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| | This paper presents a comparative study of Chinese and Western ideas of ugliness, with an exploration of their origins and evolutions, and an exposition that their respective positions are the results of different philosophical contexts, one of which values pluralism, the theory that reality is composed of a multiplicity of ultimate beings, principles and substances, including of course beauty and ugliness; the other of which, emphasizes beauty as the center with ugliness as the marginal. | | 概述了中西方艺术中丑学思想的产生渊源和发展历程 ,通过比较认为 :“丑”与“美”在中国艺术中相容互补、共生发展 ,而在西方艺术中则基本处于对立状态 ,难以同步生长。同时将“丑学”在两种不同文化土壤上形成的这种生存状态的差异性置于各自的哲学背景中进行审视 ,寻找形成中西方艺术中“丑“的不同命运的本质的、深层的原因。 | | 文摘来源 | | Beauty is showy and appreciated, while uglitics is to be endorsed and appreceived. Uglitics is temperamentally retarded, unideal,and steady, which requires the understanding of its delayed success caused by fatal injustice. Uglitics is logically characterized by poverty, worry and bitterness, which demands recognition of the contempt of the mainstream society for the introvert and the modest. Uglitics spiritual tension consists in alienness, reaction and detachment, which lifts academic objective into the i... | | 美重授受,丑待体性。丑学的心性气质是迟暮、不惑、老成;它的思想特点是寒俭、沉重、苦涩;其精神张力是“他在”、反响、化裁。领悟丑学的心性气质知其大器晚成者天亏在先的资质;体会丑学的思想特点识其内向守谦者人文不悯的底色;把握丑学的精神张力得其无己和化己的学术宗旨。它没有美学式的“自由的许诺”,而非常看重人道式的“同情的理解”。 | | 文摘来源 | | Although "Jing-Ping-Mei" gives a description of the dark,filthy and frightful society,it keeps some sparks in the works.The author of the works,by means of direct parenthetical remarks,arrangement of fatal punishment for wicked figures and establishing positive images by words and actions,conveys his thought and notion.It can be said that the works of "Jing-Ping-Mei" breaks the illusion of ancient aesthetics of not allowing descriptions of ugliness,but still not getting to the desperate thought of modern le... | | 《金瓶梅》虽然描写了一个黑暗龌龊的丑恶社会,但它还能在描写黑暗的同时给作品保持几星亮色。作者一是通过自己的直接插话、二是通过安排命运对邪恶人物的惩罚、三是通过具体的言行树立正面人物形象等手法来传达自己的思想和观念。可以说《金瓶梅》既已打破了古典美学不准写丑的幻想,但还未曾靠近绝望的现代丑学思想。 | | 文摘来源 | |   |
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