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小说定义
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  “小说定义”译为未确定词的双语例句
     On the Definition of China's Lyrical Novel
     对中国抒情小说定义的再思考
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     Neo-Historical Novel:Definition,Theoratical Background and Literary Relations
     新历史小说:定义、理论背景及文学渊源
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     Wang An-yi defines novel as the representation of inner experience, which is a completely new definition and is against the traditional one.
     第三,关于王安忆建构“心灵世界”的小说叙事美学理念,这是王安忆一反传统的小说定义,重新给小说下定义,将小说定义为“心灵世界”的表现。
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     By reviewing and marshaling the notion of the historical novel, it is defined which obtaining materials from the really historical records;
     通过回顾和重新梳理历史小说概念,本文将历史小说定义为:取材于真实历史记录的作品;
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     Traditional concept of the growth novel is so limited that it can't include more growth content for man's innermost being in the new growth novel. So the concept of the new growth novel must be expended.
     传统的教育式成长小说定义局限于个人与社会关系的狭窄范畴,无法涵括二十世纪以来成长题材小说中对个人内部更为宏阔和深邃的生命体验的开掘和表现,从而提出以题材来界定新潮成长小说的定义。
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     Define whieh will be called the canonical measure distribution of P. Definition.
     定义
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     On Basic Questions of Fantasy Novels
     关于玄幻小说的特点和定义
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     On the Theoretical Source and Definition of Novel Rhetoric
     论小说修辞的理论基源及定义
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     The Bounds of Fiction
     小说的边界
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     On the Definition of Criminal Liability
     刑事责任的定义
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The discrepancy between the criteria used to define the Tang novels has provoked a variety of ideas.Tang novels did not make any breahthrough in terms of literary style,what they did was applying the sense of literary creation in narrative writings,which was consistent with the then blooming atmosphere.As the traditional format of narrative writing limited the sense of literary creation to a certain degree,it may be questionable to assign a particular literary style to “Tang legends”.

对于唐代文言小说的定义 ,学术界存在较大的分歧 ,归其根本是判断标准的混杂。鲁迅《中国小说史略》中的“传奇”概念也是模糊变化的。其实唐人文言小说并未形成文体上的突破 ,只是文学制作意识在各旧有的叙事文体中得到大量的广泛的运用 ,这与唐人万象更新的风气相关。然而文言叙事文体的传统规范性使这种文学制作意识的侵入只能停留在一定的程度 ,所以“唐人传奇”这一文体称谓的科学性值得探究

The text first defines what is the fantastic or "terrorist " fiction , then gives out the general sketch of the development of the fantastic or "terrorist "fiction in ancient China It divides the examples out of Liao Zhai Zhi Yi among five categories : the pain of war , ghosts and spirits , love between the human being and the ghosts , religious punishment and natural disasters So-called "loveliness and intimacy of exotic species "in Liao Zhai Zhi Yi , affirmed by Lu Xun , cannot be taken as a...

The text first defines what is the fantastic or "terrorist " fiction , then gives out the general sketch of the development of the fantastic or "terrorist "fiction in ancient China It divides the examples out of Liao Zhai Zhi Yi among five categories : the pain of war , ghosts and spirits , love between the human being and the ghosts , religious punishment and natural disasters So-called "loveliness and intimacy of exotic species "in Liao Zhai Zhi Yi , affirmed by Lu Xun , cannot be taken as a rule or an universal truth in the whole book of Liao Zhai Zhi Yi

本文界定了恐怖小说的定义 ,概括了中国古代恐怖小说发展的大致脉络。认为《聊斋志异》的恐怖作品有战争创伤、鬼怪灵异、人鬼相恋、宗教劝惩、自然灾异五类。鲁迅所说《聊斋志异》中鬼狐花妖“和易可亲 ,忘为异类”的观点是在与“明末志怪群书”的比较中提及的 ,并不能代表《聊斋志异》中鬼狐花妖的全部和其总体的美学风格。

Russian Formalism, which began and flourished at the beginning of 1920s, is an influential and important literary school in the field of critical theory. Formalists'research on the definition, structure, plot, ending and narration of short story is unprecedented and it has realistic significance. Their theory on short story has an important position in the field of short story theory.

二十世纪二十年代初形成而兴盛的俄国形式主义是文学批评领域极富影响的重要学派。俄国形式主义者关于短篇小说的定义、结构、情节、结尾和叙事手法等方面的研究前所未有且具有现实意义。他们的短篇小说理论在短篇小说理论领域具有重要地位。

 
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