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中国新诗话语
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  chinese new poem discourses
     A Study of Chinese New Poem Discourses in the 20th Century
     20世纪中国新诗话语研究
短句来源
     Chinese new poem discourses are Chinese poets expressing their experience in the context of modernity, which include two elements, language and context.
     本文将中国新诗话语界定为现代中国诗人如何运用现代汉语 ,将其置身在“现代性”境遇中的经验付诸诗的表达 ,对其中包含的两个基本因素———语言和语境———进行了分析。
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  “中国新诗话语”译为未确定词的双语例句
     Formation and change of the discourse mode of Chinese new poetry before and after the May Fifth Movement was characterized by change with the absence of individual life (self), presence to absence forming a cycling process.
     "五四"前后中国新诗话语模式的生成与嬗交,表现为一个循环态势,即个体生命(自我)的缺席--出场 --缺席的变化流程。
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  相似匹配句对
     A Study of Chinese New Poem Discourses in the 20th Century
     20世纪中国新诗话语研究
短句来源
     Discourse analysis in China
     话语分析在中国
短句来源
     discourse
     话语
短句来源
     Eight Traditions in Chinese New Poetry
     中国新诗的八大传统
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     Stylistic Research on Chinese Modern Poetry
     从文体看中国新诗
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From the reflection of history and present of new poem studies and a plea for a new study of Chinese poem, the article proposes a new perspective of new poem study, that is “discourses”. Chinese new poem discourses are Chinese poets expressing their experience in the context of modernity, which include two elements, language and context. The author believes that new poem discourse is a response of poet to double conditions of his language and his context.

本文从反思中国新诗研究的历史与现状和对一种新的现代汉语诗学的吁求出发 ,提出从“话语”的角度进入新诗研究。本文将中国新诗话语界定为现代中国诗人如何运用现代汉语 ,将其置身在“现代性”境遇中的经验付诸诗的表达 ,对其中包含的两个基本因素———语言和语境———进行了分析。作者认为 ,在2 0世纪汉语言和语境发生根本变化后 ,由于语言自身的限制和历史时代环境的催逼 ,新诗话语最终展示为诗人对语言和语境双重制约作出一定应答的结果

Formation and change of the discourse mode of Chinese new poetry before and after the May Fifth Movement was characterized by change with the absence of individual life (self), presence to absence forming a cycling process. The classical (wenyan) discourse was still the dominant language used in the later Qing Dynasty and the vernacular(baihua) discourse deconstructed the classical discourse and highlighted the subject of discourse. The mass discourse realized the transformation from the subject to object in...

Formation and change of the discourse mode of Chinese new poetry before and after the May Fifth Movement was characterized by change with the absence of individual life (self), presence to absence forming a cycling process. The classical (wenyan) discourse was still the dominant language used in the later Qing Dynasty and the vernacular(baihua) discourse deconstructed the classical discourse and highlighted the subject of discourse. The mass discourse realized the transformation from the subject to object in discourse.

"五四"前后中国新诗话语模式的生成与嬗交,表现为一个循环态势,即个体生命(自我)的缺席--出场 --缺席的变化流程。文言话语仍然是晚清诗歌的中心话语;白话话语解构了文言话语,凸显了话语主体;大众话 语则实现了话语主体向客体的转换。

 
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