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品格
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  character
    An Original Interpretation of Loftiness and the Formation of Loftiness Character ofModern Chinese Literature
    崇高的原始阐释与当代中国文学崇高品格的形成
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    Literary choice in culture conflicts——On modernistic character of Chinese modern literature
    文化冲突中的文学选择——中国现代文学的现代品格
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    Culture of Gentry and Lin Yutang's Literary Character
    绅士文化与林语堂的文学品格
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    Cultural Character of Mainland China's Prose in the 1990s
    1990年代中国大陆散文的文化品格
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    On the Prophet-like Character of the Great Philosophers in the Pre-Qin Times--A new interpretation of the culture of the "Great Philosophers
    论先秦诸子的先知品格——关于诸子文化的一种新的解读方式
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    On the Quality and Style and Personality of Xiang Chu Culture and Hunan Literature
    湘楚文化与湖南文学的品格个性
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    The Modern Quality of Zhang Ailing's Prose
    浅论张爱玲散文的现代品格
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    Literary Rhetorical Criticism and Academic Characteristics of Contemporary Chinese Literary Criticism
    文学修辞批评与中国当代文学批评的学术品格
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    Religion,Literary Imagination and Academic Styles--Viewing WANG Ben-chao's Chinese Literature in the 20th Century and Christian Culture
    宗教精神、文学想像与学术品格——评王本朝著《20世纪中国文学与基督教文化》
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    The New Rational Spirit: Quality and Style of《A Sigh for the Past Thousand Years)》
    新理性精神:《千年一叹》的文化品格
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  character
We find a connection between the character ofVnλ and the respective weight polytopes.
      
First we show that the representation ofG×G on eachG-biinvariant irreducible reproducing kernel Hilbert space in Hol(D) is a highest weight representation whose kernel is the character of a highest weight representation ofG.
      
For a classical semisimple Lie algebra, we construct equivariant line bundles whose global sections afford representations with a nilpotentp-character.
      
Under the obvious restriction map, the space of biinvariants is proved isomorphic to the Weyl group invariants of the character group ring associated to the restricted roots.
      
Finite complex reflection groups have the remarkable property that the character field k of their reflection representation is a splitting field, that is, every irreducible complex representation can be realized over k.
      
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This treatise expounds the reformism and aesthetics seeking in poetics (or literatune) of the bourgeoisie in modern times by making comments on the theories of Huang Zun-xian and Liang Qi-chao, the leaders of the literature innovation movement. It holds that: in "The Poetry revolution'', as a literature innovation movement of the bourgeoisie, it's essential content and practical demand are caused and pushed by politics reform movement of the bourgeoisie. and therefore it has an unprecedented intense revolutionary...

This treatise expounds the reformism and aesthetics seeking in poetics (or literatune) of the bourgeoisie in modern times by making comments on the theories of Huang Zun-xian and Liang Qi-chao, the leaders of the literature innovation movement. It holds that: in "The Poetry revolution'', as a literature innovation movement of the bourgeoisie, it's essential content and practical demand are caused and pushed by politics reform movement of the bourgeoisie. and therefore it has an unprecedented intense revolutionary spirit in the history of Chinese literature, thus being full of political utilitarian colour. Being limited by historicalcondition, in their poetics the tool and criterion for criticizing put a greater emphasis on literature form and show a non-literature tendency. but affter all, it is the prelude for Chinese literature to break away with traditional ideas.

本文阐发近代资产阶级诗学(文学)的维新精神和美学追求。认为“诗界革命”作为资产阶级文学革新运动,其革新的实质内容和实际要求是由资产阶级的政治维新运动引发和推动的,因而具有文学发展史上前所未有的强烈维新精神,同时又富于急功近利的政治功利色彩。由于历史的规定性,其诗学的批评武器和批评标准体现出文学内容惟维新是用的批评品格以及非文学倾向,但毕竟是走出传统文学的先声。

The article analyses the character Mu Lian in five aspects: the birth of the legend, the Oedipus complex, divine and human nature, everlasting personality and the symbolic significance. It points out that human nature is the key factor in the character Mu Lian and this is why Mu Lian is accepted and recognized in Chinese folklore as a human rather than divine character. Mu Lian's personality has thus been idealized and enriched. He embodies the Chinese virtue and morality the respectability to the old and gives...

The article analyses the character Mu Lian in five aspects: the birth of the legend, the Oedipus complex, divine and human nature, everlasting personality and the symbolic significance. It points out that human nature is the key factor in the character Mu Lian and this is why Mu Lian is accepted and recognized in Chinese folklore as a human rather than divine character. Mu Lian's personality has thus been idealized and enriched. He embodies the Chinese virtue and morality the respectability to the old and gives it new ethical rendering. Therefore, what is symbolized is the spirit of self-sacrifice, perseverance and the super-human strength.

论文从神话出生、恋母情结、神性人性、状态性格、象征意义等五个方面论析了目连形象,指出人性是目连形象基本的和首要的特征,是他为中国民间社会接受、认同的前提,神性不是目连形象的主体,更不是全部。民间充实了目连形象内涵,目连人格成为民间追求的理想人格,他的孝赋予传统孝伦理道德以新的内容和思想。新孝子目连形象的塑造是目连戏演出的意义所在。目连形象的象征意义体现为:自我牺牲的精神、坚贞不贰的品格、坚韧不拔的意志和非凡超人的力量。

The main artistic fratures in 59 classical poems by Li Bai lie in the use of allusions, especially, of allusions about persons and events. He selected persons with noble character and unusual behavior depicted in history and ancient books for his poems,and eulogized them. His use of allusions has an originality,for it inherits the poets of the older generations and develops their art of allusions.

李白的《古风五十九首》,主要艺术特色在于用典,以人事典故用得最多。他选取历史上与诗文典籍中所描写的品格高尚,有奇操卓行的人事入诗,讴歌其人其事,而且他的用典继承了前代诗人,并发展了前代诗人的用典艺术,很有独到之处。

 
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