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   20年代 在 中国文学 分类中 的翻译结果: 查询用时:0.059秒
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年代     
相关语句
  1920 s
    On the Modern Pursuits of Conservative Intellectuals of 1920s
    论20年代保守知识分子的现代性追求
短句来源
    The Stifled Space: Analysis of the Attempt to Create the Speech Space in the 1920s in China Through the Case of Chen Xiying
    被窒息的空间——以陈西滢为个案分析20年代中国言论空间开创的尝试
短句来源
    Fictions of the 1920s and Tragicalness
    20年代(1917-1927)小说与悲剧性
短句来源
    Fictions of the 1920s and tragicalness
    20年代(1917-1927年)小说与悲剧性
短句来源
    The Controversy between Conservatism and Radicalism on the Dramatic Theory in 1920s
    20年代戏剧理论的保守主义与激进主义之争
短句来源
更多       
  20 ' s
    A Review on the Studies on the 20's Revolutionary Fictions
    20年代革命小说研究的历史回顾
短句来源
    Yu Si and Light-Hearted Writing of 20's of 20th Century
    《语丝》与20世纪20年代轻松化写作
短句来源
    In 20's of 20 century, the conventions in the country literature are the review of the whole Chinese country in the looking-down perspective by country writers.
    20世纪20年代,乡土文学中的民俗都是乡土作家以一种俯视的角度对整个乡土中国的审视,因此,在20世纪20年代乡土文学的民俗中蕴含了乡土作家个人的情感和思考。
短句来源
    Impure Narration——"homeland" consciousness of the 20's narrative poems of Feng Zhi
    不纯粹的叙事——论冯至20年代叙事诗的“家园”意识
短句来源
    He had began his Studying with the end of 20's years and ended at the beginning of 40's years.
    他的庄子学研究始于20年代末,终于40年代初,经历了从文学欣赏到训诂考据研究再到思想文化研究的复杂过程,构成了闻一多在不同层面上对庄子学的系统研究。
短句来源
更多       
  in 1920 s
    The Controversy between Conservatism and Radicalism on the Dramatic Theory in 1920s
    20年代戏剧理论的保守主义与激进主义之争
短句来源
    Space for Modern Essays in North-East China in 1920s
    20世纪20年代东北现代散文空间
短句来源
    The Reflection of Real Love and the Nature of Sexuality ——On Fengzhi's Epics Written in 1920s
    真爱的投影与人欲的自然——论冯至20年代的叙事诗
短句来源
    Literary Organizations in the Political-Cultural Field ——Analysis of Individual Cases of China's Literary Organizations in 1920s
    政治文化场的文学社群——20世纪20年代中国文学社团个案解析
短句来源
    Dim Passion and Philosophic Pursuit——On Fengzhi's lyric poems written in 1920s
    幽婉的情思与哲理的追寻——论冯至20年代的抒情诗
短句来源
更多       
  the 20 ' s
    A Review on the Studies on the 20's Revolutionary Fictions
    20年代革命小说研究的历史回顾
短句来源
    Impure Narration——"homeland" consciousness of the 20's narrative poems of Feng Zhi
    不纯粹的叙事——论冯至20年代叙事诗的“家园”意识
短句来源
    The kind of style formed by the Rural novels in the 20's of 20 century, has layed the road for the development of the country literature after.
    20世纪20年代的乡土小说流派所形成的这种风格,为后来乡土文学的发展开辟了道路。
短句来源
    Contemporary Chinese Literature came into being in the 20's of the 20th century and developed greatly in the later part of the 20th century through the gradual growth in the 50's.
    作为学科的中国现代文学于20世纪20年代初现端倪,50年代正式形成,并在20世纪后期得到了长足的发展。
短句来源
    On the 20's drama stage in China, Tian Han and his colleagues launched a movement of artist drama. Unlike other Chinese dramatists who emphasized drama's social and political functions, they stuck to pursuing the symbolic consciousness of life in drama.
    在中国 2 0年代的戏剧舞台上 ,田汉及其同仁们发起了一场“艺术戏剧运动” ,他们在社会政治功能的挤压中 ,执著地表现戏剧的生命象征意识。
短句来源
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      1920 s
    The temperature was low and then increased after the 1920s and the climate was dry.
          
    In the 1920s-1930s, skin glands of a new type, hepatoid glands, were described in 13 mammal species (Rodentia, Canidae, and Bovidae).
          
    The article briefly describes the development of a talented chemist of the 1920s and 1930s, professor at Tbilisi University and the Georgian Agricultural Institute, Sh.R.
          
    The age generations of larch were formed in the 1640s, 1660s, 1680s, 1700s, 1720s, 1740s, 1760s-1770s, 1800s-1810s, 1850s, 1870s-1880s, 1900s, 1920s, and 1930s-1940s.
          
    These shifts have been conditioned by climate warming and increasing humidity observed since the 1920s.
          
    更多          
      20 ' s
    In addition, the transient response was detected from the motor setup to smooth running within 10 s, 15 s, 20 s and 25 s respectively, and the characteristic of the transient flux is under pilot study.
          
    These substances differ from the native ginseng genin (20(S)-protopanaxadiol) by the number, location, or configuration of OH-groups.
          
    Dammar-24-ene-3α,12β,17α,20(S)-tetraol (compound IV) is cytotoxic for the Ehrlich ascite carcinoma cells and this effect is additive to cytotoxic activity of anthracycline antibiotic carminomycin in vitro.
          
    A technique for proteasome isolation from the rat liver has been developed, which allows isolation of a 26S proteasome fraction free from 20S proteasome admixture.
          
    Pools of 26S and 20S proteasomes were studied in the spleen, liver, lung, and ascitic carcinoma Krebs-II of mouse.
          
