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我国古代诗歌
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  chinese ancient poetry
     The development of Chinese ancient poetry origin criticism went through five stages: formation stage, slow development stage, fast development stage, in-depth development stage and perfecting stage.
     我国古代诗歌源流批评的发展经历了五个阶段,即成型期、小步发展期、大步发展期、深化期、完善期;
短句来源
     The succession of Chinese ancient poetry origin criticism is mainly embodied in the following two clues: one is the succession of scattered application,that is,the discussion of poetry body,style,method,meaning,development and so on;
     我国古代诗歌源流批评的承传,主要体现在两条线索中:一是在零散运用方面的承传,这主要体现在对诗体、诗风、诗法、诗意及诗歌历史发展源流叙论等方面;
短句来源
     The above-mentioned two aspects show the development and characteristics of Chinese ancient poetry origin criticism from different angles.
     上述两方面,从不同侧面映现出了我国古代诗歌源流批评的发展及其特征。
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  “我国古代诗歌”译为未确定词的双语例句
     In China's poetry history ,there is an important stage for the development of the ancient poetry during Qi and Liang Dynasties.
     在中国诗歌发展史上,齐梁时代是我国古代诗歌发展的一个重要阶段。
短句来源
     Numerous creations on wine chant have been found in ancient Chinese Poems, with the subject throughout the entire history of poem development.
     我国古代诗歌中咏酒之作篇目繁多,酒题材贯穿了诗歌发展的各个阶段。
短句来源
     Rhetoric art of ancient poem of our country is magnificent, its content contained is very abundant .
     我国古代诗歌修辞艺术美轮美奂,其涵盖的内容十分丰富。
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     Tang-poems is the most resplendenced and most costful literature heritage in our country. It is the peak of ancient poesy achievement.
     唐诗,是我国最灿烂、最辉煌、最珍贵的文学遗产,是我国古代诗歌成就的最高峰。
短句来源
     Therefore,it makes great contribution to the development of China's classical theory of poetry appreciation.
     不仅立论精当新颖,而且能理论联系实际,为我国古代诗歌鉴赏理论的发展作出了重要的贡献。
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  相似匹配句对
     On Famous Remarks of Departure in Ancient Poetries
     谈我国古代诗歌中的言别名句
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     The Grass in Ancient Poems
     古代诗歌中的草
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     Traditional Weapon and Ancient poem
     兵器与古代诗歌
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     On the Retroactive Effect of Ancient Criminal Law in China
     我国古代刑法的溯及力
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     A STUDY ON ANCIENT METEORITES OF CHINA
     我国古代陨石的研究
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The poetics estallished in the Qing Dynasty epitomized ancient Chinese poetics. Of the many poetic theorists in the Late Qing Dynasty, Wang Kaiyun has had important influence because of the differences in his poetic viewpoints with those held by the Song Dynasty poetry second to none school. In this paper, Wang's Master of Xiangyi Lodge on Poetry is examined for the purpose of summing up the theoretical system of his poetics in the aspects of poetry in itself and poesy, and so on and so forth, with remarks...

The poetics estallished in the Qing Dynasty epitomized ancient Chinese poetics. Of the many poetic theorists in the Late Qing Dynasty, Wang Kaiyun has had important influence because of the differences in his poetic viewpoints with those held by the Song Dynasty poetry second to none school. In this paper, Wang's Master of Xiangyi Lodge on Poetry is examined for the purpose of summing up the theoretical system of his poetics in the aspects of poetry in itself and poesy, and so on and so forth, with remarks on the reasonability of his viewpoint that the poems created during the Wei and Jin Dynasties were to be counted among the best, and with notes on the exceptional discernment of his esthetic ideal.

清代诗歌理论是我国古代诗歌理论的集大成,而清末的诗学大家王运的诗学思想因与宋诗派歧异而具有较大影响。本文以王运的《湘绮楼说诗》为主要材料,从诗本体论、诗歌技法等方面论述了湘绮诗说的理论体系,论证湘绮论诗主魏晋的合理性及其独具文化眼光的审美理想。

Yuan Haowen was well known as a distinguished poet and poetry critic in ancient China's Jin and Yuan dynasties.His poetry critiques enjoyed quite an important status in the Chinese history of poetry theory.Characterised by the touches of grace,simplicity and tenderness,he also took in something new into his critiques.Affected by trends of the time,he put on some new topics,combining a feeling of passion and generocity into his criticism.The changes have made his works different from traditional poetry critiques.Yuan...

Yuan Haowen was well known as a distinguished poet and poetry critic in ancient China's Jin and Yuan dynasties.His poetry critiques enjoyed quite an important status in the Chinese history of poetry theory.Characterised by the touches of grace,simplicity and tenderness,he also took in something new into his critiques.Affected by trends of the time,he put on some new topics,combining a feeling of passion and generocity into his criticism.The changes have made his works different from traditional poetry critiques.Yuan Haowen's criticism works are mainly collected in Critiques on Thirty Poems.Critics in ancient times and nowadays hold different views on some of the verses.On this point,this article tries to explain which of them sound more reasonable to help gain a correct understanding of Yuan Haowen's criticism. [

元好问是金元之际杰出的诗人。他的诗论在我国古代诗歌理论发展史上,也有着相当重要的地位。他的诗论虽以风雅的温柔敦厚为主,但也不能不受时代的影响,使他在温柔敦厚之外,提出了新的命题,强调了慷慨激越的风格,显示了不同于传统诗论的特色。元好问的诗论,主要见于《论诗三十首》,但古今研究者对其中的一些诗句,多有歧议,众说纷纭,对此应作出较为符合实际的解释,以求得全面正确理解元好问的诗论。

The representative theory on ancient narrative literature in China,following the footsteps of novels in Ming Dynasty,taking prefaces postscripts and commentaries as its conerete forms,makes a summary and a deeply theoretical exposition of the means of individuality and condensation when portraying people,the features of type and representativeness in people's natures and the unity of representative people's diffenent natures. The theoretical content is the same as the representative fheory of the wesfern narrative...

The representative theory on ancient narrative literature in China,following the footsteps of novels in Ming Dynasty,taking prefaces postscripts and commentaries as its conerete forms,makes a summary and a deeply theoretical exposition of the means of individuality and condensation when portraying people,the features of type and representativeness in people's natures and the unity of representative people's diffenent natures. The theoretical content is the same as the representative fheory of the wesfern narrative literature, coloured with the mood of Literary words. It is a pearl in our treasure-house of ancient Literature.

我国古代关于叙事文学中的人物典型理论 ,跟随明清小说发展的步武 ,以作品序跋及随文评点等方式 ,对人物塑造的个性化、概括化的手法 ,人物性格的类型化、典型化的特征以及典型人物多重性格侧面的统一等问题 ,均作以随时的总结和颇具理论深度的阐发。其理论内容与西方叙事文学的典型理论同旨 ,而又染有我国古代诗歌理论“意境”说的色彩 ,是我国古代文学理论宝库中的一粒珍珠

 
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