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新启蒙主义
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  “新启蒙主义”译为未确定词的双语例句
     With constant reflection and practice on the part of writers of modern Chinese literary histroy,queries have been raised about the various concepts of modern literary history modelled on the Neoenlightment in the 80s,which will result in a formula shift from philosophical thinking and methodological basis to narrative discourse. That is, the writing and research of modern literary history will witness a formula shift from the traditional one constrained by ideological thinking to the philosophical one based on linguistics.
     随着现代文学史写作主体的不断反思和实践 ,建立在 80年代新启蒙主义基础上的现代文学史观的诸理念受到质疑 ,将发生一场从哲学思维和方法论基础到叙事话语的范式转换 ,即过去现代文学史写作与研究在整体上受意识哲学思维方式束缚 ,将向以语言学为基础的哲学思维方式转移。
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     The "new nlightment",with Li Shu as its main representative,speak highly of the "modern" while disdaining the "tradition" almost unconditionally.
     几乎无条件无限制地欢迎“现代”而鄙弃“传统”,是黎澍等“新启蒙主义”者的基本倾向。
短句来源
     Tracing back the relationship of the 20th-century Chinese literature and the mediums,we can see their mutual act relation.
     回首 2 0世纪中国文学与媒体的关系 ,从世纪之初兴起的小说创作热潮及历次文学思潮、流派的纷争 ,直到后来的新启蒙主义浪潮和电影文学、电视文学的发展 ,均与媒体有着密不可分的互动关系。
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     Its complex development includes, on one hand, the continuation of the mainstream thinking of “New Enlightenment” and “Nationality Critique,” and on the other, the unconscious response to modernization in the 1980s.
     “寻根文学”一方面是“新启蒙主义”和“国民性批判”这一主流思路的延续,另一方面又是20世纪80年代一种对于现代化最初不自觉的反应。
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  相似匹配句对
     Nirvana phoenix——Review about enlightenism of new period
     涅槃的凤凰——时期的启蒙主义述评
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     书馆
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     试验田
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With constant reflection and practice on the part of writers of modern Chinese literary histroy,queries have been raised about the various concepts of modern literary history modelled on the Neoenlightment in the 80s,which will result in a formula shift from philosophical thinking and methodological basis to narrative discourse.That is, the writing and research of modern literary history will witness a formula shift from the traditional one constrained by ideological thinking to the philosophical one based on...

With constant reflection and practice on the part of writers of modern Chinese literary histroy,queries have been raised about the various concepts of modern literary history modelled on the Neoenlightment in the 80s,which will result in a formula shift from philosophical thinking and methodological basis to narrative discourse.That is, the writing and research of modern literary history will witness a formula shift from the traditional one constrained by ideological thinking to the philosophical one based on linguistics.Therefore, as regards modern literature research,one important task is to sort out the discourse system and to explore their dominant effect on modern literary study and the validity of narrative function.

随着现代文学史写作主体的不断反思和实践 ,建立在 80年代新启蒙主义基础上的现代文学史观的诸理念受到质疑 ,将发生一场从哲学思维和方法论基础到叙事话语的范式转换 ,即过去现代文学史写作与研究在整体上受意识哲学思维方式束缚 ,将向以语言学为基础的哲学思维方式转移。因而 ,对现代文学研究而言 ,一个重要任务就是梳理现代文学研究的话语系统 ,检讨它们之于现代文学史研究与写作的支配作用和叙事功能的有效性程度。

Basically,Li Shu is a thinker living in the narrow crack between the in-System and the out-of-System.Since he stood neither closely nor loof form the System,his thoughts are rejected by both the so-called "right" and "left" ideological trends in the 1990s.The "left" reject him for his introspection and examination into the revolutionary ideology aimed with the revolution itself,while the 1990s reject him for his "new enlightme nt" marked with "radicalism" and "anti-tradition".The "new nlightment",with Li Shu...

Basically,Li Shu is a thinker living in the narrow crack between the in-System and the out-of-System.Since he stood neither closely nor loof form the System,his thoughts are rejected by both the so-called "right" and "left" ideological trends in the 1990s.The "left" reject him for his introspection and examination into the revolutionary ideology aimed with the revolution itself,while the 1990s reject him for his "new enlightme nt" marked with "radicalism" and "anti-tradition".The "new nlightment",with Li Shu as its main representative,speak highly of the "modern" while disdaining the "tradition" almost unconditionally.Because of this and other limitations in its ideological theory,although the "new enlightment" presented an ideology for the reform practice,the "new englightment " age has been passed away after all.

黎澍基本上是一个处在“体制”与民间夹缝中的思想家。他与“体制”的那种“入不深出不远离不开”的关系,使得他的思想在上世纪90年代遭到所谓“左”与“右”两种思潮的拒绝。黎澍遭到“左”的拒绝,是因为他对以“革命”本身为目的的“革命意识形态”的反省与审查。而黎澍在90年代的被拒绝,主要是因为他的“激进主义”和“反传统”的“新启蒙”立场。几乎无条件无限制地欢迎“现代”而鄙弃“传统”,是黎澍等“新启蒙主义”者的基本倾向。今天看来,“新启蒙”思潮的确“为整个国家的改革实践提供了意识形态的基础”,但思想理论上的“新启蒙”时代毕竟又已经过去,而且,“新启蒙主义”的思想理论也暴露出种种局限。关键词:传统;新启蒙;革命意识形态;文化保守主义

Literary art and medium are just like twins.Since literary art came to existence,its existence couldn't be separated from medium.With the time changing,the form of medium has changed from mouth to mouth to journals,films,TV and some other forms,medium is the carrier of literature.It is the new mediums that have broght new life to literature.Tracing back the relationship of the 20th-century Chinese literature and the mediums,we can see their mutual act relation.

文学艺术与媒体是一对难舍难分的孪生子。文学艺术自发生之日起 ,便依附于一定的媒体而存在。媒体是文学的载体 ,一种新的媒体的出现 ,往往催生着新的文学样式。回首 2 0世纪中国文学与媒体的关系 ,从世纪之初兴起的小说创作热潮及历次文学思潮、流派的纷争 ,直到后来的新启蒙主义浪潮和电影文学、电视文学的发展 ,均与媒体有着密不可分的互动关系。

 
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