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诗风
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  poetic style
    On the Influence upon the New Change in Poetic Style by the Transition of the Wayof Composing Poetry of High and Middle Tang Dynasty
    论盛中唐诗人构思方式的转变对诗风新变的影响
短句来源
    The Spirit of Lianda and Modernist Poetic Style
    联大精神与现代主义诗风
短句来源
    Chen Zi-ang's Life Mentality and Changes of his Poetic Style
    论陈子昂人生心态与诗风演变
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    On the Basic Contents and the Development of the Poetic Style of Qing Shao - you' s Poetry
    试论秦少游诗的基本内容及其诗风的发展
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    A few remarks on Bai Juyi's popular poetic style
    浅谈白居易的通俗诗风
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  poetry style
    Evolution of the Poetry Style in Early Ming Dynasty and the School of Minzhong
    闽中诗派与明代前期诗风的演变
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    On Qian Qianyi's Mixed Advocating of Tang & Song Poetry and Qing Poetry Style Innovation
    钱谦益唐宋兼宗的祈向与清代诗风新变
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    WEN-LI Poetry Style in Late Tang Dynasty
    晚唐温李诗风评议
短句来源
    On Gu Kuang's poetry style——A new evaluation on Gu Kuang's poetry
    逸歌长句 骏发踔厉——对顾况诗风的再评价
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    Advocating from Gorgeous to Eleance——On the Historic Significance of"The Selections for Emperor"and"The Anthology of Most Mysterious Poetry"in the Course of the Middle and Late Tang Dynasty's Poetry Style Development
    从尚艳到崇雅——论《御览诗》、《极玄集》在中晚唐诗风衍变历程中的座标意义
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  poem style
    The Historical Value of Li He's Poem Style Viewed from Literary Criticism
    从历代诗评看李贺诗风的历史价值
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    WANG Weis Influence upon Poem Style in Dali Period
    王维对大历诗风的影响
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    The New Change Of the Poem Style in Jiangxi Schools
    北宋末年江西诗风的新变
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    The Poem Style Change From HAN Yu's Demotion
    从韩愈贬潮看其诗风变化
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    Thought Difference of Ruan Ji and Ji Kang and Its Impact on their Poem Style
    论嵇康、阮籍思想的歧异及其对诗风的影响
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  “诗风”译为未确定词的双语例句
    New Ideas on Ji Kang Poem Styles
    嵇康诗风新论
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    The Relationship Between Jingchu Culture and the Grotesquely Styled Poems by Han Yu
    论荆楚文化与韩愈险怪诗风的关系
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    The Study of Zhang Hua Developing the Style of TaiKang Poem
    张华与太康诗风演化之研究
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    The former account for 30% in his poetry ,while the latter's is 35%.
    前种诗风的诗作约占30%,后种诗风的诗作约占35%。
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    In the whole creation career of Ai - qing, there can be distinguished into five periods which are 1932 -1936, 1937-1942, 1942- 1949, 1949 - 1966 and 1976 hereafter, different period has different style and aesthetical character.
    艾青的创作,从诗风角度可以分为五个时期,即1932—1936年、1937—1942年、1942—1949年、1949—1966年和1976年以后,不同时期有不同的美学追求。
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  poetic style
One of Haddād's main characteristics in his habit of recurrently changing his poetic style and poetic themes over the years, and this article seeks to highlight the significant transformations Haddād's poetry underwent during his career.
      
Haddād tackles these themes by using an innovative poetic style and a low-key tone, and succeeds in drawing the reader's attention to the complexity and the poignancy of his poetry.
      
Evolutionary trends in poetic style: The case of English metaphysical poetry
      
This article connects the poetic style of the troubadours with formal aspects of their surviving melodies.
      
Reading this letter one is struck by the almost poetic style which elevates the text to one of the pearls in the literature on mathematics.
      
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Bai-sha's poems are written to declare his ambitions, convey his emotions and express his thoughts. A poetic style of both being fanciful and elegant on the one hand and being simple and profund on the other is formed through the influence of Objective Idealism. When he enjoyed himself without caring an iota of worldly things, he wrote poems in a marvellous, elegant and comfortable style. His poems of this part include those written for exposition, those written in a leasurely way and those to imitate Tao Yang...

