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绘画创作
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  drawing creation
    Elementary Talk about Basic Skill Trainging in Drawing Creation
    浅谈绘画创作的基本功
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    Artistic Imagination and Drawing Creation
    论艺术想象力与绘画创作
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    On the Phenomenon of "Worship of Appearance"in Drawing Creation between China and West in the Contemporary China
    当代中国中西绘画创作中的“表象崇拜”初探
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    The Aesthetic Characteristics of the Folk Drawing Creation in Huangzhong County,Qinghai Province
    青海湟中现代民间绘画创作的审美风格
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    Such kind of change shows us that in the new era, Chinese drawing creation between China and west has already sprouted new buds, while as the same time, we must suffer the pain during the sprouting.
    这种态势的嬗变,让我们既看到了新时期中国中西绘画创作中新质的破土萌芽,又看到了这种“春生”中的阵痛。
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  painting creation
    An influence of aesthetic experience on painting creation
    论审美感受力对绘画创作的影响
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    Personal Visual Experience: Motive Force of Painting Creation
    个人视觉体验——绘画创作的推动力
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    Several factors of influencing painting creation
    影响绘画创作的几个因素
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    On the Painting Creation
    绘画创作感言
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    Psychological characteristics of Sha Qi's later painting creation
    沙耆晚期绘画创作的心理特征
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  the fine arts creation
    TACIT CONSCIOUSNESS , SOUL FREEDOM AND THE FINE ARTS CREATION
    幽玄意识、精神自由与绘画创作
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  “绘画创作”译为未确定词的双语例句
    Art Intuition and Painting
    艺术直觉与绘画创作
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    Talk on Teaching Painting
    绘画创作教学漫谈
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    Influence of Thoughts Of Zhuangzi on Traditional Chinese Painting Production Theory
    庄子思想对我国古代绘画创作理论之影响
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    A thought over teaching of painting creative class
    关于绘画创作课教学的思考
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    The Influence of Sensibility on Painting
    论审美感受力对绘画创作的影响
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This thesis illustrates the close relationship between visual perception in the three respects:Visual focus and aesthetic attention,the amount of passed light and emotional tones,visual images and artistic symbols.To correctly master the aesthetic features of painting and to improve the quality of artistic creation,it is very significant to study this problem.

从视焦点与审美注意、通光量与情感色调、视觉影像与艺术符号三个方面,阐述了视知觉与绘画创作的密切关系。研究这个问题,对于正确把握绘画艺术的审美特征,提高艺术创作质量有着重要的意义

In the market-oriented economy, in the field of drawing, the appears variation of beauty, in the creation between China and West in China appears the variation of beauty, which is mainly composed of the losing and breakthrough of worship appearance. Such kind of change shows us that in the new era, Chinese drawing creation between China and west has already sprouted new buds, while as the same time, we must suffer the pain during the sprouting.

市场经济下,中国中西绘画创作中美的变异,其中最主要的是表象崇拜中的游离与突围。这种态势的嬗变,让我们既看到了新时期中国中西绘画创作中新质的破土萌芽,又看到了这种“春生”中的阵痛。

Learning from life, drawing on the experience of others and bringing forth new ideas, these are essential in painting creation. We do not just learn from, and draw on,the experience of others blindly and unconditionally. What we should do is to learn the good points of others and make use of them.

生活、借鉴、创新,是绘画创作和推陈出新的必经之路。借鉴不是盲目、无条件的,善于借鉴才能发展和提高。

 
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