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   山水 在 美术书法雕塑与摄影 分类中 的翻译结果: 查询用时:0.5秒
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山水
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  landscape
    The Landscape of the Sculptural Art from China(2)
    山水聚秀——来自中国的国际雕塑艺术景观(2)
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    Landscape View and a comparison of Chinese and western art
    “山水”、“风景”与中西艺术比较
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    Lao~zhuang philosophy and Traditional Landscape Aesthetics
    老庄哲学与传统山水美学
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    On the Spatial Consciousness of Chinese Landscape Poetry and Landscape Paintings
    略论中国山水诗与山水画之空间意识
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    On the Image Expression Forms of the Freehand Landscape Painting
    浅谈写意山水的意象表现形式
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  “山水”译为未确定词的双语例句
    Mountains-and-Waters Painting and the Awareness of “Longmai ”(龙脉)
    山水格局与龙脉气势
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    On the Spirit Integrating Mountain——water Painting and Personality Beauty
    论融会山水画与人格美的山水精神
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    Comparison the Space Awareness in the Poetry and the Painting of East Jin and South Dynasty
    东晋南朝时期山水诗、画空间意识的比较
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    A vivid history of Chinese painting of Ming Dynasty
    一部活脱脱的明代山水画史——读《南京博物院藏明代山水画集》
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    Your Question Penetrates Reason Like a Fisherman's Song Perinea ting Riversides.
    君问穷通理 渔歌入浦深——谈王维山水诗与宋山水画中禅宗美学观
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  landscape
To optimize the spatial structure of an ecosystem, a forest landscape was selected as a research object.
      
Based on the methods of landscape ecology and ecological planning, this paper develops a zoning project of ecosystem functions suitable for various environments.
      
Distribution of Landscape Elements Along Environmental Gradients in Over-Cut Forests
      
The method of trend surface analysis was used to analyze the distribution of landscape elements along environmental gradients in Jingouling forest farm, northeast China's Jilin Province.
      
Results showed that topographic characteristics and disturbance pattern have much more impacts on the distribution of landscape elements than do horizontal geographical position in the study area.
      
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Majored in Painting minored in creation,tle author is reputated to be the third generation of Ling Nan factions. He liked painting when in childhood, got instruction from famous artists. He believes that, the natural beauty can be reached only when the Painter keeps himself consistently with nature. He loves native rivers and mountains and propagates tle beauty to the public. As to him,painting should include momentum and artistic atmostherel include vigorous and firm harmony or tender feelings. Waters and...

Majored in Painting minored in creation,tle author is reputated to be the third generation of Ling Nan factions. He liked painting when in childhood, got instruction from famous artists. He believes that, the natural beauty can be reached only when the Painter keeps himself consistently with nature. He loves native rivers and mountains and propagates tle beauty to the public. As to him,painting should include momentum and artistic atmostherel include vigorous and firm harmony or tender feelings. Waters and mountains be live and the landscape not only be similar but also be creative. The author con cludes that painting actually embodies the person's morality,thoughts,temper ament,and merges with his literature cultivation and techniques of the art it self.

从小酷爱绘画,壮时得名师指导,终身以美术教育为主,兼搞创作,主攻山水画,被誉为“岭南画派第三代传人”。信奉“天人合一”,认为作者要与自然统一,才能发现自然美。热爱祖国的山水,颂其美,赞其德,将其感染予观众。绘画要“力取气势,造就意境”,成壮美或柔美之作。山水是有生命的,山水画也得画出生命,而不在“很像”。画如其人,它是画家道德、思想、性情、蒙养和技巧的综合体现。

Chinese calligraphy in classical gardens is not only the carrier of languages that point gardens artistic conception out,but also an independent aesthetic object.The forest of stelae,which is for appreciating calligraphy,is an important factor following three garden factors of building,landscape and plant.

书法在中国古典园林中不仅是点醒园林意境的语言文字的载体,而且是独立的审美对象。以欣赏书法为旨的碑林,是继建筑、山水、植物三大造园要素之后的又一重要元素。

In Dai Xi's opinion,the way to painting lies in the combination of "four beauties"and "three prerequisites" indifference and profundity;experience, knowledge and aptitude) He advocated that in artistic creation, form depends on contents and that is was more important to imitate nature than to learn how to master painting skills. He maintained that paintings by intellectuals should be free of any trace of desire for fame and gain and should be free of any bondage both in mind and in body. Therefore he spoke...

In Dai Xi's opinion,the way to painting lies in the combination of "four beauties"and "three prerequisites" indifference and profundity;experience, knowledge and aptitude) He advocated that in artistic creation, form depends on contents and that is was more important to imitate nature than to learn how to master painting skills. He maintained that paintings by intellectuals should be free of any trace of desire for fame and gain and should be free of any bondage both in mind and in body. Therefore he spoke highly of taste, inspiration, mi ldness and innocence. Focusing his learning on styles and effects of the painters of the Yuan and the Song dynasties,Dai Xi tried his best to restore the tradition of the Northern-Song Dynasty. With his distinctive experience of "natural scenery (mountains and waters)are four seasons",he had a way of his own in aesthetic interpretation of stylistics.

戴熙论画,以闲、静、淡、远的风格为“四美”,又进而以识、学、才“三长”兼备,才得画道之成,他提倡“形为心役”的创作,认为造化重于笔墨。他认为文人画应是“名心尽净”、“游戏人间”,故提倡“趣”、“灵和”、“天真”。在学古的择向中,戴熙窥元而追宋,有“振起北宋”之志。他对“四季山水”说有自己独到的体会,对风格学有独到的美学诠释。

 
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