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我国古代文学理论
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  literary theory in ancient china
     The theory of the culture and gas is the important ingredient of literary theory in ancient China.
     文与气的理论是我国古代文学理论的重要组成部分。
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     The study of the development of the literary theory in this period will have great significance to a better understanding of the general trend of the literary theory in ancient China
     深入研究这个历史时期文学理论的发展,对认识我国古代文学理论发展的来龙去脉具有重要意义。
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  “我国古代文学理论”译为未确定词的双语例句
     The period of the Wei, the Jin, the Northern and Southern Dynasties is an "age of self-consciousness" for literature with its independence and value in the domain of social ideology.
     魏晋南北朝时期是文学的"自觉时代",这时,文学意识日趋明确,文学在社会意识形态领域中已取得独立的地位和价值,这时期是文学观念从模糊到比较明确和自觉的时期,也是我国古代文学理论发展的转型期。
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     It richened ancient Chinese and world's literatural theory. There are both academic value and guiding significance for the literatural study and creation.
     它充实了我国古代文学理论的内涵 ,为世界文学理论宝库增添了光彩 ,其精华部分对文学理论研究和文学创作实践具有普遍的学术价值和指导意义
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     The xu and shi theory is an important concept of ancient Chinese literature, whereas the poetics of blankness is a theoretic concept in modern Western hermeneutics.
     虚实之论是我国古代文学理论中的一个重要概念 ,而空白诗学是西方现代阐释学提出的理论范畴。
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  相似匹配句对
     On the theory of Ancient Chinese Style of Writing
     我国古代语体理论略论
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     The Wrong Points in the Theory of Literature Teaching in China
     我国教学文学理论的误区
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     The theory of the culture and gas is the important ingredient of literary theory in ancient China.
     文与气的理论我国古代文学理论的重要组成部分。
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     The value of ancient literature theory consists in its original creativity.
     古代文学理论的价值在于其原创性。
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     Zhou Yi and Theories of Chinese Painting and calligraphy
     《周易》与我国古代书画理论
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The representative theory on ancient narrative literature in China,following the footsteps of novels in Ming Dynasty,taking prefaces postscripts and commentaries as its conerete forms,makes a summary and a deeply theoretical exposition of the means of individuality and condensation when portraying people,the features of type and representativeness in people's natures and the unity of representative people's diffenent natures. The theoretical content is the same as the representative fheory of the wesfern narrative...

The representative theory on ancient narrative literature in China,following the footsteps of novels in Ming Dynasty,taking prefaces postscripts and commentaries as its conerete forms,makes a summary and a deeply theoretical exposition of the means of individuality and condensation when portraying people,the features of type and representativeness in people's natures and the unity of representative people's diffenent natures. The theoretical content is the same as the representative fheory of the wesfern narrative literature, coloured with the mood of Literary words. It is a pearl in our treasure-house of ancient Literature.

我国古代关于叙事文学中的人物典型理论 ,跟随明清小说发展的步武 ,以作品序跋及随文评点等方式 ,对人物塑造的个性化、概括化的手法 ,人物性格的类型化、典型化的特征以及典型人物多重性格侧面的统一等问题 ,均作以随时的总结和颇具理论深度的阐发。其理论内容与西方叙事文学的典型理论同旨 ,而又染有我国古代诗歌理论“意境”说的色彩 ,是我国古代文学理论宝库中的一粒珍珠

The novel review art of Ming and Qing Dynasty was the novel main in ancient China and a part of ancient literature theory also, which contained rich traditional culture and distinctive national characteristic. It richened ancient Chinese and world's literatural theory. There are both academic value and guiding significance for the literatural study and creation.

明清小说评点艺术是我国古代小说理论的主体 ,也是古代文学理论不可分割的本体组成部分 ,厚积着丰富的传统文化底蕴 ,洋溢着鲜明的民族特色。它充实了我国古代文学理论的内涵 ,为世界文学理论宝库增添了光彩 ,其精华部分对文学理论研究和文学创作实践具有普遍的学术价值和指导意义

In Argumentations on Chinese Classical Ci Poetry,the Argumentations on the Ci Poetry by Su Dongpo reflect the corresponding developing process of the aesthetic standards in ancient Chinese literature theories. During the "Northern Song "and "Southern Song "Dynasty, praises of the Ci poetry overwhelmed different argumentations. Then to the end of the "southern Song", and especially in the year called "Jing Yuan",the argumentations on schools of the Ci Poetry creation began, and mentioned the schools of the "bold...

In Argumentations on Chinese Classical Ci Poetry,the Argumentations on the Ci Poetry by Su Dongpo reflect the corresponding developing process of the aesthetic standards in ancient Chinese literature theories. During the "Northern Song "and "Southern Song "Dynasty, praises of the Ci poetry overwhelmed different argumentations. Then to the end of the "southern Song", and especially in the year called "Jing Yuan",the argumentations on schools of the Ci Poetry creation began, and mentioned the schools of the "bold and unconstrained "style and the "graceful and restrained" style, thus widened the theoretical views of the Ci Poetry creation,therefore eventually revealed the important meanings of Su's Ci Poetry creating Ci poetically.During "Ming"Dynasty and "Qing"Dynasty,association with the internal poetic traditions, the schools orienting argumentations on the Ci Poetry converted to discuss the "Standards" and "Varieties" of the Ci Poetry,and subsequently pointing out the practical meanings of "Confucianization" in the Ci Poetry by Su Dongpo. Argumentations like lasted several hundred of years,and came nearer to the point as time went on ,which is determined by the important meanings of Su's works.The whole process has shown the uneven developing history of the aesthetic standards of literature and the powerful aesthetic creation abilities of our nation.

中国古典词论中对于苏东坡词的评价,是我国古代文学理论审美观照发展历程的一束折影。两宋时期,由持论各异到褒扬之声占主流地位;南宋末暨金源,显露出词派论评端倪,有“豪徽,并驾“婉约”曲体,拓宽词作发展创造空间的理论见解,昭示苏词“以诗为词”的创造意义;发展到明清,在偏重词派论评的基础上,步入“正”、“变”论辩,与诗骚传统的内在沟通,揭示出东坡词儒化的现实意义。东坡论绵延数百年,日趋切要,既是苏词本身的意义决定,更反映出文学审美观念历史形成的漫长曲折,以及我们民族富有理论思维的审美创造力。

 
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