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年画
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  new year pictures
    A Tentative Approach to the Artistic Flavor of China's New Year Pictures
    试论中国年画的艺术韵味──兼析瓦尔特·本雅明的艺术理论
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    On the Door Pictures of Wuqiang New Year Pictures
    漫谈武强年画中的门画
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    Aesthetic Temperament and Features of Aesthetic Feeling of Yang Jiabu New Year Pictures
    杨家埠年画的审美情趣和美感特征
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    On the Artistic Features of New Year Pictures Printed with Handcarved Wooden Plate in Yangjiabu
    论杨家埠木版年画的艺术特色
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    Decorative Featuress of Mianzhu New Year Pictures in “A Rat Is Getting Married”
    绵竹年画《老鼠嫁女》的装饰特色
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  new year
    On Influence of Western Copperplate to Taohuawu New Year Picture in Qing Dynasty
    论西方铜版画对清代桃花坞年画的影响
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    Chinese New Year Poster and Modern Poster Design
    谈民间年画与现代招贴设计
短句来源
    A Tentative Approach to the Artistic Flavor of China's New Year Pictures
    试论中国年画的艺术韵味──兼析瓦尔特·本雅明的艺术理论
短句来源
    Differences and Comparisons on Chinese New Year Woodblock Prints
    木版年画风格差异及其比较
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    On the Color of Wooden New Year Drawing in Zhuxian Town
    论朱仙镇木版年画的色彩表现
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  new year painting
    History Origin and Development Prospect of New Year Painting
    年画的历史渊源及其发展前景
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    The Worship in Remote Antiquity——Look at the Origin of Folk Art from New Year Painting of Wuqiang
    远古时代的崇拜——从武强年画看民间艺术的起源
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    Wooden Board New Year Painting of Zhuxian Town
    朱仙镇木版年画
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  “年画”译为未确定词的双语例句
    Assessment of the Beauty in the Modelling and Colour Schemes of Chinese Folk Woodcut Paintings
    民间木版年画的造型美与色彩美
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    On the Art of Traditional Spring Festival Pictures in Luoyang
    洛阳传统年画艺术
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    Inquiry into Visual Thought Image
    视觉思维意象的探微——漳州木版年画的文化阐释
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    On the Witchcraft Culture in Spring Festival Pictures
    看民间年画中的巫文化
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    The Traditional Passing on and Inheriting Mode of Zhuxian Town Wood Engraving Picture and Contemporary Thinking
    朱仙镇木版年画的传统传承模式及其当代思考
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  new year
On New Year's Eve and some festivals, we encounter a great number of firecracker explosions.
      
In this paper, some practical measurements have been performed over a New Year's Eve, and the results were compared with other days.
      
The New Year message from Chinese Journal of Integrative Medicine
      
As always at the turn of the year, we wish you many outstanding results, many exciting discoveries and a Happy New Year.
      
As always at the turn of the year, we wish you many results, many discoveries and a happy New Year! F.T.
      
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This article makes an approach to China's New Year pictures in the perspective of Benjamin's theory of art. The article points out that the varie- ty of social psychological atmosphere results in the dilemma of New Year pic- tures in the contemporary times. And no matter how advanced the techniques are, social memory is of first importance. Only through memory, can art be full of vigor and life and make people look back and forward.

从本雅明的艺术复制理论出发,对中国年画做出一番梳理和认知。究其本质,机械复制的出现与艺术世界的“韵味”消逝并不存在直接的因果牵连。社会文化心理氛围的变异,导致年画艺术在现代的困境,说明了复制的非决定性因素。因此,人们把一切艺术中美学意蕴失落的现象仅仅指向技术发达时,有失公允,甚至是对社会进步的自我否定。技术可以使艺术更加精致,复制同样可以使艺术更加完美,关键在于审美主体自身。因为无论技术怎样发达,记忆都是最重要的。有了记忆,艺术才充满底蕴和生气,才能让人回溯和瞻望。

The history of ancient Chinese wood block prints has a lot in common with that of celadon porcelain paintings. They both started in Tang Dynasty, expanded in Song, prosperous in late Ming and early Qing and declined in the end of Qing and the era of Republic of China. They share a similar time scheme and the commodity characteristics as well as the production method: both of them were produced as commodity in workshops with partitioned handwork. processes(ancient wood block prints mainly used for book illustrations...

The history of ancient Chinese wood block prints has a lot in common with that of celadon porcelain paintings. They both started in Tang Dynasty, expanded in Song, prosperous in late Ming and early Qing and declined in the end of Qing and the era of Republic of China. They share a similar time scheme and the commodity characteristics as well as the production method: both of them were produced as commodity in workshops with partitioned handwork. processes(ancient wood block prints mainly used for book illustrations and New Year pictures). There were much mutual influences between the two.

中国古代版画的发展史与青花瓷有许多相近的地方,它始于唐朝五代,扩于两宋金元,盛于明末清初,衰于清末民国。时间上大体相近,又同是分工作业的手工作坊完成的商品(古代版画主要体现在书籍插图和木版年画),版画与青花瓷是相互影响的。

the wide distribution of new-year wood block, prints in our country has their varied styles due to different natural conditions and customs. The investigations in the traditional wood block print producing areas such as Shandong Province, Zhouxuanzhen of Henan Province, Wu Qiang of Hebei Province, Fengxiang of Shaanxi and Hunan Province can prove this.

我国民间木板年画,分布范围甚广,因自然条件、风俗习惯、人文景观不同,风格特色各异,对山东杨家埠、河南朱仙镇、河北武强、陕西凤翔、湖南滩头、四川锦竹等传统民间年画产区作一些考察不难发现,不同的地域观念和地域感情对年画艺术风格形式的影响。

 
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