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文学批评模式
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  literary critique model
     Mu Shi-ying's Criticism of the Literary Critique Model of the Left
     穆时英对左翼文学批评模式的批判
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  “文学批评模式”译为未确定词的双语例句
     Reader-oriented theory has been proven to be breakingthrough literature itself, and heading for culture, history and society.
     而以读者为中心的文学批评模式正在努力地突破文学而走向文化,走向历史,走向社会。
短句来源
     In this paper, I analyze the essential properties of "discourse" and the possible application of discourse theory in the practice of literary criticism and elaborate on its theoretical significance in the construction of the discipline of literary criticism and initially put forward a conception of establishing "discourse criticism".
     将话语理论导入文学批评学领域,有可能改变现有中国文学批评的现状,并进而确立一种关于文学批评的更具针对性、批判性、整合性的新的文学批评模式——话语批评学。
短句来源
     Based on it, the paper emphatically probes into the feasibility and necessity of the critical mode of multiplicity and complementarity, and finally demonstrates its theoretical and practical significance.
     在此基础上,文章着重探讨了多元互补文学批评模式的可行性和必要性,并指出这一批评范式的理论和实践意义。
短句来源
     It is actually unreasonable for the field of theory to have been considering that new criticism, a mode of literory criticism on self- discipline, is only adaptable to temporary study but not constant analysis because of its lack of historical idea.
     新批评是一种属于自律论范畴的文学批评模式,长期以来,理论界几乎形成了一种共识,认为它仅擅长共时研究而欠缺历史观念,并以此咎病它不能或不宜作历时分析,其实这是不符合实际的。
短句来源
     political theme became the most important in literary analysis.
     文学批评模式单一、文学分析直奔社会政治主题。 这种情形既体现了话语控制的内在原则 ,也暴露出话语本身的语义政治学特征
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     On the Models in Literary Translation Criticism
     试论文学翻译批评模式
短句来源
     An Essay on Literary Criticism
     文学批评断想
短句来源
     the question of literary criticism.
     文学批评问题。
短句来源
     Mu Shi-ying's Criticism of the Literary Critique Model of the Left
     穆时英对左翼文学批评模式的批判
短句来源
     The Literary Paradigm Study of Jane Eyre
     《简·爱》的文学模式研究
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Through the statement of criticism of architype, and the analysis of The Portrait of a Young Man as an Artist, the writer has pointed put that the plot in this novel is as the same model as the architype in Deudalus.

本文通过对“神话原型批评”这一文学批评模式的陈述 ,对《青年艺术家的肖像》这一 2 0世纪在西方文坛引起不小轰动与广泛关注的自传性质小说的分析 ,指出这部小说中的情节与狄德勒斯神话是一一对应的。堪称是一部现代艺术家的神话

Usually, a literature critique is conducted in terms of the following essential aspects: objective reality, work, author and reader. But a review of the western literature criticism in different periods of history revels that the four factors did not receive equal emphasis in different periods of time. Thus, four modes of literary criticism were formed according to which of the four factors was given the most consideration. The first mode is the imitation-focused, which is to understand the literature work on...

Usually, a literature critique is conducted in terms of the following essential aspects: objective reality, work, author and reader. But a review of the western literature criticism in different periods of history revels that the four factors did not receive equal emphasis in different periods of time. Thus, four modes of literary criticism were formed according to which of the four factors was given the most consideration. The first mode is the imitation-focused, which is to understand the literature work on the basis of an imitation of reality. The second mode is the author-focused, which emphasizes the understanding of the work from the perspective of the author. The third one is the work-focused mode which is to understand the work based on the structure. The last one is the reader-focused, in which the understanding of the work is determined mainly by readers' receptivity.

通常地讲,一个完整的文学批评都要考虑到四个文学要素:现实、作品、作者、读者。但考察西方文学批评的发展历程可以看出,不同的时代批评家对这四个文学要素的关注是不均衡的,形成在一个时期过分强调某一文学要素,而将其他要素置于次要地位,从而形成了四种不同的文学批评模式:以模仿现实作为理解作品依据的模仿中心论模式,以作者的创作作为理解作品依据的作者中心论模式,以作品的结构作为理解作品依据的作品中心论模式,以读者的接受作为阐释作品依据的读者中心论模式。

The feminist literature criticism shares the same academic value with Chinese feminist literature. This thesis is based on the huge background and the turn of century, arranges the development, critique styles and period characteristics of Chinese feminist literature, and at the same time foresees the future of it.

20世纪百年中国女性文学批评与沧桑厚重的中国女性文学一样有着不可忽视的学术价值,本文立足世 纪交替的宏大背景,梳理女性文学批评的发展脉络,归纳女性文学批评的模式以及在不同时期的特点,同时也对中国 女性文学的批评现状予以了展示。

 
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