助手标题  
全文文献 工具书 数字 学术定义 翻译助手 学术趋势 更多
查询帮助
意见反馈
   音乐学 在 音乐舞蹈 分类中 的翻译结果: 查询用时:0.832秒
图标索引 在分类学科中查询
所有学科
音乐舞蹈
中国文学
高等教育
戏剧电影与电视艺术
更多类别查询

图标索引 历史查询
 

音乐学
相关语句
  musicology
    China's Musicology Heading for 21st Century Forum of Young and Middle-aged Music Theorists
    走向21世纪的中国音乐学——中青年音乐学家笔会专栏 站在世纪之“界”的“后顾”与“前瞻”
短句来源
    Reflections on the Sustainable Development of Musicology
    有关音乐学事业可持续发展的思考
短句来源
    Feasibility Study on Offering Applied Musicology Course in Adult College
    成人高校开设应用音乐学专业可行性研究
短句来源
    Book Review Musicology——History, Writing and Literature
    音乐学研究的新视角——《音乐学:历史、文献与写作》一书读后
短句来源
    Musical psychology development in contemporary musicology
    当代音乐学中音乐心理学的发展动态
短句来源
更多       
  musicological
    The Musicological Research And Academic Norm
    音乐学研究与学术规范
短句来源
    A Musicological Analysis on the First Violin Concerto of Szymanowski
    席曼诺夫斯基《第一小提琴协奏曲》的音乐学分析
短句来源
    Musicological Analysis of Two Ding Shande's Xinjiang Dance
    丁善德两首新疆舞曲的音乐学分析
短句来源
    Musicological Analysis of Zither Concerto Li Gong Yuan
    古筝协奏曲《骊宫怨》音乐学分析
短句来源
    The Musicological Analyze to the Last Scene of Opera Wozzeck
    歌剧《沃采克》最后一场的音乐学分析
短句来源
更多       
  “音乐学”译为未确定词的双语例句
    Writing of Papers on Ethnomusicology
    民族音乐学的论文写作
短句来源
    A Historical Review and Pondering on the Research Subject of Enthnomusicology
    民族音乐学研究对象的历史回顾与思考
短句来源
    The Destroying of Regional Construction and Breaking out of Ontological Study—— Pondering over the Crux of Problems on Ethnomusicology
    地域建构的摧毁与本体研究的突围——关于民族音乐学问题症结的思考
短句来源
    From Methodology to Philosophy of Culture:Perspectives and Subdivisions in Contemporary Ethno-musicology
    从学科方法论到文化哲学观:现代民族音乐学理论的转型与分层
短句来源
    The Study of Music and Language in Ethnomusicology
    民族音乐学视野中的音乐与语言研究
短句来源
更多       
查询“音乐学”译词为用户自定义的双语例句

    我想查看译文中含有:的双语例句
例句
为了更好的帮助您理解掌握查询词或其译词在地道英语中的实际用法,我们为您准备了出自英文原文的大量英语例句,供您参考。
  musicology
A widely accepted definition of the word phenomenology, together with a basically eclectic attitude and a boundary issue between musicology and philosophy, is identified.
      
However, the author's distancing from the 'idealistic' aspects of his esthetics is covered, in particular the downplaying of the sound-sensitive level and the condemnation of musicology in general.
      
Therefore, the article is not so much a condemnation as an attempt to refound musicology in its entirety, with particular reference to contemporary music.
      
This article seek to highlight the aspects - explicit or implicit - that indicate the close attention paid by much American musicology of this century to the phenomenological level of musical events or, more generally, of the sound event.
      
The thematic index: A computer application to musicology
      
更多          
  musicological
Most of the problems with existing computer musicological systems have to do with the lack of capability for capturing the important notion of musical structure.
      
Two relational databases for finding text paraphrases in musicological research
      
Other musicological uses for seriation are proposed.
      
Furthermore, the generative models learned by the ESP system provide insight into a number of musicological issues related to expressive performance.
      
A musicological model is required to infer the tonality of the piece, which would then give an indication of which enharmonic spelling is correct.
      
更多          


By applying Marxist basic principle, in terms of culture and epistemology, this paper analyses the status of Beethoven's musical works in the history of aesthetics and in epistemology when music is taken as a form of art. On the basis of a realization that music possesses a unique function of recognition, a structural mode of how music helps to understand the world is developed. It concludes that contrary to the musical theory of post modernism, music must reflect the spirits of the times, must carry forward...

By applying Marxist basic principle, in terms of culture and epistemology, this paper analyses the status of Beethoven's musical works in the history of aesthetics and in epistemology when music is taken as a form of art. On the basis of a realization that music possesses a unique function of recognition, a structural mode of how music helps to understand the world is developed. It concludes that contrary to the musical theory of post modernism, music must reflect the spirits of the times, must carry forward the topical melody of the times, and must serve the course of promoting the emancipation of mankind. Beethoven's musical works and thoughts present this ever-lasting theme and will be glorified in history forever.

文章运用马克思主义基本原理 ,从文化学和认识论角度分析了贝多芬的音乐作品在美学史上的地位 ,以及作为艺术形式的音乐在认识上的特殊地位。在研究音乐所具有的独特认知功能的基础上 ,建构了一个音乐对世界进行理解和把握的结构模式。与所谓“后现代主义”的音乐学理论相反 ,音乐必须反映时代精神 ,弘扬时代的主旋律 ,为促进人类解放事业服务。贝多芬的音乐作品和他的音乐思想反映了人类永恒的主题 ,将永远彪炳于人类文化史册

Now it is in a new Millenium, those who concerned the development of Chinese music academic are thinking about how will be the Chinese musicology in the new century? No matter domestic or overseas Chinese, as well as the foreign friends who is determined to study the Chinese music, how about their opinions? Especially those young and middle aged musicologists experienced the changeable situation of 20th century and undertook the historic task of carrying forward the cause and forging ahead into the future. ...