    更多          
      in 1920 s
    The exchange of Greek and Turkish populations in 1920s and its socio-economic impacts on the life in Anatolia
          
    Hantaro Nagaoka is a Japanese physicist who made an experimental pioneer work on optical spectroscopy for nuclear structure studies in 1920s.
          
    This paper presents an analysis of the Mead/Freeman controversy with a focus on Mead's claim that "coming of age" in 1920s Samoa was accomplished with relative ease.
          
    Although this idea has been present for some time, i.e., insulin crystals were first reported back in 1920s, macromolecular crystallization has not received as much attention as the other methods for stabilizing protein drug candidates.
          
    Experimental sociology and psychology in Soviet universities and institutes in 1920s.
          
    更多          
      the 20 ' s
    The 20S proteasome pools displayed no such decreases.
          
    The 26S proteasome is build-up from the 20S proteasome, which is a cylinder-shaped multimeric complex, and two additional 19S complexes.
          
    The 20S proteasome can also bind to 11S regulator and is then implicated in antigen presentation.
          
    At the same time, the activity of the 20S β-subunit of proteasome was reduced significantly, which degrades oxidative-modified protein.
          
    The mechanism was proved to be the result of the modification of the 20S β-subunit with acrolein and to the binding of other acrolein-modified proteins to the 20S β-subunit.
          
    更多          


    In the late '50s and early '60s, the literature in Taiwan underwent a long period of westernization,By '70s,its trend returned to hometown and tradition,This forms a cycle.In the Mainland, the literature was promoted in the late '70s by the so-called hazy poems、which spelt a westernization trend later expanded by the tendency toward the stream of consciousness. whereas in 1983, a group of hazy poets loudly advocated the traditional spirit, which led to a drive for tracing the root in the friction circle. This...

    In the late '50s and early '60s, the literature in Taiwan underwent a long period of westernization,By '70s,its trend returned to hometown and tradition,This forms a cycle.In the Mainland, the literature was promoted in the late '70s by the so-called hazy poems、which spelt a westernization trend later expanded by the tendency toward the stream of consciousness. whereas in 1983, a group of hazy poets loudly advocated the traditional spirit, which led to a drive for tracing the root in the friction circle. This seems again a cycle. A comparison between these two cycles to find out their identity and difference can not only discover the difference in history, culture and society, but also some deep-structure elements in the literary develop-ment.

    台湾文学在五十年代后期、六十年代中曾发生过很长一段时期的文学“西化”,到七十年代,文学的走向又“回归乡土”,“回归传统”。大陆文学在七十年代末被所谓“朦胧诗”运动所推动,后来又为意识流运动所扩大的文学“西化”倾向,到了一九八三年,一批“朦胧诗人”高喊“传统精神”,小说界又是“寻根”热潮,似乎也绕了个圆圈。对比这两个“圆圈”,发现它们之间的共处、珠相,不但可以发现历史、社会、文化等的共相、差别,还能由此寻见文学发展的深层因素。

    In the field of research work on Lu Xun, there exist two unhealthy tendencies, either to deify Lu Xun or to belittle him. To counter these two tendencies, this paper proposes that the researchers should undertake a comprehensive survey and analysis in the light of his historical background so that a comparatively correct conclusion can be drawn. Meanwhile, the researchers should combine theory with practice and dare to be creative and original. The research work in 90's should pay special attention to the practical...

    In the field of research work on Lu Xun, there exist two unhealthy tendencies, either to deify Lu Xun or to belittle him. To counter these two tendencies, this paper proposes that the researchers should undertake a comprehensive survey and analysis in the light of his historical background so that a comparatively correct conclusion can be drawn. Meanwhile, the researchers should combine theory with practice and dare to be creative and original. The research work in 90's should pay special attention to the practical meaning and aesthetic value of Lu Xun's spirit and work in the present day. Thus, the research work on Lu Xun can be expected to be more fruitful.

    本文针对鲁迅研究领域内存在着神化鲁迅和贬损鲁迅两种不良现象,提出必须坚持马克思主义的科学研究方法,把鲁迅的思想及其作品摆进他所处的特定的历史背景下进行综合性的考察研究,才会得出比较正确的,符合历史的结论。理论要联系实际,要敢于创新,90年代的鲁迅研究应着重研究鲁迅的精神及其作品的现实意义和美学价值。这样,鲁迅研究才能取得更加丰硕的成果。

    Ru Zhijuan is a famous contemporary woman writer. As a writer, she is not only prolific, but she has the guts to blaze new trails. While The Lily is her representative work of the 50s and an indication of the formation of her own style, A Story That Has Been Mismontaged, a National Short Story Prize winner, is typical of her literary creation in the new era and an indication of a breakthrough in her style of writing. By referring to these two credita- ble short stories, this article analyses her style of writing...

    Ru Zhijuan is a famous contemporary woman writer. As a writer, she is not only prolific, but she has the guts to blaze new trails. While The Lily is her representative work of the 50s and an indication of the formation of her own style, A Story That Has Been Mismontaged, a National Short Story Prize winner, is typical of her literary creation in the new era and an indication of a breakthrough in her style of writing. By referring to these two credita- ble short stories, this article analyses her style of writing from a progressive perspective.

    茹志鹃是当代著名女作家。她不仅创作丰富,而且在艺术上勇于探索,刻意求新。《百合花》是茹志鹃50年代的代表作,也是她创作道路上艺术风格形成的标志。荣获1979年全国短篇小说创作奖的《剪辑错了的故事》是茹志鹃新时期的代表作,也是她创作风格突破和发展的标志。本文就这两篇成名之作,分析了茹志鹃创作风格的发展。

     
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