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李白集
相关语句
  collection of li bai ' s poems
     s: There is a poem which is named Shangqingbaoding (《上清宝鼎诗》) in Poetical and Prose Writings Out of Collection (《集外诗文》) of Collection of Li Bai's Poems (《李白集》).
     现在通行的《李白集》中 ,一般在集后《诗文拾遗》或《集外诗文》中皆以宋代黄伯思《东观馀论》所记为据 ,录有《上清宝鼎诗》一首 ,作为李白之佚诗。
短句来源
     Su Shi's Poem in Collection of Li Bai's Poems
     《李白集》中的苏轼诗——《上清宝鼎诗》作者考
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  相似匹配句对
     attribute set;
     属性;
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     set with (?)
     且(?)
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     Su Shi's Poem in Collection of Li Bai's Poems
     李白中的苏轼诗——上清宝鼎诗作者考
短句来源
     Li Bai's Ideas of Human Personality
     李白的人格理想
短句来源
     Li Bai's Poems And Buddhism
     李白与佛教
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s: There is a poem which is named Shangqingbaoding (《上清宝鼎诗》) in Poetical and Prose Writings Out of Collection (《集外诗文》) of Collection of Li Bai's Poems (《李白集》). It was always thought as a Li Bai's lost poem in the past. But this poem was found entirely in Collection of Su Shi's Poems (《苏轼集》). Surveying the communication of this poem in edtions of Collection of Su Shi's Poems, we could get a conclusion that this poem was written by Su Shi.

现在通行的《李白集》中 ,一般在集后《诗文拾遗》或《集外诗文》中皆以宋代黄伯思《东观馀论》所记为据 ,录有《上清宝鼎诗》一首 ,作为李白之佚诗。对于此诗之真伪 ,除了王琦曾疑为“乩仙之笔”或“好事者为之”外 ,后世皆未作深入讨论 ,而往往只是因袭王说。实际上 ,不仅《东观馀论》所记是错误的 ,王琦所疑也是没有根据的。这首诗的作者是有名可考的——在苏轼诗集中 ,它以《李白谪仙诗》为题 ,完整地保留着。考察这首诗在苏集中的著录及流传情况 ,可以确认其作者为苏轼。

Li Hua's The Epigraph and Its Preface To the Tomb of Academician Li Bai is seen in The Collected Works of Li Bai, and is for the present placed at the head of all the monumental tablets. But, this text identifies that it began to be falsified after July the third year of the Era Yuanfeng in the Northern Song dynasty for the reasons: First, Li Bai's tomb was moved from Dragon Mountain to Qingshan in the twelfth year of the Era Yuanhe, while Mr. Fan Chuanzheng (范传正), author of the New Tomb Tablet for Master Li,...

Li Hua's The Epigraph and Its Preface To the Tomb of Academician Li Bai is seen in The Collected Works of Li Bai, and is for the present placed at the head of all the monumental tablets. But, this text identifies that it began to be falsified after July the third year of the Era Yuanfeng in the Northern Song dynasty for the reasons: First, Li Bai's tomb was moved from Dragon Mountain to Qingshan in the twelfth year of the Era Yuanhe, while Mr. Fan Chuanzheng (范传正), author of the New Tomb Tablet for Master Li, felt sorry for there was no epigraph on Li Bai's tomb. It proves no Li Hua's epigraph existing before. Secondly, Li Hua's epigraph implies Li Bai's tomb to be situated in Qingshan. It proves that this epigraph emerged after Mr. Fan Chuanzheng's writings of the New Tomb Tablet for Master Li. Thirdly, Li Hua's epigraph was first seen in Chen Zhensun's "homely preserved edition" of Academician Li Bai's Works in the Southern Song, which was engraved in the late period of Northern Song.

今存李白集载有署名李华的《故翰林学士李君墓志并序》一文 ,列于碑志之首。本文通过辨析认为 :这是一篇伪作 ,始出于北宋元丰三年七月之后。理由是 :一、李白墓元和十二年由龙山迁往青山 ,范传正所撰《李公新墓碑》因李白没有墓志而感叹 ,说明原无李华所撰墓志。二、此墓志称“姑熟东南 ,青山北址 ,有唐高士李白之墓”。前二句所指正是青山李白新墓的方位 ,后一句既称“有墓” ,意在青山墓出现之后。故而此墓志当在范传正迁墓之后撰写。三、南宋陈振孙的“家藏本”《李翰林集》是目前所知最早收进李华墓志的版本 ,此本刻于北宋末期。

 
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