Now it is in a new Millenium, those who concerned the development of Chinese music academic are thinking about how will be the Chinese musicology in the new century? No matter domestic or overseas Chinese, as well as the foreign friends who is determined to study the Chinese music, how about their opinions? Especially those young and middle aged musicologists experienced the changeable situation of 20th century and undertook the historic task of carrying forward the cause and forging ahead into the future. They have a fund of rich academic knowledge as well as open view of culture and full of real opinion and deep insight to the Chinese musicology in the future. Therefore, in the first spring of the new millenium, we offered the column of Writing Conference, invite the musicologists to make suggestions and offer advice to Chinese musicology in 21st century. The manuscripts we received were from the Chinese music scholars on the both sides of the Taiwan Strait, overseas Chinese musicians, and foreign friends. Besides the general situation on Chinese music, the articles were related to the ethnomusicological, music aesthetics, music historiography, music form and pattern, music education, musical psychology, musical sociology, musical archaeology. We hold the idea that the development of Chinese Musicology needs individual research and general survey. The column of Writing Conference in this new century is a continuation of the column of Review Chinese Music Culture in 20th Century in the end of the last century. We welcome all of musicians and scholars from China and overseas to participate in the conference and present their opinions and suggestions to us.

当历史的车轮带领着我们驶入 2 0 0 1年时 ,凡关心中国音乐学术发展的人们也许都在思考 :在新的世纪 ,中国音乐学将会怎样 ?无论是国内或海外的炎黄子孙 ,还是有志于中国音乐研究的国际友人 ,他们都在想些什么 ?特别是那些经历了风云变幻的 2 0世纪 ,又肩负着继往开来历史重任的中青年音乐学家 ,他们既有丰富的学术积累 ,又有开阔的文化视野 ,对中国音乐学的未来一定有着许多真知灼见。有鉴于此 ,在新世纪的第一个春天 ,本刊特辟这一笔会专栏 ,邀请部分中青年音乐学家来对 2 1世纪的中国音乐学献计献策。在我们收到的稿件中 ,既有海峡两岸的中国音乐学家 ,也有旅居海外的华人学者和外国朋友。内容除了有关中国音乐学界的总体情况之外 ,还涉及民族音乐学、音乐美学、音乐史学、音乐形态学、音乐教育学、音乐心理学、音乐社会学、音乐考古学等诸多领域。我们之所以辟这一笔会专栏 ,以“形而上”的方式进行研讨 ,可看作本刊上世纪末“2 0世纪中国音乐文化回眸”专栏的继续。旨在倡导一种虚实并务的学风。我们以为 ,中国音...

当历史的车轮带领着我们驶入 2 0 0 1年时 ,凡关心中国音乐学术发展的人们也许都在思考 :在新的世纪 ,中国音乐学将会怎样 ?无论是国内或海外的炎黄子孙 ,还是有志于中国音乐研究的国际友人 ,他们都在想些什么 ?特别是那些经历了风云变幻的 2 0世纪 ,又肩负着继往开来历史重任的中青年音乐学家 ,他们既有丰富的学术积累 ,又有开阔的文化视野 ,对中国音乐学的未来一定有着许多真知灼见。有鉴于此 ,在新世纪的第一个春天 ,本刊特辟这一笔会专栏 ,邀请部分中青年音乐学家来对 2 1世纪的中国音乐学献计献策。在我们收到的稿件中 ,既有海峡两岸的中国音乐学家 ,也有旅居海外的华人学者和外国朋友。内容除了有关中国音乐学界的总体情况之外 ,还涉及民族音乐学、音乐美学、音乐史学、音乐形态学、音乐教育学、音乐心理学、音乐社会学、音乐考古学等诸多领域。我们之所以辟这一笔会专栏 ,以“形而上”的方式进行研讨 ,可看作本刊上世纪末“2 0世纪中国音乐文化回眸”专栏的继续。旨在倡导一种虚实并务的学风。我们以为 ,中国音乐学的发展 ,除了应有大量“形而下”的“个案研究”和“综合研究”之外 ,尚须对我们的研究进行一定的反思和前瞻。我们热诚欢迎海内外广大学界同仁参与这一讨论。

The ethnomusicological thesis is generally divided into two kinds: demonstrating and annals. The paper discoursed upon the writing way of these two kinds thesis, and introduced the method of bracket annotations, which applied in writing article by ethnomusicologist abroad.

民族音乐学论文分为“论”与“志”两大类 ,文章论述了这两类论文的写作方法 ,并介绍了国外民族音乐学界写作论文时所采用的括号附注法。

 
<< 更多相关文摘    
图标索引 相关查询

 


 
CNKI小工具
在英文学术搜索中查有关音乐学的内容
在知识搜索中查有关音乐学的内容
在数字搜索中查有关音乐学的内容
在概念知识元中查有关音乐学的内容
在学术趋势中查有关音乐学的内容
 
 

CNKI主页设CNKI翻译助手为主页 | 收藏CNKI翻译助手 | 广告服务 | 英文学术搜索
版权图标  2008 CNKI-中国知网
京ICP证040431号 互联网出版许可证 新出网证(京)字008号
北京市公安局海淀分局 备案号:110 1081725
版权图标 2008中国知网(cnki) 中国学术期刊(光盘版)电子杂志社