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派批评
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  school criticism
     Development and Characteristics of Chinese Ancient Ci-poetry Style and School Criticism
     中国古典词学体派批评的发展及其特征
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  “派批评”译为未确定词的双语例句
     Criticism on Schools of Ci Poems in the Song Dynasty
     宋词词派批评
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  相似匹配句对
     Literary Criticism of Xueheng School
     学衡的文学批评
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     Yuan Mei's Critic Comments on the Zhejiang School
     袁枚批评
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     The Responsibility of Criticism
     批评的责任
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     The Task of Arts Critique
     批评的任务
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     Pumpkin Pie
     南瓜
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  school criticism
It is worth noticing that our point is robust to the Chicago school criticism.
      
In a nutshell, the Chicago school criticism claimed that vertical integration could not kill the competitive pressure on the upstream market.
      
The Chicago School criticism replies that this view forgets the competitive pressure on the upstream market.
      


The New School of Studies on A Dream of Red Mensions, whose representative figures are Hu Shi and Yu Pingbo, is an important school in the academic history of modern China. Hu's studies are mainly textual research. He advocated “inquiry on the basis of evidence”. He made a remarkable achievement in the studies of the author and the issue of different versions of the novel. Yu's academic personality is different from Hu's. He combined textual research with appreciation and comment, and devoted himself to grasping...

The New School of Studies on A Dream of Red Mensions, whose representative figures are Hu Shi and Yu Pingbo, is an important school in the academic history of modern China. Hu's studies are mainly textual research. He advocated “inquiry on the basis of evidence”. He made a remarkable achievement in the studies of the author and the issue of different versions of the novel. Yu's academic personality is different from Hu's. He combined textual research with appreciation and comment, and devoted himself to grasping the spirit of the novel from the perspective of aesthetics and the creation of the work. Hu and Yu's studies on A Dream of Red Mensions have laid a solid foundation for the development of later research. But attention should be paid to the deficiencies and faults of their studies so as to advance studies on A Dream of Red Mensions.

本文细致地论述了以胡适、俞平伯为代表的“新红学”派的基本观点 ,它对“索隐派”的批评与超越 ;“新红学”自身观点的发展变化 ;“新红学”所受到的政治打击以及学术界对它的误解 ,并对“新红学”给予了全面的历史的评价

To a certain extent, every book on literature history is a transitional script. It's an amplitude space and eternal strain for its researchers. Consequently, reflection on and challenge to the criteria are the obligatory mission of a teacher and researcher in this field. The object of this thesis is to state my own academic position and proposition about literature history, emphasize the fact that an expert on literature history is an ideologist to some extent, and his history consideration should be in complete...

To a certain extent, every book on literature history is a transitional script. It's an amplitude space and eternal strain for its researchers. Consequently, reflection on and challenge to the criteria are the obligatory mission of a teacher and researcher in this field. The object of this thesis is to state my own academic position and proposition about literature history, emphasize the fact that an expert on literature history is an ideologist to some extent, and his history consideration should be in complete harmony with reality. Moreover, the most important principle for him is to abide by script. Therefore, studies on literature history to investigate culture reality ought to get some insight into the soul of every writer.This article treats the issue from respects such as the structure of literature history, rewriting literature history from calling to experimentation,return to scripts and re reading of some masterpieces, seeking the soul in the study of literature history, lending an ear to the voice of the civilian, position of Chinese literature history research in the world back and in the crevice era, contemporary thoughts, frame of the academic criticism and so on.

从一定意义上说 ,每一部文学史著作都是一个过渡性文本。因此 ,对于研究主体来说 ,文学史具有广阔无垠的空间 ,有一种永恒的潜在张力。所以反思规范与挑战规范正是一个文学史教学与研究者的天然使命。本文通过文学史的构成、重写文学史从呼唤到实验、回归文本与名著重读、追寻文学史的心灵史意味、倾听民间回声、夹缝时代、世界文学史格局中的中国文学史、当代意识与学院派批评的建构等多视角阐释 ,申明自己的学术立场和文学史观念 ,强调文学史家在一定意义上应是思想家 ,他的历史思考应与现实思考水乳交融。而对于文学史研究者来说 ,尊重文本乃是第一要义。因此 ,作为寻求文化现场的文学史研究应到作家的心灵文本中去勘察

Since 1980,academia have gotten some achievements on the study of Beijing School criticism,but because of the inertia of ideation, there is still lots of illogicality and puzzle in the understanding of the criticism and the literature theory of Beijing School.This treatise analyzes these illogicality and puzzle,and suggests that we have a thorough grasp of the Beijing schools aesthetic and culture logic on the premise of Self conscious Aesthetic Critic.

八十年代以来 ,学术界对京派批评的研究取得了一定的成果 ,但是由于某种思维惯性的影响 ,对京派批评与京派文学思想的理解仍充满矛盾与困惑 ,本文着重分析了这些矛盾与困惑 ,认为应从“自觉的审美批评”这一理论前提出发 ,更深入完整地把握京派批评自身的审美文化逻辑。

 
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