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  “才人”译为未确定词的双语例句
     A comparative study on ZHANG Hen-shui and JIN Yong
     江山依旧,才人辈出──张恨水、金庸比较论
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     "Yian's Talent in Poem,the Paradigm of Her Subsequent Poets"——On Li Qingzhao's Ci,Poem and Her On Ci
     “易安才调美无伦,百代才人拜后尘”——庶谈李清照的词、诗和她的《词论》
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     Having been active in the political arena for nearly half a century, she had produced significant and lasting influence on Chinese history.
     她从一个普通的女子成为唐太宗的才人,继而成为唐高宗的皇后,再成为“大周”的皇帝,先后在政治舞台上活跃了将近半个世纪,并对中国历史产生了重大深远的影响。
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     It resulted form three reasons :(1)Social problems caused by the conflict betweet Chinese traditional culture and social realilities brought those who were able and ambitious large amount of resentment ;
     写怨说的生成有三个原因 :1 我国传统文化与社会现实发生剧烈冲突所导致的社会问题使得才人志士忧愤满腹。
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     Scholars have gradually moved their allention from the influence of politics,economy and national policies on Zaju fo the relation between the literali of the dynasty and the flourishing of Zaju. They more and more realized that literary associalions of men of letters in cities and towns are the decisive condition for Zaju's flourishing in the Yuan Dynasty.
     在研究者较多地注意元代经济、政治和民族政策等外部原因对元杂剧兴盛所产生的影响之同时 ,逐渐把讨论的重点转移到元代文人与元杂剧兴盛的相互关系上来 ,并在长期的论争过程中形成一些共识 ,愈来愈明晰地体认到由沉沦市井间的书会才人组成的作家群体及由这些群体和杂剧艺人结成的巩固同盟 ,才是元杂剧走向兴盛的决定性条件。
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     Besides, it also closely relates to the unique charm of restrained ci style and the gifted scholars as the creative subjects.
     此外,还同婉美词风本身的独特魅力,以及作为创造主体的一代才人密切相关。
短句来源
     "Yian's Talent in Poem,the Paradigm of Her Subsequent Poets"——On Li Qingzhao's Ci,Poem and Her On Ci
     “易安才调美无伦,百代才人拜后尘”——庶谈李清照的词、诗和她的《词论》
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Zhang Guobin was a popular literary and artistic worker of being both writer and actor in the early Yuan Dynasty. He was different from the most philistine scholars. He was born in the countryside,was familiar with the peasants' life, experienced and observed the sufferings of the common people and all their feelings. Though, later, he came to town, bacame an artist in writting and playing zaju and lived on it, he still remained the peasants' honest character, concerned himself with the destinies of the common...

Zhang Guobin was a popular literary and artistic worker of being both writer and actor in the early Yuan Dynasty. He was different from the most philistine scholars. He was born in the countryside,was familiar with the peasants' life, experienced and observed the sufferings of the common people and all their feelings. Though, later, he came to town, bacame an artist in writting and playing zaju and lived on it, he still remained the peasants' honest character, concerned himself with the destinies of the common people. He always wrote zaju according to the peasants' will, observed the society and judged between good and evil, right and wrong by the common standards of the common people, abided by the traditional moral stands, eulogized the enterprising spirit, praised the chivalrous conducts, abhorred the snobs.All these made his works have a popularized colouring and a strong flavour of the earth.

张国宾是元代前期集作家与演员于一身的通俗文艺家。与大多数沉迹市井间的书会才人有所不同,他出生于乡村,熟悉农家生活,体察百姓疾苦和他们的喜怒哀乐、褒贬爱憎。尽管他后来进入都市,做了教坊艺人,以编演杂剧为生计,但依然保持着淳厚朴实的农家品格,与劳苦大众的命运息息相通。他常常按照农民的意愿编演杂剧,用劳苦大众的眼光观察社会,评判善恶是非,恪守孝义廉节、惜孤怜贫、疾恶扬善等传统道德立场,讴歌不甘贫贱的奋发进取精神,赞美乐善好施的侠义行为,憎恶见利忘义、恩将仇报的势利之徒,使其精心编排的杂剧更多地具有平民化色彩和浓郁醇厚的泥土气息。

Many a research on the character prototypes in Heroes of the Marshes has been conducted, but none of them ever studied Lu Zhishen. The paper probes into the prototype of Lu Zhishen from the point of view of Wu-Tai Mountain and the martial activities of the Monks in the Xiang-Guo Temple. The author thinks that the writer's absorbing the rich social materials created the image of Lu Zhishen. Moreover, the paper analyses the description of Lu Zhishen's martial arts.

有关《水浒传》人物原型的研究 ,一直受到学术界的关注 ,然均未涉及鲁智深。本文从五台山和相国寺僧人的武事活动入手 ,探讨鲁智深形象的可能来源 ,认为鲁智深的形象是创作者们充分汲取了当时丰富的社会素材创作出来的。另外文章还分析了《水浒传》对鲁智深武功 (特别是腿功 )的描写 ,认为这些描写都出自书会才人之手

Life-world is the core concept of modern philosophy, not a secondary one. What it represents in actuality is a world outlook —— the world outlook of life. It is a way of thinking, a concept of man —— the concept of generation of man. Different modern philosophers have different understandings of life and life-world, even though they are all concerned with world outlook of life. The life in the eyes of modern western philosophers only refers to the daily spiritual life of man, its life-world being an abstract...

Life-world is the core concept of modern philosophy, not a secondary one. What it represents in actuality is a world outlook —— the world outlook of life. It is a way of thinking, a concept of man —— the concept of generation of man. Different modern philosophers have different understandings of life and life-world, even though they are all concerned with world outlook of life. The life in the eyes of modern western philosophers only refers to the daily spiritual life of man, its life-world being an abstract world. But to Marx, life-world is a unity of daily life and non-daily life and material life and spiritual life. This is the actual real life-world in which man lives.

生活世界并非现代哲学的一个枝节性概念,而是其核心概念。它所代表的实际是一种世界观———生活世界观,是一种思维方式———生成性思维,是一种人的观念———人的生成观念。虽然同为生活世界观,但对于生活和生活世界,不同的现代哲学家有不同的理解。现代西方哲学家所说的生活只是指人的日常的精神生活,其生活世界仍然是一个抽象世界;而对于马克思来说,生活世界则是日常生活与非日常生活、物质生活与精神生活的统一,这才是人生活于其中的真正现实的生活世界

 
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