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法国印象派
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  french impressionism
    The Influence of Japanese Yamato-e on French Impressionism Drawing
    浅谈日本浮世绘对法国印象派绘画的影响
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  french impressionistic
    The Influence of French Impressionistic Painting on Chinese Modern Fine Arts
    法国印象派绘画对中国现代美术的影响
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  “法国印象派”译为未确定词的双语例句
    French impressionist painter Renoir thinks only the color is abundant, the image will be full.
    法国印象派画家雷诺阿认为:“只要色彩丰富,形象就会饱满”。
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    The creating style of Paul Cezanne, the French impressionist painting master, once greatly influenced and illuminated Allen Ginsberg's writing of poetry.
    其中法国印象派绘画大师塞尚的创作风格曾极大地影响并启发过金斯柏格的创作。
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    This thesis analyzes the painting characteristics of Edgar Degas, the French classicist of the Impressionism in 19 th Century and the factors that form them, and then probes into his success of painting. It is of some positive meanings for painting practice.
    分析 19世纪法国印象派中的古典主义画家德加的绘画特点以及形成这些特点的各种因素 ,从而探讨其绘画成就 ,这对于绘画实践具有一定积极的意义。
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    French Impressionist Art which appeared in 1860s or 1870s lies in the turning point where the traditional realistic art changes towards the modern art.
    产生于19世纪60-70年代的法国印象派艺术,处于传统的现实主义向现代派过渡的重要转折点上。
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  french impressionist
French Impressionist composer Claude Debussy criticized the conservatory education process for its uniformity.
      


The paper briefly reviews the foreign classic film theories before the 60s in the 20th century from four aspects :audio visual art and culture , realistic theory , montage theory and film psychology , highly values the differentiation and fact proving of theories ,and comments on the development of film theory discipline made by each school as well as the value and significance of film artistic creation practice . Especially the views of those long neglectful or confused film theory schools and film theorists...

The paper briefly reviews the foreign classic film theories before the 60s in the 20th century from four aspects :audio visual art and culture , realistic theory , montage theory and film psychology , highly values the differentiation and fact proving of theories ,and comments on the development of film theory discipline made by each school as well as the value and significance of film artistic creation practice . Especially the views of those long neglectful or confused film theory schools and film theorists are given a fuller expounding, aiming to restore its real look and the due place of film theory history .histor

本文从视觉艺术及文化、纪实主义理论、蒙太奇理论、电影心理学四个方面对 2 0世纪 6 0年代以前的外国经典电影理论进行了概要回顾 ,注重理论的甄别与实证 ,评述各家理论流派对电影理论学科发展及对电影艺术创作实践的价值和意义。尤其是对被长期忽视或混淆的电影理论流派和电影理论家 (如于果·明斯特伯格、法国印象派—先锋派、谢尔盖·爱森斯坦、吉加·维尔托夫、安德烈·巴赞等 )的观点 ,予以较为详实的论述 ,力求还其本来面目及电影理论史的应有地位

French impressionism drawing was an important sect in western art history. Japanese Yamato e had positive influence in the emergence and development of impreessionism drawing. This article analyses the historical background and discusses Japanese Yamato e specific influence on impressionism drawing.

法国印象派是西方美术史上一个重要流派 ,日本浮世绘对印象派的产生和发展起到了积极作用。本文从分析历史文化背景入手 ,探讨了日本浮世绘对印象派绘画的具体影响

The Impressionistic Paintings that first began to appeare in France in the latter half of the 19th century had been an innovation in that it not only provided various ways of expression but also adopted a set of new skills that is in accordance with optical principles to capture transient images of light and colour. The Impressionism, which was the prelude for those changes in paintings that happened in 20th century, had been devoted to capturing the image of colours and expressing people's inner feelings represented...

The Impressionistic Paintings that first began to appeare in France in the latter half of the 19th century had been an innovation in that it not only provided various ways of expression but also adopted a set of new skills that is in accordance with optical principles to capture transient images of light and colour. The Impressionism, which was the prelude for those changes in paintings that happened in 20th century, had been devoted to capturing the image of colours and expressing people's inner feelings represented by those colours, and stress on painting itself as a kind of language. So it developed new skills that enables artists to integrate their personality into paintings and reveal in their paintings, more vividly and colourfully, people's objective and subjective inner spiritual world and, as a result, broadened people's aesthetical experience since.

十九世纪后半期法国的印象派绘画 ,通过不同的表现形式 ,在创新的基础上 ,采用一种符合光学原理的新画法 ,在光色中捕捉转瞬即逝的视觉形象 ,重视表现色彩及色彩中赋予人的内在情感 ,遏止了代代相沿的绘画图解因素 ,极力声张绘画本身的语言要素 ,用新的技巧展示了客观精神世界和人们主观精神世界的丰富性 ,拓宽了人们的审美领域 ,为艺术家发挥个性提供了新的可能 ,成为二十世纪艺术转折的起点。

 
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