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之艺术
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  the artistic
     A Paean of Love——the artistic approach on Guanju
     爱情的礼赞——《关雎》之艺术探微
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     Discussion on the Artistic Education of China Architectural Education in the Open Circumstance
     开放背景下中国建筑教育之艺术教育问题探讨
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     The Artistic Embodiment of the Late Ming Dynasty's Sentimentalism
     晚明情感论之艺术表现
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     On the Artistic Style of the Poems Left in Lian Pavilion
     论《濂亭遗诗》之艺术风格
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     On the Artistic Style of Chinese Drawing
     谈中国画之艺术风格
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  “之艺术”译为未确定词的双语例句
     Understanding and Thinking about Artistic Character of Design
     设计之艺术性质的理解和思考
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     Wu Fuzhi Arts Center
     吴茀之艺术中心
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     Su Shi's Philosophy of Art As Embodied in His Literary Prose
     苏轼文学散文之艺术哲学浅论
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     On the Art of Raising Questions in Teaching Chinese
     语文课堂提问之艺术
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     A Comparison of Kant and Hegel’s Artistic Views
     浅谈康德与黑格尔之艺术美论
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     Art family with sino-western combination
     中西合璧的——艺术
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     ART
     艺术
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     Centennial Vicissitude of Kunqu Art
     昆曲艺术的世纪
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  the artistic
An important feature of our approach is its ability to preserve the artistic quality of clips in the produced cartoon animations.
      
Many papers have been published about the application of this technique to industrial plastics and gums, but little attention has been focused on the characterisation of such group of synthetic compounds used in the artistic field.
      
Thermal desorption in the presence of tetramethylammonium hydroxide (TMAH) has been applied to materials belonging to the artistic field to verify the effectiveness of the derivatisation reaction.
      
This essay explores the artistic and religious significance of the hand and foot in the prehistoric rock art of North Africa and Arabia and examines their various ethnographic and mythological expressions in historical times.
      
It is a multidisciplinary approach to a collective consciousness that finds its roots in an Afroasiatic substrate and its expression in the artistic and linguistic traditions of the eastern and southern coasts of the Mediterranean.
      
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There are more than one hundred and twenty private home gardens in Soochow, which were built in Ming and Ching dynasties. In the February of 1961, the author went to Soochow to make a survey of some famous gardens such as Tsang Long Ting, Shih Tze Lin, Juo Jeng Yuan, Yih Pu, Hue Yin Yuan, Huan Shiou Shan Juang, Wang Shih Yuan, Liu Yuan and Yih Yuan.

从苏州现存明清构筑的宅园来看,由于时代的不同,社会的变化和风尚的差异,园林中所表现的思想情调和艺术形式都有显著的变化。这个变化的分界线不是明代和清代之分,而以清代乾隆中叶为界。本文就不同时期、阶段宅园创作的布局、景区划分、水池处理、掇山叠石、园林建筑和植物题材运用等方面的技法特点进行探讨,并举例说明各个时期中布局和艺术手法上的异同。

The West Lake and The Tai-hu Lake are well-known landscape sceneries in China,which are not only charming but unique in many respects.In this article the author tries tentatively to probe the problem concerning the plant arrangements around the said lakes. In the first part of the article,the author concerns himself in discussing the principles of plant arrangement.In planning of vast expanses of greenery,due attention should be paid to the definite conditions of a given place and to the regional style in question.Meanwhile,a...

The West Lake and The Tai-hu Lake are well-known landscape sceneries in China,which are not only charming but unique in many respects.In this article the author tries tentatively to probe the problem concerning the plant arrangements around the said lakes. In the first part of the article,the author concerns himself in discussing the principles of plant arrangement.In planning of vast expanses of greenery,due attention should be paid to the definite conditions of a given place and to the regional style in question.Meanwhile,a union of sight-seeing and production should also be considered. The second part deals with composition and arrangement methods of plants. The last part is on the problems of landscaping itself.

西湖与太湖是中国著名的风景区,山水清秀,景色迷人,在风景艺术方面蕴藏着丰富的经验,作者仅就植物配置问题作一初步的探讨,供有关同志们参考。本文共包括三个部分:第一部分是讨论风景区的植物配置原则问题。第二部分是讨论在风景区中植物的构图与配置方式问题。第三部分是讨论植物的造景问题。

The world-famous Western Han "Magic Bronzc Mirror", the Chinese aneient artistic curio, has the property of "Light-Penetration". On the basis of the theory of solidification and with the application of the theory of elasticity, the basic cause of "Light-Penetration Effect" being the residual stresses of the edgc ring of the Mirror is explained in this paper. From experimental mechanical analysis, the quantitative vatlues of the residual stresses are given. The stresses on the back surface of the shallow spherical...

The world-famous Western Han "Magic Bronzc Mirror", the Chinese aneient artistic curio, has the property of "Light-Penetration". On the basis of the theory of solidification and with the application of the theory of elasticity, the basic cause of "Light-Penetration Effect" being the residual stresses of the edgc ring of the Mirror is explained in this paper. From experimental mechanical analysis, the quantitative vatlues of the residual stresses are given. The stresses on the back surface of the shallow spherical shell of the mirror are calculated and compared with the experimental values as well.

闻名世界的中国古代艺术珍品“西汉铜镜”具有“透光”功能。本文根据冷却凝固理论,应用弹性理论阐明了边框残余应力是“透光”效应的基本原因。根据实验应力分析,给出了残余应力的定量数值。文中还计算了球面扁壳型铜镜的镜背表面应力,并和实测数据作了对比。

 
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