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世纪后期
相关语句
  late 20 th century
    A Survey of Chinese Aesthetics in Late 20th Century
    20世纪后期中国美学概观
短句来源
    From Psychological Aesthetics to Philosophical Aesthetics ——A Comment on Zhu Guangqian's Aesthetic Academic Road in the Late 20th Century
    从心理美学到哲学美学——20世纪后期朱光潜美学学术道路的反思
短句来源
    Considering the limitations of China's aesthetic studies in late 20th century, further development can be made possible from the following three aspects: first, get away from the confinement of idea analysis in traditional philosophic aesthetics and turn to practical testifying;
    在深入反思 2 0世纪后期中国美学学术局限的基础上 ,新世纪中国美学至少可从以下三个方向谋求深化与自我拓展 :走出哲学美学的观念研究之路 ,以具体深入的实证专题研究完成中国美学的现代转型 ;
短句来源
    The "Grand Aesthetic Discussion" which took place in the fifties and sixties of 20th century exercised a moulding function to the late 20th century Chinese aesthetics in the aspects of aesthetic ideas and academic patterns.
    发生于20世纪50、60年代的"美学大讨论"对于20世纪后期中国美学,在审美观念和学术形态两方面,均有铸型作用。
短句来源
    Chinese Aesthetics in the late 20th century can be depicted by the concept of neo - classicalism.
    “新古典主义”是对20世纪后期中国美学审美观念上的描述。
短句来源
  the late 20 th century
    From Psychological Aesthetics to Philosophical Aesthetics ——A Comment on Zhu Guangqian's Aesthetic Academic Road in the Late 20th Century
    从心理美学到哲学美学——20世纪后期朱光潜美学学术道路的反思
短句来源
    The "Grand Aesthetic Discussion" which took place in the fifties and sixties of 20th century exercised a moulding function to the late 20th century Chinese aesthetics in the aspects of aesthetic ideas and academic patterns.
    发生于20世纪50、60年代的"美学大讨论"对于20世纪后期中国美学,在审美观念和学术形态两方面,均有铸型作用。
短句来源
    Chinese Aesthetics in the late 20th century can be depicted by the concept of neo - classicalism.
    “新古典主义”是对20世纪后期中国美学审美观念上的描述。
短句来源
  “20世纪后期”译为未确定词的双语例句
    The 1950's and the 1960's was the transition and transform period of CaiYi's research on aesthetics, it offered the most early original version of how China's aesthetics would be in later stage of the 20th century.
    20世纪50、60年代,是蔡仪美学的转型与自我改造期,为20世纪后期中国美学提供了最早的蓝本。
短句来源
    For Chinese aesthetics in the latter half of the 20th century,there is a contradiction between the egoistic position of national cultural personality and the strong narration and request of international identification.
    20世纪后期中国美学的民族文化个性本位立场与其强烈的国际认同诉求相矛盾。
短句来源
    For the reasons above, this paper holds that reviewing aesthetics in the period from both aesthetic and methodological perspectives is the precondition for any progress of Chinese Aesthetics in new century.
    从审美观念和学术研究方法两个层面认真总结20世纪后期中国美学的理论成果与历史经验是新世纪中国美学有所建树的学术前提。
短句来源
    LI Ze-hou's aesthetics is outstanding representative of Chinese aesthetics mainstream position on"practical aesthetics" in the later period of 20th century.
    李泽厚美学是20世纪后期处于中国美学主流地位的“实践论美学”的杰出代表。
短句来源
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  late 20 th century
The increase in genetic diversity of the urban population of the Kursk oblast due to migration has been slowing down since the late 20th century, whereas the outbreeding level is still increasing in rural populations.
      
Dynamics of climate extremes in northern Eurasia in the late 20th century
      
Changes in climatic parameters and in temperature and precipitation extremes in northern Eurasia in the late 20th century are analyzed.
      
Against the background of large interannual variations, no statistically significant trends were found in the characteristics of Arctic mesocyclones over the North European Basin in the late 20th century.
      
Bonding time and uncertainty in this fashion, the examples show further that literary discourse of the 19th Century projects the nonlinear dynamical thinking that dominates late 20th Century scientific debate.
      
更多          
  the late 20 th century
The increase in genetic diversity of the urban population of the Kursk oblast due to migration has been slowing down since the late 20th century, whereas the outbreeding level is still increasing in rural populations.
      
Dynamics of climate extremes in northern Eurasia in the late 20th century
      
Changes in climatic parameters and in temperature and precipitation extremes in northern Eurasia in the late 20th century are analyzed.
      
Against the background of large interannual variations, no statistically significant trends were found in the characteristics of Arctic mesocyclones over the North European Basin in the late 20th century.
      
The author compares the prevalence of the features of pre-modern China and Vietnam with elements in legislation and institutions implemented under the late 20th century reform processes in the PRC and Vietnam.
      
