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文学修辞的
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  literature rhetoric
     Wang Meng's Three-dimensional Research to Literature Rhetoric
     王蒙对文学修辞的立体研究
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  “文学修辞的”译为未确定词的双语例句
     The aesthetic perspective of rhetoric contemporary literature
     当代文学修辞的审美透视
短句来源
     Fantasy of Love:Ideological Interposition in Literary Rhetoric——Rhetorical Tactics and A typological History of the 20th Century Chinese Literature
     想象爱情:文学修辞的意识形态介入——修辞策略和20世纪中国文学类型史之一
短句来源
     Figure of speech is an important means of literature and rhetoric.
     比喻是文学修辞的重要手段。
短句来源
  相似匹配句对
     Figure of speech is an important means of literature and rhetoric.
     比喻是文学修辞的重要手段。
短句来源
     The aesthetic perspective of rhetoric contemporary literature
     当代文学修辞的审美透视
短句来源
     What is Literature For?
     文学何为
短句来源
     Fifth, Literature.
     (五)文学
短句来源
     Dialectics in Rhetoric
     修辞的辩证法
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  literature rhetoric
American Legal argumentation: The Law and Literature/rhetoric movement
      


Figure of speech is an important means of literature and rhetoric.From the evolution of figures of speech in the typical periods in literary history—the pre Qin period,the Tang and Song Dynasties and 1930s,we can trace the regularity of the transfer from being similar in appearance to being similar in spirit.The similarity in figures of speech tends to be weakening and concealing,which has a great influence upon the present literary world of our country.

比喻是文学修辞的重要手段。从先秦、唐宋和 19世纪 30年代等文学史上典型时期比喻手法的演变过程 ,可见其从“形似”向“神似”转移的规律 ,比喻的相似性呈逐渐淡化、逐渐隐蔽的趋势 ,从而对我国当今文坛产生了巨大的影响

There are four differences between the study of The Book of Songs in Han Dynasty and Song Dynasty. The most important difference is that the scholar in Han Dynasty believed in Xu(《序》),but the scholar in Han Dynasty didn't explain songs by Xu(《序》). The scholar in Han Dynasty regarded the poems in The Book of Songs as satirical poems, and the scholar in Song Dynasty regarded them as lyrics. The scholar in Han Dynasty used to relating The Book of Songs to politics but the scholar in Song Dynasty didn't. The scholar...

There are four differences between the study of The Book of Songs in Han Dynasty and Song Dynasty. The most important difference is that the scholar in Han Dynasty believed in Xu(《序》),but the scholar in Han Dynasty didn't explain songs by Xu(《序》). The scholar in Han Dynasty regarded the poems in The Book of Songs as satirical poems, and the scholar in Song Dynasty regarded them as lyrics. The scholar in Han Dynasty used to relating The Book of Songs to politics but the scholar in Song Dynasty didn't. The scholar in Han Dynasty thought highly of the binding force of The Book of Songs, and the scholar in Song Dynasty paid attention to the influence of The Book of Songs on person's sentiment.

汉、宋诗经学在说诗体系上的不同体现在四个方面:在文本阐释上,诗汉学主张依《序》说诗,诗宋学主张求诗本义;在文本性质上,诗汉学认定《诗三百》为政治美刺诗,诗宋学则认定其为一般抒情诗;在对“赋比兴”之“兴”的认识上,诗汉学取义,作道德和政治比附,诗宋学则不甚取义,将之认作文学修辞的方法;在《诗》之用上,汉儒重视其对个人行为加以外在规范,宋儒则重视其对个人内在情操的陶冶。

Literary act is an alternative genre of speech act inasmuch as its unique performativity which enables literature to enact deconstruction-oriented as well as reconstruction-oriented cultural acts through the "residual reference of rhetorical effect" instead of fanatic but empty political slogans. It is in this sense that the Chinese version of postmodernism is promoting rather than suspending the project of modernity in China.

根据言语行为和解构主义的理论 ,文学行为是一种特殊的言语行为 ;其施为性体现为以文学“修辞的剩余”而非激越而空洞的政治口号来进行文化的解构和建构活动。正是在这一意义上 ,中国后现代主义推进、而不是悬搁了中国的现代性工程。更重要的是 ,中国后现代主义在一定程度上纠正了一个世纪以来中国现代文学中的泛政治化流弊 :它真正开始把属于文学的还给文学 ,把属于大众的还给大众。

 
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