers are counted for polymorphic (cubic, tetragonal, and monoclinic) zirconia modifications.
      
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  magical
The method is based on the multiparticle shell model, where the necessary input effective parameters are determined from the experimental data concerning nuclei in the close vicinity of the magical core.
      
Frequently feelings of tedium and emptiness as defence against either helplessness and futility may be experienced or, on the other hand, fantasies of omnipotence or magical healing powers.
      
The findings suggest no relation between the severity of the OCD and magical thinking.
      
Magical Discourse, Moral Boundaries, and the Mapping of Interrelations in the Riau Archipelago
      
Sz?nyi, John Dee's occultism: Magical exaltation through powerful signs
      
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Baober in Love" is a movie about a non-traditional love story expressed with surrealistic skills. From unique angles, "Baober in Love" explores the important matters in life as the pure love, the spiritual world, the course of life and so on. The whole movie is made fairly exquisitely in the aspects of narration and emotions that are dealt skillfully with the application of the artistic technique of magic. All this shows clearly the tendency to aestheticism in the movie production, and thus brings us the strong...

Baober in Love" is a movie about a non-traditional love story expressed with surrealistic skills. From unique angles, "Baober in Love" explores the important matters in life as the pure love, the spiritual world, the course of life and so on. The whole movie is made fairly exquisitely in the aspects of narration and emotions that are dealt skillfully with the application of the artistic technique of magic. All this shows clearly the tendency to aestheticism in the movie production, and thus brings us the strong impact.

电影《恋爱中的宝贝》是一部用超现实的手法表现非传统爱情的影片,影片以独特的视角对纯粹爱情、精神家园、生命过程等重大问题进行深入探索。整个影片拍摄制作十分精致,叙事和情感表现得相当巧妙,魔幻艺术手法的运用为影片带来了很强的冲击力,体现了导演的唯美倾向。

The Little Longnose is a milestone in Russian animation production,being the first theatrically released animated feature produced in Russia in nearly 40 years.It was manufactured by Russian and American.This article analyses the successful experiences of this film: magical factors,cartoon incidental music contained Russian culture,international way.

《大鼻子小英雄》是俄罗斯40年来第一部动画长片,在丰富的制作历史和与美国这一动画强国合拍的基础上,这部动画片制作技巧成熟、画面精美,具有很高的观赏价值。本文分析了这部影片的几个特点,即带有魔幻色彩的叙事风格、内含俄国文化的动画片配乐、走国际化合作道路,这些特征成为《大鼻子小英雄》的成功法宝。

The films of the 6~(th) generation is poetic but cruel,practical but fantastic,objective but enthusiastic in narration style which is a combination of two extremes.The conflicting extremes indicate the dilemma of both film men of the 6~(th) generation in cultural orientation and Chinese contemporary culture.

中国第六代电影在叙事风格上呈现为诗意而又残酷、纪实而又魔幻、客观而又热情的两极交汇,这种撕裂感和矛盾性根源于第六代电影人自身文化定位的两难,也反映了当下中国文化深层次的紧张和选择的艰难。

 
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