更多          


As one of the great masters in aesthetic China, Zhu Guangqian went on to the way toward philosophical aesthetics in the late 20th century, which is quite different from that he took in the first half of the same century. The way from the basic phenomena up to an ideological whole as he himself called it the psychoaesthetics. This was a change not only in ideological level of aesthetics, but also, even more important, in methodology and academic formation. This for Zhu would be an insufficient field which he...

As one of the great masters in aesthetic China, Zhu Guangqian went on to the way toward philosophical aesthetics in the late 20th century, which is quite different from that he took in the first half of the same century. The way from the basic phenomena up to an ideological whole as he himself called it the psychoaesthetics. This was a change not only in ideological level of aesthetics, but also, even more important, in methodology and academic formation. This for Zhu would be an insufficient field which he put himself in, and for the Chinese aesthetics circle, a matter for regret. Zhu's psychological aesthetics remains at the level of “concept to concept”. Turn it be the concept coming from positive and experimental searchings is the only way for us to go torward the psychological science based aesthetics by use positive and experimental method.

20世纪后期 ,朱光潜先生美学学术道路的变迁不只是美学观念层次的变迁 ,更重要的是美学研究方法与学术形态的变迁 :从心理美学转变为哲学美学 ,走上了与其前期美学正相反的自上而下的道路。这既是朱先生个人的学术误区 ,也是整个 2 0世纪中国美学的遗憾 !承续朱光潜先生的心理美学成果 ,化观念为方法 ,走科学美学之路 ,是深化当代中国哲学美学既有成果的必由之路

Zhu Guangqian's later aesthetics has the characteristics of both theoretical aesthetics and practical aesthetics,manifesting the historical trail of the 20 th century Chinese aesthetics from theoretic aesthetics to practical aesthetics.Zhu's aesthetics is the medium of the evolution.It has the common features of the late 20 th century Chinese aesthetics such as philosophical aesthetics,theoretical aesthetics,practical aesthetics and Marxist aesthefics as well as its own academic individuality in aesthetical...

Zhu Guangqian's later aesthetics has the characteristics of both theoretical aesthetics and practical aesthetics,manifesting the historical trail of the 20 th century Chinese aesthetics from theoretic aesthetics to practical aesthetics.Zhu's aesthetics is the medium of the evolution.It has the common features of the late 20 th century Chinese aesthetics such as philosophical aesthetics,theoretical aesthetics,practical aesthetics and Marxist aesthefics as well as its own academic individuality in aesthetical consciousness and aesthetical subject.Owing to the limitation of the times;Mr. Zhu failed to formulate a complete theoretical system of aesthetics,but his theory still has a broad prospect both in theoretical aesthetics and in practical aesthetics.

朱光潜后期美学同时具有认识论美学与实践美学特征 ,典型地体现了 2 0世纪后期中国美学从认识论美学向实践美学过渡的历史轨迹 ,是这一演变的中介形态 ,它具有哲学美学、认识论美学、实践美学与马克思主义美学等 2 0世纪后期中国美学之共性 ,同时又在美学学科意识和审美主体论两个方面显示出强烈的学术个性。由于时代的制约 ,朱光潜先生未能建立起一个较为完备的美学理论体系 ,但是 ,这一理论在认识论美学与实践美学两个方面均有广阔的学术前景

Considering the limitations of China's aesthetic studies in late 20th century, further development can be made possible from the following three aspects: first, get away from the confinement of idea analysis in traditional philosophic aesthetics and turn to practical testifying; second, turn back to traditional Chinese aesthetical cultural resources and apply the universal essences to the overall aesthetics; third, abandon the idea of art-centeredness, and exploit the contemporary humanistic value of natural...

Considering the limitations of China's aesthetic studies in late 20th century, further development can be made possible from the following three aspects: first, get away from the confinement of idea analysis in traditional philosophic aesthetics and turn to practical testifying; second, turn back to traditional Chinese aesthetical cultural resources and apply the universal essences to the overall aesthetics; third, abandon the idea of art-centeredness, and exploit the contemporary humanistic value of natural aesthetics, craft aesthetics and life aesthetics.

在深入反思 2 0世纪后期中国美学学术局限的基础上 ,新世纪中国美学至少可从以下三个方向谋求深化与自我拓展 :走出哲学美学的观念研究之路 ,以具体深入的实证专题研究完成中国美学的现代转型 ;回归本民族传统审美文化资源 ,挖掘对人类审美意识史有普遍意义的因子 ,将中华传统审美智慧融入人类美学知识谱系 ;走出艺术中心论 ,深入发掘自然审美、工艺审美和生活审美的当代人文价值 ,丰富大众审美生活 ,拓展审美形态研究新局面。

 
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