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民族文学传统
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  national literary tradition
     Chinese modern prose poem is to inherit the national literary tradition.
     中国现代散文诗文体的诞生虽受外国现代散文诗影响 ,但对民族文学传统的承续是其根本性的渊源
短句来源
     And it brought new belief to literature, widened the writers' new field of vision and spurred them to re-explore the national literary tradition.
     宗教精神介入文学对 19世纪文学发展的影响则表现为给文学注入了新的精神信仰、开拓了新的视野和促使作家们重新发掘民族文学传统三个方面。
短句来源
     This study tries to prove that the key function of foreign influence is to provide a starting point of form for the rejuvenation of the national literary tradition in the modern age.
     本研究试图表明 ,外来影响的关键作用是为民族文学传统在现代社会的复兴提供形式起点
短句来源
     Mudan had a indivisible spiritual connection with national literary tradition,while was a most profound rebel to the feeling and communicating forms of the traditional literary,which made"new lyric"in his poetry have a new life and new attitude with a totally non-traditional and implicit traditional spirit.
     穆旦与民族文学传统有着不可分割的精神联系,同时又是传统文学的感觉与传达方式最深刻的叛逆者,这使他诗中的“新的抒情”有一种承载全然非传统而又隐含传统精神的新的生命和新的姿态。
短句来源
  “民族文学传统”译为未确定词的双语例句
     Kawabata Yasunari on the Relation between National Literature and the Nourishment of Foreign Literature
     川端康成论继承民族文学传统与吸收外来文学营养的关系
短句来源
     The Time-Spatial Form of Chinese classical novel is the result of both nationalliterature tradition and ideological culture tradition.
     中国古典长篇小说的时间形式与空间形式,是民族文学传统、乃至思想文化传统的产物,有自身独特的形式规则。
短句来源
     Peking's rich collection in tradition,unique regional culture and its special desert-like environment in culture & ecology in 1930 producted The Grass Grown In Desert Weekly,and formed a group of intellectuals aroud Zhou Zuoren besides the "Left" and "Right". While inheriting the traditions of democracy and science passed down by "The May Fifth",they tried to rehabilitate the interrupt with Chinese literature's traditions.
     北京丰厚的传统文化积淀,独特的地域文化与1930年左右文化生态环境的荒漠化造就了《骆驼草》,并形成了一个以周作人及其苦雨斋为核心的左翼与右翼之外的特殊的文人群落,以其执著、坚忍的文化品格在继承“五四”民主与科学传统的同时,力图修复“五四”文学革命的狂飚对民族文学传统的割裂。
短句来源
     It is a literary work with great historical signifance in Chinese literature.
     这种双重批判与自省,回应了当时文学对于民族意识与民族文学传统回归的呼唤,充分显示出这部作品具有的文学历史意义。
短句来源
     and thirdly,in inheriting and fostering the literary tradition of nationality.
     最后,是对民族文学传统的继承和扬弃。
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  相似匹配句对
     and thirdly,in inheriting and fostering the literary tradition of nationality.
     最后,是对民族文学传统的继承和扬弃。
短句来源
     Without traditions, the future Chinese literature can not move forward.
     传统应该成为民族文学的内在支持。
短句来源
     Prose literature has been an important integrant of Chinese national culture from ancient times.
     散文文学传统是我国民族文化传统的大宗。
短句来源
     NATIONAL IDENTITY IN LATIN-AMERICAN LITERATURE
     拉丁美洲文学民族特色
短句来源
     On the Tradition of Shanghai Style Literature
     论海派文学传统
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  national literary tradition
A poetic voice does not always dutifully take its place in its dominant national literary tradition.
      


This paper discusses the similarities and differences of nationality in the early poetry in the five big ciyilized ancient countries and analyses. why it is similar or different in culture, politics, history, religion and so on. It points out under stress that Ancient China and India were both agricultural countries. However,the lyric poetry was developed in China but the narrative poetry was flourishing in India. Therefore the author puts forward a different viewpoint on the traditional viewpoint that the lyric...

This paper discusses the similarities and differences of nationality in the early poetry in the five big ciyilized ancient countries and analyses. why it is similar or different in culture, politics, history, religion and so on. It points out under stress that Ancient China and India were both agricultural countries. However,the lyric poetry was developed in China but the narrative poetry was flourishing in India. Therefore the author puts forward a different viewpoint on the traditional viewpoint that the lyric poetry was stressed in agricultural countries and the narrativge poetry in commercial countries. In the same time, the main poetry was narrative in Ancient Greece, India and Egypt. They had the same religion but different cultural background and forms of religion. So there were similarities and differences in the contents and forms in narration and in the idea of religion and the atmosphere, which was the source of national iterary tradition.

本文论述五大文明古国早期诗歌的民族共同性和差异性。分折其同中见异、异申有同的民族文化、政治、历史、宗教等方面的诸多原因。特别着重阐释了中国与古印度同是农业国,但中国抒情诗发达,而古印度叙事诗却佳作颇多,从而对农业社会重抒情、商业社会重叙事的传统看法提出了不同见解。同时,古希腊和古印度、古埃及都重叙事,同拜宗教,然而,各自的文化背景不同、宗教形式不同,因此叙事的内容和方式、宗教的观念和氛围又各有羞异。文中指出此乃民族文学传统之本源。

The modem Indian Enlightenmental Movement had spread out in carrying out rejuvenation and reform of its traditional culture and drawing lessons from the western culture. So, many enlightenmental societies share the above characteristics. Under the social and cultural background, the Indian Enlightenmental Literature is frail, political and recalling different from aggresiveness, philosophy and forecasting of the western literature, Rejuvenation of its traditional culture is the key note while drawing lessons...

The modem Indian Enlightenmental Movement had spread out in carrying out rejuvenation and reform of its traditional culture and drawing lessons from the western culture. So, many enlightenmental societies share the above characteristics. Under the social and cultural background, the Indian Enlightenmental Literature is frail, political and recalling different from aggresiveness, philosophy and forecasting of the western literature, Rejuvenation of its traditional culture is the key note while drawing lessons from the westem culture makes it possesses some modem color.

印度近代的启蒙运动是在对传统文化的复兴与变革,对西方文化的排斥与借鉴的复杂矛盾情形中展开。印度近代的启蒙团体梵杜、圣社、青年孟加拉派、罗摩克里希那教会、穆斯林文学社、科学社等都表现了这样的特点。在这样的社会文化背景下,印度近代启蒙文学不同于欧洲近代启蒙文学的进击性、哲理性和展望性,而是表现出柔弱性、政治性和回溯性的特征。对民族文学传统的复兴是印度近代启蒙文学的基调,对西方文学的借鉴使其带上近代色彩。

Abstract In historical inspecting to the histoty of chinese contemporary poetry schools, we

在宏观中国当代的诗潮涌动的历史考察中,“十七年”的新诗创作是一个不容回避的话题,它是连接现代文学与新时期文学诗歌发展的过渡性桥梁。虽然因时代政治的变化,“十七年”诗歌创作的风尚在70年代后期逐渐消失,但作为一种民族文学传统和同宗政治文化的联系不可能对新时期诗歌毫无影响。因此,本文着重研究“十七年”诗潮中代表主流创作的“边塞诗旅”和“郭、贺诗风”,探讨政治文化与诗人角色的契合、革命观念与艺术观念的冲突磨合、理论精神话语与诗美艺术话语的整合等问题,重新认识“十七年”诗潮特征和探寻其与新时期诗潮的复杂联系

 
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