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我国古代文学批评
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  chinese classical literary criticism
     The literary criticism with ci-poetry is a critical form that shows distinctive national features in Chinese classical literary criticism.
     词体文学批评是我国古代文学批评中独具一格的批评形态。
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  “我国古代文学批评”译为未确定词的双语例句
     Specific comment on novel is the common method in ancient literature criticism, such as on novels in Ming and Qing Dynasty by many reviewers.
     对小说加以评点,是我国古代文学批评中特有的传统方法。
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     The intuition thinking in his literary criticism determined the method of his criticism.
     沈从文的文学批评继承和发展了我国古代文学批评重直觉感悟的特点。
短句来源
     The Ci-poetry literary criticism is a critical form characteristic of national features of classical Chinese literary criticism.
     词体文学批评是我国古代文学批评中独具民族特色的批评形态。
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  相似匹配句对
     On the Literary Criticism of Women's in Ancient China
     中国古代妇女的文学批评
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     An introduction to The Ancient Chinese Narrow-sense Literature Criticism
     中国古代狭义文学批评导言
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     Ancient literature is a rarity in the history of our literature development.
     古代文学我国文学发展史上的瑰宝。
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     Comparative criticism in Chinese ancient literature
     中国古代文学比较批评的承传
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     A Brief Discussion of Chinese Classical Literary Criticism with Ci-poetry
     古代词体文学批评概说
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Of all the literary critical methods in ancient China, image criticism is one with the most distinctive national features. It shows abstract styles with images. It is usually used when image critics find it difficult to express their literary thought with abstract concepts. Its traditional form represents character appraisal in the Wei and Jin Dynasties, aiming at the literary works of one or some poets or authors. Breaking through the traditional form, Twenty-four Poetic Styles demonstrates the poetic styles...

Of all the literary critical methods in ancient China, image criticism is one with the most distinctive national features. It shows abstract styles with images. It is usually used when image critics find it difficult to express their literary thought with abstract concepts. Its traditional form represents character appraisal in the Wei and Jin Dynasties, aiming at the literary works of one or some poets or authors. Breaking through the traditional form, Twenty-four Poetic Styles demonstrates the poetic styles and the conceiving methods and laws by means of four-characters-in-one-line poetry and mostly by adopting the form of artistic conception complemented with abstract comments. Its theoretical value proves very high. In terms of literary critic text, it is lyrical and rich in image, containing the author's subjective emotions, realistic feelings, mental state, and ideal of life. What is more, the twenty-four poems in the book are arranged in accordance with the Taoist law, and most of them contain Taoist philosophical ideas and quite a few can be regarded as philosophical poems. So, Twenty-four Poetic Styles is of great esthetical value. Its critical methods have exerted a tremendous influence upon literary and artistic criticism of the dynasties to come, especially the Qing Dynasty.

意象批评是我国古代文学批评方法中最具民族特色的一种 ,其传统模式是“人物品题”式的 ,针对的是某一个或几个特定的诗人或作家。《二十四诗品》的出现突破了这一传统模式 ,它以四言诗的形式 ,并大多以境界显现辅之以抽象议论的方法展示诗歌的风格类型 ,揭示其构思的方法和规律 ,具有很高的理论价值。就文学批评文本而论 ,《二十四诗品》中的意象之丰富多彩是空前的 ,其中融合着作者的主观情感及现实感受 ,寄寓着作者的生活理想 ,抒情意味十分浓郁 ;而其各品是依照道的运行规律有序地排列起来的 ,颇含道家哲理 ,有相当一部分甚至可以归入哲理诗的范畴 ,具有很高的审美价值

Compared to occidental literary criticism, Chinese classic literary criticism possesses its specific character, in which the method of "comparative" thinking is very important. Three forms mainly reflect this method: images, classification and comparison, and dialectical thinking in the concept of "Yin" and "Yang ". This method can be adopted for describing the internal natures of something that is difficult to explain in words and for macroscopically grasping the literature phenomenon and the criticism objects....

Compared to occidental literary criticism, Chinese classic literary criticism possesses its specific character, in which the method of "comparative" thinking is very important. Three forms mainly reflect this method: images, classification and comparison, and dialectical thinking in the concept of "Yin" and "Yang ". This method can be adopted for describing the internal natures of something that is difficult to explain in words and for macroscopically grasping the literature phenomenon and the criticism objects.

相对于西方文论而言,中国古代的文学批评有着鲜明的民族个性,其中"比类"型思维特征是其突出的特点之一。这种思维方式主要表现在三个层面上:譬喻形容、连类比较和两极观念下的辩证思考。它有着适合于描述事物内在的那些"只可意会,不可言传"的性质特征和适合于对文学现象和批评对象的宏观把握等诸多优点;当然,它也有着若干不足:缺乏对概念定义的精确描述,不利于构建严密的理论体系,容易导致文本阐释上的牵强附会,等等。对此,我们应该取中西方思维之长,以达到对我国古代文学批评方法论进行创新之目的。

Commenting of novels is a special method of literary criticism in ancient China. Jin Shengtan is one of the most important literary critics of Outlaws of the Marsh. His comments emphasize the writing techniques of the novel and made an in-depth research into the linguistic skills in Outlaws of the Marsh. His ideas form the unique linguistic skills in the novel as well and are of great reference value for the development of Chinese classic novels.

对小说加以评点 ,是我国古代文学批评中特有的方法。通过对金批《水浒传》的深入阐释 ,认为金圣叹从“文章作法”即创作技巧的角度对《水浒传》进行了研究 ,并对《水浒传》的语言表达技巧作了深入探究 ,形成了金批《水浒传》语言特有的表达技巧 ,这对中国小说创作具有重要的指导和借鉴作用。

 
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