Bai-sha's poems are written to declare his ambitions, convey his emotions and express his thoughts. A poetic style of both being fanciful and elegant on the one hand and being simple and profund on the other is formed through the influence of Objective Idealism. When he enjoyed himself without caring an iota of worldly things, he wrote poems in a marvellous, elegant and comfortable style. His poems of this part include those written for exposition, those written in a leasurely way and those to imitate Tao Yang Ming's "ode to chrysanthemum" and idylls. However, when he showed his whole-hearted devotion to the Royalty and ancestry or when he was concerned about the sufferings of the common people in the street, he wrote poems in a style of frankness, simplicity and profoundness. Among his poems of this part, some eulogize the Royalty, others sympathize heartily with the common folks, still others have in mind his dear mother. In short, his poetic style is full of variety. Just as what he says in one of his theories of poetry, " Either swift or sluggish, either loud or soft, either like flying clouds or like flowing rivers, they sound so different with the variation of the poet's feeling and emotion" .

白沙诗皆达志、抒情、写怀之作。由于受客观唯心主义世界观的影响,形成了既空灵俊逸又平实渊深的诗风。当其不以世俗为念,自得其乐,则其诗高妙、飘逸而轻灵。这部分诗包括论道诗、闲适诗及仿陶的咏菊诗、田园诗等。当其爱及君亲,仁及众庶,则其诗平实、实质朴而渊深。这部分诗有歌颂君主的,有关心民众疾苦的,有忧念亲母的。总之,他的诗风正如他在一篇诗论中说的,或疾或徐,或洪或微,或为飞云,或为川驰,声之不一,情之变也。

his paper,from the perspective of regional culture and artistic style,makes a newexploration on the state styles,the Book of Songs,inducing the fifteen state styles intothe Zheng Wei,Zhounan Shaonan,Qin Bin,Wei Tang,and Qi Cao schools,based ontheir regional relationships and poetic features.The author comes to a brief interpreta-tion and evaluation on the constitution,characteristics,and representative poems ofeach school,from the economic imparities and differences between the folk ways,cul-tural psychologies,and...

his paper,from the perspective of regional culture and artistic style,makes a newexploration on the state styles,the Book of Songs,inducing the fifteen state styles intothe Zheng Wei,Zhounan Shaonan,Qin Bin,Wei Tang,and Qi Cao schools,based ontheir regional relationships and poetic features.The author comes to a brief interpreta-tion and evaluation on the constitution,characteristics,and representative poems ofeach school,from the economic imparities and differences between the folk ways,cul-tural psychologies,and aesthetic interests in the aristocratic states during the WestZhou Dynasty and the Spring and Autumn Period,and he belives that the school per-spective on the study and interpretation of the state Styles helps more to elevate thebrilliance of traditional Chinese culture,and thus opens up new fields for the studies ofthe Book of Songs.

本文从地域文化和艺术流派角度对《诗经·国风》作了新的探讨,按照地域相邻、诗风相近的原则,把十五国风归纳为“郑卫派”、“二南派”、“秦幽派”、“魏唐派”、“齐曹派”等五派。作者从西周至春秋时代各诸侯国政治经济发展的不平衡和各地民情风俗、文化心理、审美趣味的差异性,就各派的构成、主要特点或及其代表性作品,分别作了简明扼要的阐释和评价;并认为:从流派角度去考察和解释《国风》,必将开拓《诗经》研究的新领域,有助于更有效地弘扬中国古代灿烂多彩的文化传统。

Th is article studies and discusses the point of view on poetry and creative stvle of Tian Wen,the poet of Shandong in Qng Dynasty about distinctive characteristics of the art of poetry,the unlque creative procesa of the poet,the relationship between talent and learning,the aesthetic style of advocating wonderful and powerful poems,etc。

从诗歌艺术的独特性,诗人独特的创作过程,才力与学问的关系,崇尚奇丽雄放的审美诗风等四个方面对清代山东诗人田雯的诗学观和创作风格进行了研究和探讨。

 
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