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文学批评文体
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  literary criticism style
     Analysis of Li Jianwu's Literary Criticism Style
     李健吾文学批评文体探析
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     Characteristics and Reasons on Chinese Ancient Literary Criticism Style
     试论中国古代文学批评文体的特征及其成因
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     The second part "opening and integrating". In this part,I will differentiate and analyze the inside mechanism of Chinese ancient literary criticism style.
     第二部分“开放与整合”,辨析中国古代文学批评文体的内在机制。
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  “文学批评文体”译为未确定词的双语例句
     Survey and Review on style of Chinese Ancient Literary Criticism in Recent 30 Years
     近30年中国古代文学批评文体研究述评
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     This paper is under the background of Chinese ancient culture history and the literary history, drawing lessons from modern" literary style learns" of standpoints and methods, inquiring into the characteristics of the Chinese ancient literary criticism literary style and the cause.
     本文在中国古代文化史和文学史的大背景下,借鉴现代“文体学”的观点和方法,探讨中国古代文学批评文体的特征及其成因。
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     Section I Facing the straits ----- the features of the Chinese critical style in theearly part of the 20th century.
     一、直面困境——20世纪初中国文学批评文体的特征。
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     Against an epochal and social take-ground in China in the part of the 20th century ,from the angle of style ,this thesis makes a preliminary exploration in thefollowing issue ----- the modern transformation of Chinese critical style in the earlypart of the 20* century .
     本文从文体的角度,在20世纪初中国的时代和社会的大背景下,对20世纪初中国文学批评文体的现代转换问题作了一个初步的探讨。
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     The third part "the lag and change".
     第三部分“滞后与通变”,描述中国古代文学批评文体的历史演进。
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     An Essay on Literary Criticism
     文学批评断想
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     the question of literary criticism.
     文学批评问题。
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     Analysis of Li Jianwu's Literary Criticism Style
     李健吾文学批评文体探析
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     The Development of the Style of Modern Chinese Literary Criticism
     中国近代文学理论批评文体的演进
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     From a New Form to a Renowned Literary Status
     从新兴文体文学“大国”
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The Chinese ancient style value order came into being very early which gone hand in hand with etiquette culture, politics regime and ideological. The styles were ranged according to their function and stood on the different step in the social scale. The value order were under the legitimate culture and caused much tension to the literati and styles. This had far-reaching effects on the Chinese ancient literary criticism, creative write and development of style.

中国古代文体很早就形成了一个与礼仪制度、意识形态密切相关的价值序列,众多文体因自身不同的社会功能分列于不同的位置,乃至有尊卑高下的社会等级。这个价值序列是正统文化辖制和威慑文人、文学以及文体的结果,其中所包含的价值评判对中国古代文学创作、文学批评、文体发展都产生了深远影响。

The meaning of "break" mentioned in this article has two aspects: One is the variation of the special style,just as Liu Xie said that literature had its constant styles.Furthermore,special content calls for special mode(genre,style,manner.etc) to express,but Chinese critics of all ages "broke" this constant style,express the theoretical content in a literary way consciously or unconsciously;another is the evolvement of the traditional style,each age has its particular critical style,the style of a new age is...

The meaning of "break" mentioned in this article has two aspects: One is the variation of the special style,just as Liu Xie said that literature had its constant styles.Furthermore,special content calls for special mode(genre,style,manner.etc) to express,but Chinese critics of all ages "broke" this constant style,express the theoretical content in a literary way consciously or unconsciously;another is the evolvement of the traditional style,each age has its particular critical style,the style of a new age is the "break" of the previous one.The former aspect can trace back to Chuang-tzu,the latter one remains existent today.The "break" in Chinese literary criticism style aims at changing the style to find the best means to express;and as a tradition and evolvement rule of Chinese literary criticism style,"break" exerts a pivotal role in inspiring and referencing current literature criticism.

“破体”有两个层面的含义:刘勰称“设文之体有常”,特定的言说内容须安放于相应的言说方式(体裁、语体、风格等)之中,但古往今来的中国文论家却“破”这个“常”,有意无意地将理论内容安放于文学文体之中,此其一;一时代有一时代之批评文体,此一时代之新文体是对彼一时代之旧文体的“破”,此其二。前者滥觞于庄子,后者绵延至当下。中国文学批评之“破体”,意在不断变更文体形态以寻求最佳言说方式;而“破体”作中国文学批评的文体传统和演变规律,对于当下的文学批评有着重要的启示及借鉴意义。

 
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