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史剧
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  historical drama
     On Ethicalizing the Criticism of the Chinese Ancient Historical Drama
     论中国古代史剧批评的伦理化
短句来源
     A study of the historical drama on the Taiping Heavenly Kingdom in the area under KMT rule during the anti-Japanese War is of great importance to the understanding of the development and evolution of the Chinese modem literature, and the Chinese modern historical drama hi particular.
     研究大后方的太平天国史剧,对于了解中国现代文学、尤其是中国现代历史剧的发展与演变都有着非常重要的作用。
短句来源
     In the context of the development of the entire Chinese modem historical drama, considering the historical drama on the Taiping Heavenly Kingdom in the area under KMT rule during the War of Resistance against Japan as an independent group of historical drama, this paper tries to probe into its origin, distinctive character, ideological and artistic style, etc, with an attempt to understand the peculiarities and background of its production and to analyxe and contrast its different aesthetic properties.
     本文试图在整个中国现代历史剧发展的背景下,把抗战时期大后方的太平天国史剧作为一个单独的史剧群体,探讨其发生的渊源、本色、思想艺术等,把握其创作的独特之处,梳理其创作的背景,分析并比较其不同的审美特征。
短句来源
     Among the theories of the Chinese ancient historical drama, the ethical criticism that had replaced artistic criticism became a common model of criticism.
     在中国古代史剧理论中,以伦理批评替代艺术批评成为一种常见的批评范式。
短句来源
  history drama
     The Conceive Mode of the Realistic History Drama in 20th Century 40's
     20世纪40年代现实主义史剧的运思图式
短句来源
     On Guo moruo's History Drama Theory and Aestheticism
     郭沫若的史剧观与唯美——阐释学批评
短句来源
     For this , we define it as a kind of new-type history drama between the former generation history drama and the political current events drama.
     基于此,把它界定为介于前代史剧与政治时事剧之间的一种新型史剧——现代历史剧
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  “史剧”译为未确定词的双语例句
     The theory of Chinese historical playwriting was only the reflection of the experience in the past and it cannot solve all problems we would run into, but at least it can serve as a mirror or a guidelight for the historical playwriting in future.
     中国现代史剧观念是随着中国现代历史剧创作的日益成熟而逐渐丰富起来的,我们自然还不能说它已经认识和解决了史剧创作中的所有问题,但是中国现代史剧作家在中国现代史剧观念理论认识上所走过的道路,无疑为后来的史剧创作及其史剧观念提供了借鉴的经验。
短句来源
     The conformity of history and drama with taking person as center is a creative breakthrough of 1940s' history playwrights which held reality of history,rebuilt artistic world.
     以人物为中心进行“史”与“剧”的有机整合,堪称20世纪40年代史剧家把握历史真实、重建艺术世界的创造性突破。
短句来源
     There exist two modes of thinking,historical dramatization and dramatic "historicization"(caused to be or to be like the history)in the production of histortical drama.
     在史剧创作中存在着“历史戏剧化”和“戏剧历史化”两种不同的思维方式。
短句来源
     The Emergence and Evolution of the Views on Theatrical History in Chinese Classical Theory of Historical Plays
     中国古典史剧理论中“曲史观”的形成与演进
短句来源
     Building historical representative circumstance and molding typical history characters are the products of re- alistic history playwrights' creative thought in 1940s.
     营造历史的典型环境、塑造典型的历史人物,是20世纪40年代现实主义史剧家创造性思维运作的产物。
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  historical drama
Nineteenth-century Romanian theatre vacillates between vaudeville and historical drama, reflecting the ideological dichotomy of its time, seeking a balance between the Western world and its national identity.
      
Büchner integrates an esoteric critique of two interrelated forms of Platonism into his historical drama.
      
AB Advertised as a historical drama, Argus 18671028 with cast list and scene plot.
      
It is better than one might have expected primarily because Hollywood has an extremely poor track record with the accuracy of historical drama.
      
  historical opera
The Congress Dinner held in the historical Opera Palais gave ample opportunity for a relaxed get together with interesting talks and classical music.
      


Geographic environment is space of history developing and military arena It also is the unalienable material foundation to existence and development of human beings Reviewing the history of the world development,human have performed a series of epic dramas in the geographic environmentarena Howere,over the years in the past,whatever area political contending and military is usually based upon specified geographic conditions And fixed geographic background has take place in the contending Without exception...

Geographic environment is space of history developing and military arena It also is the unalienable material foundation to existence and development of human beings Reviewing the history of the world development,human have performed a series of epic dramas in the geographic environmentarena Howere,over the years in the past,whatever area political contending and military is usually based upon specified geographic conditions And fixed geographic background has take place in the contending Without exception Wei,Shu and Wu Kingdom are no exception The paper,in a geographic environment of founding state sense,researches on natural geographic conditions and study the realtionship of the geographic environment with political and military activity in Three Kingdoms Era

地理环境是历史发展的空间,军事活动的“舞台”,是人类生存与发展不可脱离的物质基础。自古以来,人类在地理环境这个舞台上演出了一幕幕惊天动地、可歌可泣的史剧。战争总是在一定地域上进行的,地理环境对于政治、军事力量的抗衡以及作战规模与方式等有着深刻的影响与制约作用。纵观历史,历代区域政治、军事力量间的抗衡多有一定的地理背景与自然基础。而魏、蜀、吴三国鼎立也概莫能外。剖析魏蜀吴创基立国的地理背景,自然基础以及政治、军事活动与地理环境的关系无疑是有意义的

From the angle of the different perspectives and presentations of the historical personage Qu Yuan, this paper comparatively analyses the different ideological contents, characterization methods and aesthetical mood of three excellent historical plays: Qu Yuan, Mountain Ghost and Chunqiu Spirit.The similarities and differences among these three representative plays reflect the carrying forward of some traditions, but show that the creation of the historical plays has made great headway since the "new Period"

本文就《屈原》、《山鬼》、《春秋魂》对历史人物屈原的不同表现方式和观照角度,比较了三剧不同的思想内涵、人物塑造途径和审美意趣。本文认为,这三部具有代表性的优秀史剧作品的相似和相异之处,相当充分地反映了新时期历史剧在继承传统的基础上锐意创新的重大进展。

One of the theme of GUO Mo-r uo's early historical drama,Three Rebel Women was about human rights which was t hirsted for by the Chinese people during the times of the May 4th Movement.The theme contained fighting against patriarchy、benevolent government and power politics.

由被压迫阶级首倡的人权,永远是全人类的珍宝。郭沫若的早期史剧《三个叛逆的女性》,主题之一在于展现“五四”时代中国人民对人权的渴求。其主要内容涵包括:反抗父权以追求婚姻自主权,反抗王权以捍卫个人自主权,反抗强权以实现大众自主权。总之,该剧称得上现代中国第一部为人民争人权的“艺术宣言”。

 
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