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The types of organization they used in their conversations included deductive, inductive, abductive, and narrative patterns.
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Through an extendedanalysis of two cases, we demonstrate the internal logic and "eloquence" of anti-narratives - i.e., the ways in whichanti-narrative patterns vividly express and reveal a survivor'scomplex and continuing experience of atrocity.
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The first model used a conventional description style, and the second used a first person narrative style.
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In addition, the first person narrative style was produced by the original animation creation team.
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Results from blind participants show that using the first person narrative style shows promise, especially since all participants seemed to have positive entertainment experiences with the first person narrative DVI version of the content.
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The Black Arts Movement and African American Young Adult Literature: An Evaluation of Narrative Style
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Goffman, likewise, combines a final emphasis on the mystery of Being, beyond all finite "frames" and "fabrications," with a pervasively symbolic and narrative style in his writing.
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Bruner's notions of paradigmatic and narrative modes of knowing formed the basis of analysis of data from sources that include interviews and classroom observations.
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This paper sets out to examine how narrative modes of thinking play a part in the claiming of mathematical territories as our own, in navigating mathematical landscapes and in conversing with the mathematical beings that inhabit them.
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Two narrative modes, two modes of perception: The use of the instrumental in Golding'sInheritors
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| | This paper conducts a systematic investigation into the nature, the aesthetic characteristics of the contrasting art of minifiction. The first part deals with the theory of contrasting art of minifiction. The second part concentrates on the theory of aesthetic characters of the contrasting art of minifiction while emphatically exploring the remarkable tendency of the contrasting art. | | 反差艺术是微篇小说在叙事中表现出的前后情境在发展的向度与趋势上的翻转或思想意绪、情感心理、色调氛围在表现程度上的落差。微篇小说的反差艺术具有三大审美特征——时间艺术的空间化,语言艺术的视觉化、小说艺术的戏剧化。其中,时间艺术的空间化是三大特征的重心,它渐次呈现三个层次的内涵:凝定有限时间的空间艺术场,心理时间的空间化,空间差的时间连结链。语言艺术视觉化的目的在于加强作品中形象的鲜明性与可感性。通过“浓缩——凝聚——曝光”这种不断聚焦的营构流程,建构好最有表现力的叙事模式。小说艺术的戏剧化则是凭借强化角度的动作性求得作品形象在鲜明性、可感性之上更能生动传神。 | | 文摘来源 | | Creation model of Chinese students abroad in 20 st Century joins personal words to national fables.A clue can be found in changes of their value concepts:cultural choice changes from rational cognition to puzzle dom which shows east culture's acceptance and refusal to west culture. | | 20世纪中国留学生文学创作的叙事模式为个人话语与民族寓言相交织 ,价值观念的衍变中可梳理出这样一条线索 ;由启蒙救亡的理想主义烛照到后现代式意识形态的崛起 ,文化抉择由理性取舍到困惑茫然 ,这体现出东方文化对西方价值语码既迎且拒的复杂姿态 | | 文摘来源 | | From the angle of the sextual researc h,projection has male right discour se and female right discourse in the literary art as well as the"sextual -double -tone discourse"in which the discourses of two sexes c o -exist.Looking into the texts of"woman courting man"and man loving immortal in history,i t is helpful for us to understand the"sextual double tone"as the literary narrative mode in a better way. | | 从性别研究角度看,投影在文学艺术中的有男权话语也有女权话语,还有两种性别话语彼此扭结、共存其中的“性别复调话语”。透视历史上的“凰求凤”、“人神恋”文本,对于研究者从深层次上把握作为文字叙事模式的“性别复调”,多有裨益。 | | 文摘来源 | |   | | << 更多相关文摘 |
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