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唐诗风貌
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  相似匹配句对
     Supplement to "the Complete Poetry of Tang Dynasty"
     《全唐诗》补遗
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     THE ZEN TASTE IN THE POEMS OF THE TANG DYNASTY
     唐诗的禅趣
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     The Combination and Separation between Regional Cultural Tradition and the Style and Artistic Features of the Tang Poetry
     区域文化传统与唐诗创作风貌的离合——以楚、蜀文化为例的分析
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     Confucius Costume Study
     孔子服饰风貌剖析
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     Nilsson in Person:The Glory of the Power
     尼尔森的风貌:力量的光辉
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  the poetic style
This article connects the poetic style of the troubadours with formal aspects of their surviving melodies.
      


Shangguan Style" is a term used to describe the poetic style of Shangguan Yi, a court poet of the early Tang Dynasty (618-907). His poetic theories involve the use of tones and antitheses with a view to the expression of feelings, far from a kind of formalism as denounced by .so many critics throughout the ages.

作为唐诗史上第一个以个人名义命名的风格称号,“上官体”对一代“唐音”的形成影响深远。他们不但留下了一批颇具新意的诗作,而且有明确的诗学主张来倡导“新变”诗风。通过现存资料的网罗勾稽,可以见出,“上官体”诗学理论内容涉及声律、对偶等艺术手法和情志意兴等诸多方面,形成了比较系统的诗歌理论体系;从诗风流变的角度而言,已超越了唐初诗风之“学术化”,趋向,而呈现出唐诗风貌的端倪。

As the first poem style named after an individual in the peotry history of the TANG Dynasty, the establishment and popularity of "SHANGGUAN Style' were not only the product of the fresh changes of the social culture custom, but also responded to the inherent tendency of the evolution of the poetic arts, which had a profound influence on the formation of the features of poetry of the TANG Dynasty. A research into the existing poetic materials shows that the "SHANGGUAN Style "poems absorbed the essence of the...

As the first poem style named after an individual in the peotry history of the TANG Dynasty, the establishment and popularity of "SHANGGUAN Style' were not only the product of the fresh changes of the social culture custom, but also responded to the inherent tendency of the evolution of the poetic arts, which had a profound influence on the formation of the features of poetry of the TANG Dynasty. A research into the existing poetic materials shows that the "SHANGGUAN Style "poems absorbed the essence of the poems in the Southern Dynasty and also made a great breakthrough. It covers the artistic methods such as rhgthm as well as feeling and emotions, and it has actually formed a considerably a sophisticated theoretic system. In terms of peotry evolution, the academic trend of the early TANG Dynasty made TANG Poetry what it is.

作为唐诗史上第一个以个人名义命名的风格称号“上官体”,其生成与风行既是社会文化风尚“新变”的产物,又顺应了诗歌艺术演进的内在趋势,对唐诗风貌的形成产生了深远的影响。从上官仪现存诗作可以看出,上官体汲取南朝诗艺之精要而又有重大突破,它代表了宫廷诗风由因袭到创新,由密丽到疏隽,由滞重到轻灵,由风格雷同到渐见个性的诗风流变趋势,已超越了唐初诗风之“学术化”趋向, 而呈现出唐诗风貌的端倪。

Medicine", a word which appeared 1862 times in The Whole Tang Poetries, was closely related with daily life and literary creation of Tang's poets. The poets paid a good deal of attention to life, so that they found several actual functions of medicine; they were so fond of medicine that their relationship with nature beyond their predecessors' in depth and range. They described details about medicine in their poems, such as gathering medicine, washing medicine, smelting medicine, selling medicine, and taking...

Medicine", a word which appeared 1862 times in The Whole Tang Poetries, was closely related with daily life and literary creation of Tang's poets. The poets paid a good deal of attention to life, so that they found several actual functions of medicine; they were so fond of medicine that their relationship with nature beyond their predecessors' in depth and range. They described details about medicine in their poems, such as gathering medicine, washing medicine, smelting medicine, selling medicine, and taking medicine drugs. They regarded medicine herbs garden as a paradise for cultivating their modes and source of their creation of poems. As a result, there were a large number of expressions, images and topics about medicine, which affected the appearance, styles and features of Tang poetry. In conclusion, medicine and herbs garden were the backyards of Tang's poets in both their lives and spirits.

“药”在唐诗中大量出现 ,与唐人生活和创作密切相关。对生命的极度关注 ,导致唐人发现了药的诸多现实功能 ;而对药的热衷 ,则使唐人与自然的关系在广度和深度上均超越前人。唐人把诗笔深入到从采药、洗药、炼药到卖药、服药、行药的各个细节 ,更将药园视作娱养情志的所在和优雅诗思的源泉 ,从而出入于理想和现实之间 ,自如地挥洒多彩的性格和情趣。于是 ,唐诗中涌现出大量与药相关的词汇、形象和主题 ,并由此影响到唐诗的风貌。可以说 ,药园与药既是唐人的生活后院 ,也是唐人的精神后院

 
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