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悲剧意识     
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  tragic sense
Researchers into contemporary spirituality in Britain raise the question of a possible return of the classical tragic sense of life once displaced by Christianity.
      
These relate to the therapy of the word, awakening in all the tragic sense of life, an identity with the wounded healer, distinguishing between healing and curing, and accepting the medical education enterprise as a patient.
      
Some of course accommodated a tragic sense that they would hold things together as long as possible, that it was better to die than change.
      
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Abstract The tragic signifincance of Zhang Ailing's masterpiece "Legend" focuses on exploration of the value of life and research of human nature. It alsosoaks through artistic mood of the work. The origin of the tragedy is closely assoc lated with the author's life experience and her aesthetic view. It is the product of the given age and society as well.

张爱玲的代表作《传奇》的悲剧意识,主要表现在它对生命价值的观照和对人性的探究上,也渗透在作品的艺术氛围中;《传奇》悲剧意识的产生,既与作者独特的人生体验、美学追求密切相关,又是特定的社会、时代的产物。

In this paper an analysis is made of the rich tragic vision contained in some of the short stories in Legend by Zhang Ailing. The tragic vision in the short story Be Merciful is mainly seen from the sociological angle, whereas the tragic vision implied in the hard lot of the hero and heroine displayed in the short story Fall in a State Ruining Love is mainly seen at the cross point of sociology and ethics. What is more, full play is given to the tragic vision in the short story The Story of the Gold Lock...

In this paper an analysis is made of the rich tragic vision contained in some of the short stories in Legend by Zhang Ailing. The tragic vision in the short story Be Merciful is mainly seen from the sociological angle, whereas the tragic vision implied in the hard lot of the hero and heroine displayed in the short story Fall in a State Ruining Love is mainly seen at the cross point of sociology and ethics. What is more, full play is given to the tragic vision in the short story The Story of the Gold Lock by a three dimensional framework of visual angle interwoven by sociology, ethics and depth psychology in words that seem to have gone through special immunological treatment which are capable of appealing to readers. Because of the sharp contrast between the extraordinary cold tones in language and the burning hot feelings implied in what she wrote, the esthetic taste of these short stories has become all the more profound and pure.

本文从张爱玲《传奇》里有代表性作品《金锁记》、《倾城之恋》、《红玫瑰与白玫瑰》和《留情》入手,就张爱玲在这些作品中赋予的悲剧意识进行分析。本文认为,她的作品中蕴涵着浓郁的悲剧意识:《留情》主要是从社会学的角度见出这种意识的;《倾城之恋》则主要是在社会学和伦理学的交叉点上显示男女主人公的遭际所暗含的悲剧意义;《金锁记》则更以社会学、伦理学甚至精神分析学的立体视角,用仿佛免疫处理的文字,来发挥小说的悲剧意识,由于文字上异乎寻常的冷色调和在这些文字下滚烫的情感形成强烈的反差,使小说的审美意味变得更加醇正而深厚

Abstract The essay points out that Gao Yang is not only a great novelist whose historical novels embody "novel making history" but also a master who creates a tragic atmosphere in his historical novels.From the vast panorama of his works, we can have a kind of historical feeling and know the tragic history of our nations hardships.The essay also expounds the tragic consciousness in Gao Yangs historical novels in two respects: First, it looks at in perspective the various tragic characters created by...

Abstract The essay points out that Gao Yang is not only a great novelist whose historical novels embody "novel making history" but also a master who creates a tragic atmosphere in his historical novels.From the vast panorama of his works, we can have a kind of historical feeling and know the tragic history of our nations hardships.The essay also expounds the tragic consciousness in Gao Yangs historical novels in two respects: First, it looks at in perspective the various tragic characters created by Gao yang; analyses in their tragic fates,typical images and profound historical sense of emperors ,officials,prostitutes,merchants and knights.Second,the essay explores the tragic features of Gao Yang’s novels by discussing the inevitability of historical tragedy,displaying the misery of valuable life and showing the tragic charm in "ordinary tragedy".

本文提出,“以小说造史”的历史小说巨擘高阳,亦是以历史小说营造悲剧的大家。从高阳作品所展现的恢宏画卷中,我们读到了历史,同时读到了民族艰难的悲剧史。本文从两方面论述了高阳历史小说的悲剧意识:一、透视了高阳笔下形形色色的悲剧人物,分析了帝王、士子、娼女、商贾、侠士等各类人物的悲剧命运、典型意义及其体现的深厚的历史感。二、从铺演历史悲剧的必然性、展现有价值人生的痛苦及于“平常悲剧”中显示悲剧艺术的魅力等三方面切入,探讨了高阳历史小说的悲剧特色

 
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