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美与生活
相关语句
  beauty and the life
     A Scientific Explanation of the Myth between the Artistic Beauty and the Life Beauty: An Interpretation of Mao Zedong's Speech Delivered at Yen'an Art Talk
     艺术美与生活美关系之谜的科学解答——对毛泽东《在延安文艺座谈会上的讲话》的一点解读
短句来源
     The relationship between the artistic beauty and the life beauty is a myth and a difficult problem for artistic creation and appreciation since the ancient times.
     艺术美与生活美的关系是美学史上的千古之谜,也是文艺创作和鉴赏实践中绕不开的难题。
短句来源
  “美与生活”译为未确定词的双语例句
     While he expounded that, Mao Zedong revealed deeply the implied content of literary and artistic aesthetics, put forward the scientific judgment that beauty of literature and art is above beauty of life, and solved the problem of relationship between beauty of art and beauty of life.
     毛泽东在论述文艺思想的同时,深刻地揭示了蕴含在其中的文艺美学内容,提出了文艺美高于生活美的科学论断,解决了艺术美与生活美的关系问题。
短句来源
     He combines beauty with life and holds that beauty is perceptive and real life.
     他把美与生活连接起来,认为美是感性的、现实的生活。
短句来源
  相似匹配句对
     The Beauty of Living
     生活
短句来源
     Biomagnetics and Life
     生物磁学生活
短句来源
     Pop and Life
     Pop生活
短句来源
     Aesthetics and Physics
     物理学
短句来源
     TRAVELS WITH THE BEAUTY
     同行
短句来源
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The relationship between the artistic beauty and the life beauty is a myth and a difficult problem for artistic creation and appreciation since the ancient times. This paper attempts to interpret it based on Mao Zedong's Speech Delivered at Yen'an Art Talk. Regarding the features, constituents and functions, the artistic beauty and the life beauty are different and can't be compared. Regarding the "beauty", the two beauties can be compared, i.e. Mao Zedong's famous conclusions "Three Utmost", "One Single" and...

The relationship between the artistic beauty and the life beauty is a myth and a difficult problem for artistic creation and appreciation since the ancient times. This paper attempts to interpret it based on Mao Zedong's Speech Delivered at Yen'an Art Talk. Regarding the features, constituents and functions, the artistic beauty and the life beauty are different and can't be compared. Regarding the "beauty", the two beauties can be compared, i.e. Mao Zedong's famous conclusions "Three Utmost", "One Single" and "Six Furthers". Meanwhile, Mao Zedong in his speech also discusses the dialectics thoroughly.

艺术美与生活美的关系是美学史上的千古之谜,也是文艺创作和鉴赏实践中绕不开的难题。艺术美与生活美就其主要性质形态、生成构成、功能目的等方面是不同的,二者不能随意比较;而就其皆为"美"而言,又是可以比较的,这就是毛泽东所作出的"三个最"、"一个唯一"和"六个更"的著名结论和命题;其次,毛泽东在"讲话"中还精辟地分析了艺术美与生活美关系的辩证法,即二者相互依存、相互需要以及相互创造转化,充分体现了生活美对艺术美的基础支配地位和艺术美对生活美的超越和改造的审美创造和审美实践功能。

The article mainly discusses and depicts the changing pictures of human beings' aesthetic expectation in Mass Media Age. Firstly, it deals with the change from "looking-up" to "looking-straight-ahead". People appreciate beauty not only in the equal conversation with media, but also in the participation of mass media, thus realizing the shift from "incomplete aesthetics" to "complete aesthetics". Secondly, it discusses the change from "the tolerance of oppression" to "the irritation of oppression" and the eager...

The article mainly discusses and depicts the changing pictures of human beings' aesthetic expectation in Mass Media Age. Firstly, it deals with the change from "looking-up" to "looking-straight-ahead". People appreciate beauty not only in the equal conversation with media, but also in the participation of mass media, thus realizing the shift from "incomplete aesthetics" to "complete aesthetics". Secondly, it discusses the change from "the tolerance of oppression" to "the irritation of oppression" and the eager pursuit for entertainment. Entertainment involves the following two interdependent comprehensions. One is the entertaining feature in information content and representing form; the other is in electronic field, the comprehensive shift from "letter decoding" to "picture decoding", from "abstract pleasure" to "visual pleasure", especially under the agitation of video media. Thirdly, the article discusses the change from the detached state between beauty and life to their identity. "Appreciating beauty in life, living in appreciating beauty" has become a distinctive feature in the aesthetic expectancy of people today.

"传媒时代"人类审美期盼的嬗变主要有:(1)由"仰视"到"平视"的转变。人们不仅要在与传媒的平等对话中审美,而且要在参与大众传播的过程中审美,从而实现由"非完全审美"向"完全审美"的转变;(2)由对"沉闷"的容忍到对"沉闷"的愤怒和对娱乐的强烈追求的转变。所谓娱乐,既表现为信息内容和表现形式的娱乐性,也表现为在电子媒介、尤其是电视媒介的鼓动下,由"文字解读"为主向"图像解读"为主,和由"抽象快感"向"视角快感"的全面转移;(3)美与生活由分离到同一的转变。"在生活中审美,在审美中生活"已然成为当代人类审美期盼的一个鲜明特征,而时尚则是这一审美期盼的符码。

an analysis of Zhu's furniture design practice, this article opens out that Mr.Zhu's creative headspring and passion is from living, and his ideas of design concentrates on pursuing aesthetics of material, structure and life, representation skills and techniques of diversification and multilayer, and persisting in inheritance of traditional Chinese culture.

通过对朱小杰家具设计实践的剖析,揭示了是生活给了他创作的源泉与激情,并指出"对材质美、结构美与生活美的强烈追求,多样化、多层次的家具设计表现手法与技巧,对中国传统文化的执著与醉心传承"乃是朱小杰设计思想的集中体现。

 
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