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大众文化时代
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  mass culture times
     The coming of the mass culture times predicated the transmission of culture function from political moralization and reason appreciation to amusement and commerce.
     我国大众文化时代的到来,意味着文化功能由政治教化和理性审美型向娱乐和商业型转变。
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  “大众文化时代”译为未确定词的双语例句
     The Ethic Scale of Art Creation in Times of Mass Culture
     大众文化时代艺术创造的伦理尺度
短句来源
     Media Criticism of Popular Culture Era
     大众文化时代的媒体批评
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     1. The awareness of personality in the era of mass culture
     (1) 大众文化时代的人格自觉;
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     Changing Culture: the Approach of Mass Culture Epoch
     文化转向:大众文化时代的来临
短句来源
     The Contemporary Predicament and Role Anxiety of Intellectual in the Era of Popular Culture
     大众文化时代知识分子的当下困境与角色焦虑
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  相似匹配句对
     Media Criticism of Popular Culture Era
     大众文化时代的媒体批评
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     The Future of Literature and Arts in the Era of Popular Culture
     大众文化时代的文艺未来
短句来源
     Popular Culture:the Public Sphere in the Era of Mass Communications
     大众文化:传媒时代的公共领域
短句来源
     Changing Culture: the Approach of Mass Culture Epoch
     文化转向:大众文化时代的来临
短句来源
     The Popular Culture: Trend Towards the Time of Visual Culture
     走向视觉文化时代大众文化
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Having culturally analysed the two genres of "Rustic Films "and "Urban Films", the paper presents the characteristics of Chinese Neo - Realistic Film in the 1990's; (1)an orientation of selecting a subject to look real life in the face and inclination to choose folk materials, (2) a humanistic ideal that attempts to bridge tradition and modernity, (3) an implementation of popular artistic tactics to suit pop culture trends at that time. On one hand, Chinese Neo - Realistic Films adheres to the artistic nature...

Having culturally analysed the two genres of "Rustic Films "and "Urban Films", the paper presents the characteristics of Chinese Neo - Realistic Film in the 1990's; (1)an orientation of selecting a subject to look real life in the face and inclination to choose folk materials, (2) a humanistic ideal that attempts to bridge tradition and modernity, (3) an implementation of popular artistic tactics to suit pop culture trends at that time. On one hand, Chinese Neo - Realistic Films adheres to the artistic nature of all film, on the other hand, it tries to extend into the range of mirroring the many facets of real life.

文章对于九十年代中国的新写实电影从“乡村电影”、“城市电影”的二翼进行文化分析。阐述新写实电影:①直面现实生活的民间化题材取向;②企望沟通传统与现代的人文主义怀想;③适应大众文化时代的通俗化艺术策略。其思潮既是试图回归本体、寻求电影就是电影的自律运动;又是拓展电影表现视界,探寻艺术/文化精神新跨越的主体自觉运动。

The popularity of JIN Yong′s novels of swordsmen is a common readers′ mythology.Thus,both massive readers and research readers could reach the same recognition towards JIN Yong′s novels of swordsmen in their reading process.

沟通语境是金庸现象得以产生的外部原因 ,金庸现象是大众文化时代大众读者的阅读神话 ,金  庸武侠小说本文潜藏着巨大的人文价值 ,因此 ,大众读者和精英读者在阅读的幻想中完成对金庸武侠小说的双  重认同。

The advent of pop arts and the subsequent dispute between pop arts and elite arts are a major cultural phenomenon in the last two decades. The conceptual shifts that has occurred in both are due largely to the shifting cultural tastes that involve time, locale, ethnicity, and individual liking, and the distinction between them has been challenging literary critics as well as arts consumers for generations. The present paper attempts to define them on the basis of their distinctive features and concludes that...

The advent of pop arts and the subsequent dispute between pop arts and elite arts are a major cultural phenomenon in the last two decades. The conceptual shifts that has occurred in both are due largely to the shifting cultural tastes that involve time, locale, ethnicity, and individual liking, and the distinction between them has been challenging literary critics as well as arts consumers for generations. The present paper attempts to define them on the basis of their distinctive features and concludes that a combination of the two is the only way out if effective artistic appreciation is desired.

通俗文艺的兴起及其引发的文艺雅俗之辨 ,是近二十年中国文坛的一个特异景观。雅俗文艺概念的易移 ,受到时代、地域、民族、个体审美心理等不同文化变动因素的影响 ;文艺的雅俗之分是个永恒的矛盾 ,是大众文化时代的一个艺术难题。在此基础上 ,对通俗文艺与高雅文艺的艺术特征与基本功能分别进行了考察与厘定 ,指出雅俗共赏作为文艺消费的理想状态之一所应具有的一些基本要求以及达到雅俗共赏的有效艺术途径。

 
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