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西洋歌剧
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  western operas
     A Brief Account to the Influence of Western Operas on Modern Chinese Operas
     浅论西洋歌剧对中国现代民族歌剧的影响
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     Introduced into China with Western literary thoughts during the May 4 Movement, Western operas have since attracted Chinese attention.
     西洋歌剧在“五四”新文化运动中,随着西方文艺思潮的涌入而进入中国,并逐渐受到国人的注意。
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  western opera
     On the Choosing and Teaching of the Western Opera
     论西洋歌剧唱段的选择与教学
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     Western opera is the rarity of the world culture.
     西洋歌剧是世界文化的瑰宝。
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     An Analysis of the Vocal Artistic Features in Western Opera
     试析西洋歌剧中声乐演唱形式的艺术特征
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     In the liberated areas the Chinese opera, adhering to nationalism and popularization and making use of the valuable artistic experience of the western opera, formed its unique aesthetic style.
     在解放区,始终坚持民族化、大众化道路的中国歌剧,在借鉴西洋歌剧宝贵艺术经验的基础上,形成了自己独特的美学风格。
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  “西洋歌剧”译为未确定词的双语例句
     Section three: Discussed the techniques and methods for establishing music creationself-character of Chinese opera in detail through the analysis and expatiation on the effectivefactor for establishing music creation self-character of Chinese opera such as drama, folkmusic and opera.
     第三章、是本文的主体部分:就促进中国歌剧音乐创作自我品质确立的诸因素:戏曲音乐、民族民间音乐、西洋歌剧优势因素等方面的理论阐述与实例分析,具体论述了中国歌剧音乐创作自我品质确立的途径。
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  western operas
Unlike western operas, all the musicians and chorus members appear on the stage with the Noh players.
      
  western opera
Its external design shows a radical departure from the traditional Kabuki style towards a Western opera-house form.
      


Introduced into China with Western literary thoughts during the May 4 Movement, Western operas have since attracted Chinese attention. In the thirties and forties, a lot of new Chinese operas were created by borrowing their artistic forms. A brief account is made herein on the typical Western operas to clarify their influence on the development of modern Chinese operas.

西洋歌剧在“五四”新文化运动中,随着西方文艺思潮的涌入而进入中国,并逐渐受到国人的注意。三四十年代出现了一批借鉴西洋歌剧艺术形式而创作的歌剧。通过对这些比较有代表性的歌剧文本分析,试图勾勒出西洋歌剧对现代民族歌剧的影响轨迹。

The art of opera, introduced to China from the west during the May 4th Movement, took root and blossomed along with the progress of the Chinese national and democratic revolution. In the liberated areas the Chinese opera, adhering to nationalism and popularization and making use of the valuable artistic experience of the western opera, formed its unique aesthetic style. From then on, modern Chinese opera, like exotic flowers, burst into bloom in the garden of the world arts.

源于西方的歌剧艺术,“五四”时期开始传入中国,并伴随着中国民族、民主革命的进程,在中华大地生根、开花、结果。在解放区,始终坚持民族化、大众化道路的中国歌剧,在借鉴西洋歌剧宝贵艺术经验的基础上,形成了自己独特的美学风格。从此,中国现代歌剧这枝艺术奇葩,绽放于世界艺术的百花园。

The sexual interaction mode revealed in western opera Turandot is strange and unintelligible to Chinese, while its Chinese version revised by Wei Minglun, Sichuan opera The Chinese Princess Dulanduo,is well accepted and highly praised. Based on a psychoanalytic interpretation of the main figures in two plays, the author draws a conclusion that it is due to the differences of the unconscious desires between the western and Chinese people that the Chinese like Dulando better.

西洋歌剧《图兰朵》中所展示的两性互动模式让中国人感到陌生而不自在 ,而魏明伦对歌剧剧情作了若干修改 ,再创的川剧《中国公主杜兰朵》却获得了中国观众的好评。从精神分析的角度对两剧的主要人物关系进行比较 ,认为 ,正是因为中国人内心的无意识欲望和西方人有所差异 ,才使中国人更喜欢杜兰朵的故事

 
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