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中国新诗派
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  china ' s new poetry school
     On the Aesthetic Features of China's New Poetry School
     论中国新诗派的审美特征
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  “中国新诗派”译为未确定词的双语例句
     The present paper explores the relationship between poetry and reality, poet's subjectivity, poetic forms, and readers' acceptance of the modernist poetics of the Chinese new poetry.
     本文从诗与现实的关系、诗人主体精神、诗作形式追求、对读者接受的态度等角度入手 ,系统地阐析了中国新诗派诗人的有关现代主义诗学思想 ,总结其特点及得失
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     Discusses the Relationship between Chinese New Poets Group and Week Literature of DagongBao
     “中国新诗派”与《大公报·星期文艺》关系论
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     The Study of "Chinese New School of Poetry" Poem Theory
     论“中国新诗派”诗学
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     Though focuses of two trueness senses are different, they take the poets' pure-hearted attitude as the premise and promote the recovery and development of realism spirit in the new period.
     在新诗发展史上,七月派诗人和中国新诗派诗人是其中具有较强反思意识的诗人,前者在追求诗歌鲜明的政治倾向,强调发挥诗人的主观战斗精神的同时也要求诗人保持冷静、清醒的理性,对现实政治、民族文化和国民性进行反思;
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     The introduction and study about intelligence influenced the Chinese new poetry and creation in the 40s.
     知性论引入和研究,一直接影响了40年代中国新诗派诗学及创作。
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     The Study of "Chinese New School of Poetry" Poem Theory
     论“中国新诗”诗学
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     On the Aesthetic Features of China's New Poetry School
     论中国新诗的审美特征
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     Free Verse and Chinese New Poetry
     自由诗与中国新诗
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     Eight Traditions in Chinese New Poetry
     中国新诗的八大传统
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     CHINA
     中国
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Chinese new poets of the 1940s cherished an intense consciousness of modern culture. Influenced by Western modernist poetics of T.S.Eliot, they also showed and inclination to the late symbolism and other English and American modernist poetics. They made a great effort to “modernize Chinese new poetry”.Based on their rich poetic practice, their theories present their conscious thinking and construction of Chinese modernist poetics. The present paper explores the relationship between poetry and reality, poet's...

Chinese new poets of the 1940s cherished an intense consciousness of modern culture. Influenced by Western modernist poetics of T.S.Eliot, they also showed and inclination to the late symbolism and other English and American modernist poetics. They made a great effort to “modernize Chinese new poetry”.Based on their rich poetic practice, their theories present their conscious thinking and construction of Chinese modernist poetics. The present paper explores the relationship between poetry and reality, poet's subjectivity, poetic forms, and readers' acceptance of the modernist poetics of the Chinese new poetry.

四十年代的中国新诗派诗人群具有鲜明的现代文化意识。他们主张接受“以艾略特为核心的现代西洋诗的影响” ,向后期象征主义诗学和英美现代主义诗学倾斜 ,明确提出了“新诗现代化”的目标。他们的理论思考既超前又富有现实针对性 ,且有大量的现代主义倾向的诗歌创作实践作为坚实的基础。他们是对现代主义诗学进行自觉思考和建设的一代诗人 ,代表了中国现代主义诗学发展的一个高度。本文从诗与现实的关系、诗人主体精神、诗作形式追求、对读者接受的态度等角度入手 ,系统地阐析了中国新诗派诗人的有关现代主义诗学思想 ,总结其特点及得失

The comprehensive development of "pure poetry" is a main route in the history of Chinese new poetry. Such a tradition was already established in the 1920s when "pure poetry" was first advocated, and by the 1940s it became all the more self - conscious and remarkable. " China' s New Poetry" School represented by Yuan Kejia and Tang Shi definitely emphasizes the establishment of balanced aesthetic features of poetry, takes a tolerant and synthesizing attitude in terms of themes and contents, with an intention...

The comprehensive development of "pure poetry" is a main route in the history of Chinese new poetry. Such a tradition was already established in the 1920s when "pure poetry" was first advocated, and by the 1940s it became all the more self - conscious and remarkable. " China' s New Poetry" School represented by Yuan Kejia and Tang Shi definitely emphasizes the establishment of balanced aesthetic features of poetry, takes a tolerant and synthesizing attitude in terms of themes and contents, with an intention of setting up the " highly synthesizing character" of pure poetry and " a new synthesizing tradition of realism, symbolism and metaphysics," so that a more national and realistic way of "purifying poetry" is found.

“纯诗”的综合发展是中国新诗发展史的一条主线。这种传统从20世纪20年代“纯诗”首倡之时即已建立,到40年代表现得更加自觉和明显。以袁可嘉、唐湜为代表的“中国新诗”派明确强调建立平衡的诗歌美学特征,在诗歌主题内容方面采取宽容综合的态度,试图建立纯诗的“高度综合的性质”和“现实、象征、玄学的新的综合传统”,走出了一条更具民族性和现实性的“纯诗化”道路。

Among the poets of the new poetic school, MU Dan was a poet who held the most truculent style and the highest accomplishment. As a conscientious contemporarist, he went through a road from a sense of wildness to that of a religious passion. The demonstration of the sense of wildness was to criticize, suspect and deny the real life, war, love, history and future and to combat the desperation. To salvage the world of wildness, the choice of the poet was to believe and rely on Christianity. The religious passion...

Among the poets of the new poetic school, MU Dan was a poet who held the most truculent style and the highest accomplishment. As a conscientious contemporarist, he went through a road from a sense of wildness to that of a religious passion. The demonstration of the sense of wildness was to criticize, suspect and deny the real life, war, love, history and future and to combat the desperation. To salvage the world of wildness, the choice of the poet was to believe and rely on Christianity. The religious passion shown in his poems suggested the poet's acknowledgement the hardships of the life, the understanding of the life and death, the praise and plea for God.

穆旦是中国新诗派诗人中风格最浓烈且最有成就的诗人。作为一位自觉的现代主义者,他走过了一个从荒原意识到宗教情绪的心路历程。荒原意识表现为对现实生活、战争、爱情、历史和未来的批判、怀疑、否定以及绝望的反抗。对荒原世界的拯救,诗人的选择是对基督教的皈依。他诗作中的宗教情绪表现为对人生苦难的体认,对生命与死亡的理解,对上帝的赞美和祈求。

 
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