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木版
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  xylograph
     With the brilliant national style, unique presentation and exquisite sill, the xylograph painting is one type of Chinese folk arts.
     木版年画是中国民间美术中颇具特色的一个艺术门类,具有鲜明的民族风格、独特的表现形式和精湛的技巧。
短句来源
     As the important material for the research on Chinese society, history, folk-custom, religion and etc. , the xylograph painting and print clamp are highly praised home and abroad for the brilliant and unique folk color.
     木版年画和版画书夹,不仅以其鲜明独特的民间色彩,受到国内外艺术界的高度评价,而且也是研究中国社会和历史、民俗、宗教等方面的资料。
短句来源
     The arts and crafts of Qing Qiong and Wei Chigong are classified and analyzed by using methods of iconology to affirm that the colored door-god painting is earlier than door-gods xylograph and to make the art characteristics of door-god paintings clear.
     应用图像学的方法对秦琼和尉迟恭门神图像特征和制作工艺进行了归类和分析,肯定彩绘门神早于木版年画,使人们更加清楚地认识传统宅门武将门神画的艺术特色。
短句来源
  woodblock
     Differences and Comparisons on Chinese New Year Woodblock Prints
     木版年画风格差异及其比较
短句来源
     The Use of Life Symbols in the Taohuawu New Year Woodblock Prints in Suzhou
     生命寓意在苏州桃花坞木版年画中的运用
短句来源
     A Survey of the Ornamental Feaatures of New Year Woodblock Prints
     木版年画的装饰特征概说
短句来源
  “木版”译为未确定词的双语例句
     Inquiry into Visual Thought Image
     视觉思维意象的探微——漳州木版年画的文化阐释
短句来源
     The Traditional Passing on and Inheriting Mode of Zhuxian Town Wood Engraving Picture and Contemporary Thinking
     朱仙镇木版年画的传统传承模式及其当代思考
短句来源
     Assessment of the Beauty in the Modelling and Colour Schemes of Chinese Folk Woodcut Paintings
     民间木版年画的造型美与色彩美
短句来源
     The paper is to discuss the origin, development, the cultural backdrop, the imago of taste and the features of visual form of this valuable and world cultural heritage.
     本文旨在讨论这一珍贵世界文化遗产的文化背景、审美意象与视觉形式特征。 中国民间木版年画这一独特的东方样式记录着丰富多彩的民俗百态与审美习惯。
短句来源
     Look at Creation Life of Folk’s Traditional Fine Art from Festival Woodcuts in Fengxiang
     从凤翔木版年画看民间传统美术创作的生命
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  wooden block
8-OH-DPAT did, however, increase gnawing on a wooden block.
      
In this study six healthy, right-handed adult subjects reached for a wooden block under conditions of normal vision, or else with their eyes closed having first observed the placement of the target.
      
Subjects first read a word and then grasped a wooden block.
      
Subjects were asked to stand quietly on a narrow wooden block supporting only the mid-foot, with either open (EO) or closed (EC) eyes on separate trials.
      
or stepped on and off a one foot high wooden block at 12 and 24 steps/min while wearing boots weighing either 4.08, 4.41, 5.62 or 6.50 1b per pair.
      
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  woodblock
China is the birthplace of woodblock, copperplate and non-metal-type printing, movable metal-type technique, as the product of combination of copperplate and non-metal-type technique, also originated in China.
      
Fish imagery in art 13: Kunisada's Woodblock Print of a Fish Market Scene (untitled)
      
Utamaro (1753-1806) is one of the most celebrated artists in the history of the Japanese woodblock print.
      
Hu-jü-zong (Nanking, 1619) and a group of famous Chinese painters created the book of the 'Ten Bamboo Studio' which contains woodblock prints as visual aids for young artists.
      
A reprint of these woodblock prints appeared in 1717.
      
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The craftsmanship of the traditional water block printing was exquisite,and copying technology had reached a level of fidelity.The success of reprinting A Model Book on Paitings from Ten-Bamtoo Studyadded some glamor to the art of publications.

朵云轩传统的木版水印工艺精湛绝伦,复制艺术的水平达到了形神兼备以至乱真的境地。木版水印工艺重梓精印《十竹斋画谱》并取得成功,为我国图书艺术园地继续增色添彩。

Imperial Collection of Four”is a sutra and representation of Chinese antient books.So the digitalization works of this Collection will accumulate and provide experiences for other antient books.This system is the pre processing system of costumized OCR system for the digitized publication of “Imperial Collection of Four”.The main function of this system is to analysis and undterstand the page images scanned from the Collection, then to seperate the Chinese characters in them for the use of recognition and statistics,meanwhile...

Imperial Collection of Four”is a sutra and representation of Chinese antient books.So the digitalization works of this Collection will accumulate and provide experiences for other antient books.This system is the pre processing system of costumized OCR system for the digitized publication of “Imperial Collection of Four”.The main function of this system is to analysis and undterstand the page images scanned from the Collection, then to seperate the Chinese characters in them for the use of recognition and statistics,meanwhile extracting the layout structures for re building and publishing.The design of the system adoptted top down approaches with bottom up ones,and also adoptted automatic processings with manual correcting.In application, this system has been used to process a large numbers of page images,and has shown efficient and satisfiable performance.It provides a stable ground for the pre processing works,and builds up a good situation for learning and recognition procedures of the recogintion system.

《四库全书》是中文古籍的经典和代表。对《四库全书》的整理 ,可以为其它古籍的整理积累和提供经验。本系统属于《四库全书》电子版专用OCR系统的预处理配套系统 ,主要功能是对《四库全书》的页面图象进行分析和理解 ,分离图象中的汉字用于识别和统计 ,获取版面结构以便于重编和出版。《四库全书》属于手写木版印刷 ,版面有一定规范 ,但形式多样、结构复杂、图象质量和字体大小有差异 ,版面分析的难度很大。本系统采用了自顶向下方法与自底向上方法相结合、自动处理与人工修正相结合的设计思想。从实用情况看 ,本系统已经能够自动采用相应算法 ,处理多种规范和准规范的版面 ,并提供方便的人工辅助纠错功能 ,保障了预处理工作的顺利进行 ,也为识别系统的学习建库和识别创造了良好的条件。

This thesis explores the cause of its origination and development of the folk woodcut painting from the perspective of its geographical position and culture in Changjiang River area. It also proves that the ancient well developed technology such as carving, wooden printing and papermaking had brought a very good environment to cultivate and develop the local folk woodcut painting in that area. The requirement of the living style, religion, economy and related culture in Changjiang River area also helped growing...

This thesis explores the cause of its origination and development of the folk woodcut painting from the perspective of its geographical position and culture in Changjiang River area. It also proves that the ancient well developed technology such as carving, wooden printing and papermaking had brought a very good environment to cultivate and develop the local folk woodcut painting in that area. The requirement of the living style, religion, economy and related culture in Changjiang River area also helped growing and promoting this kind of art.

本文从民间地域文化角度探究长江流域民间木版画产生和发展的原因 ,证明长江流域十分发达的古代雕刻技艺以及木版印刷术、造纸术为本地域民间木版画的孕育和发展提供了良好的生长环境 ,长江流域民风时尚的需求、宗教文化及经济文化的发展也对民间木版画的生长和发展起着催化和促进作用。

 
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