This paper makes an analysis of the aesthetic features of the art of music from the relationships between music and time,music and stage performance,music and appreciation,music and drama,music and literature.
This paper argues that a comparative study of the Chinese literature and the Japanese literature should be strengthened to extract the aesthetic features of the Eastern literature and develop the dialogue between the Eastern and the Western literature and even the Western culture centralism so as to reach mutual understanding,mutual recognition and mutual complementation.
The thesis claims that in aesthetics of art , Ramayana has basically and correctly grasped the emotional aesthetic characteristics from the origin of poetry and the aesthetic features of the works together with their receptivity processes, while at the same time emphasizing the emotional functions and taking emotionalexpressions and moving emotions as the core of aesthetics.
As the identification and core of theory of artistic conception,the union of feeling and setting embodies a concentrated reflection of the aesthetic specialty,and it is the aesthetic and ideal realm that the ancient writer and artist of China seek assiduously.
In order to approach depth report more completely and more clearly , the dissertation is attempting to conduct a theoretical construction for it mainly form four aspects: The discrimination of theoretical meaning and aesthetic quality of depth report, Its rise and development in China under aesthetic criticism, Aesthetic evaluation of its pioneering consciousness, The extension of its aesthetic feature to discourse analysis.