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官方文学
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  official literature
    A critique on the official literature during the Nazi period in Germany
    德国纳粹时期官方文学剖析
短句来源
    The article inquires into the German literature during the Nazi period. While affirming the anti-Nazi literature as the mainstream, it focuses its analysis and critique on Nazi's official literature, especially the “Blood-Earth Literature”.
    本文探讨了纳粹时期的德国文学 ,在肯定反法西斯文学主流的同时 ,着重对纳粹的官方文学 ,特别是“血与土的文学”进行了分析批判。
短句来源
    With the progress of his self-reform and his shift of identity,Maodun went through a series of spiritual agony and gradually became the spokesman of the official literature and politics.
    随着自我改造运动的深入及身份的改变,茅盾在经历了一系列的心灵痛苦之后,逐渐成为官方文学与政治立场的代言人。
短句来源
  “官方文学”译为未确定词的双语例句
    The Chinese poetry was the essential part of Vietnam' s ancient literature and the outcome of ancient Chinese poetry in Vietnam marked the beginning of its national literature.
    这两个诗歌体系各自担任越南官方文学和通俗文学的两大任务。 总之,越南诗歌一直陪伴着越南古代文学由起端到终结的整个历史进程。
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  official literature
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The article inquires into the German literature during the Nazi period. While affirming the anti-Nazi literature as the mainstream, it focuses its analysis and critique on Nazi's official literature, especially the “Blood-Earth Literature”. With examples from poems, novels and dramas, the article exposes the deceitfulness and reactionariness of the “Blood-Earth Literature”, and explores its ideological origin.

本文探讨了纳粹时期的德国文学 ,在肯定反法西斯文学主流的同时 ,着重对纳粹的官方文学 ,特别是“血与土的文学”进行了分析批判。文章列举了诗歌、小说和戏剧方面的例子 ,剖析了纳粹时期“血与土的文学”的欺骗性和反动性 ,并从世界观的角度挖掘这种文学的思想根源

The term Fringe Literature is used to specify such old-style literature and "official literature" as old-style poetry, which has been excluded from the mainstream consciousness in contemporary Chinese literature. In the viewpoint of historiography, contemporary Chinese literature is a multi-element symbiotic literature, so is the narration of contemporary Chinese literature. Old-styled literature and official literature, such as old-styled poetry and the sort are some element of contemporary Chinese literature....

The term Fringe Literature is used to specify such old-style literature and "official literature" as old-style poetry, which has been excluded from the mainstream consciousness in contemporary Chinese literature. In the viewpoint of historiography, contemporary Chinese literature is a multi-element symbiotic literature, so is the narration of contemporary Chinese literature. Old-styled literature and official literature, such as old-styled poetry and the sort are some element of contemporary Chinese literature. In the historical course of literature, they deeply influenced the society of the day by their own existence and creations. We should pay them some "attention", which not only embodies our historiography quality but also provides us more objective, more correct and more substantial guarantee in the narration of contemporary Chinese literature.

"边缘文学"特指被中国现代文学主流意识排斥在外的旧体诗等旧体文学和"官方"文学。从史学的角度来看,中国现代文学是多元共生的文学,中国现代文学的叙述也应该是多元共生的。"旧体诗"等旧体文学、"官方"文学等都是中国现代文学中的一分子。在文学的历史进程中,它们都曾以自身的存在和创作深刻地影响着当时的社会。对它们的"关注",既是我们应有的史学品质,也是中国现代文学叙述更客观、更准确、更本质的保证。

Guo Liang-hui, as a productive female writer of Taiwan, has won a big readership. Being adept at both serious literature and popular literature, she achieved popularity among readers; she challenged the official literature by piloting literary themes different from those of the 1950s and 1960s. Through the transition from the focus on the male dominant society to the modern society and her insights into love and marriage, especially into sex, she is considered to have triggered a series of literary sensations...

Guo Liang-hui, as a productive female writer of Taiwan, has won a big readership. Being adept at both serious literature and popular literature, she achieved popularity among readers; she challenged the official literature by piloting literary themes different from those of the 1950s and 1960s. Through the transition from the focus on the male dominant society to the modern society and her insights into love and marriage, especially into sex, she is considered to have triggered a series of literary sensations in Taiwan.

作为台湾文坛上引人瞩目的高产女作家,郭良蕙不仅游走于严肃文学与通俗文学的中间地带,拥有广泛的社会读者群,而且以她对20世纪五六十年代台湾文学题材的大胆碰撞,挑战了官方文学话语的权力场域。其小说创作内容从传统的男性社会横跨到现代社会,通过对台湾社会变迁过程中的女性情感境遇的审视,传达了作者有关婚姻爱情问题的深层思考。特别是她对性爱题材的尖锐触及,突破了台湾文学的创作禁区,并引发出一系列耐人寻味的台湾文坛风波。

 
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