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抗战史剧
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  “抗战史剧”译为未确定词的双语例句
     The Patriotic Strategy Reflected in Guo Moruo's Historical Anti-war Drama
     郭沫若抗战史剧奉献的救国策略
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     Japanese Culture Factor in Guo Moruo's Historical Plays Written during the War of Resistance
     论郭沫若抗战史剧中的日本文化因素
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  相似匹配句对
     The Patriotic Strategy Reflected in Guo Moruo's Historical Anti-war Drama
     郭沫若抗战史剧奉献的救国策略
短句来源
     Japanese Culture Factor in Guo Moruo's Historical Plays Written during the War of Resistance
     论郭沫若抗战史剧中的日本文化因素
短句来源
     Sites of the Anti-Japanese War in Chongqing
     重庆抗战遗址
短句来源
     One Country,Two Systems" during the Anti-Japanese War
     抗战时期的“一国两制”
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     On GUO Mo-ruo's Tragic Art of History Plays
     论郭沫若史剧的悲剧艺术
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Guo Moruo is not only a preeminent fighter for human rights of Chinese,but also a pioneer of ruling a country by human rights.His six anti-war dramas are considered as his declaration of such idea.The synopses of the dramas show the contents of human rights in three aspect: criticize the exploiting class its destruction of human rights;praise people their feat of struggling for rights;reveal the inner relation between human rights and the nation.

郭沫若是为中国人民谋求人权的杰出战士,也是设计人权治国方略的先行者,他的六部抗战史剧,称得上这方面的力作。剧本依靠舞台形象所昭示的人权真理的内涵,主要包括三个方面:批判剥削阶级破坏人权的罪行,歌颂人民大众争取人权的壮举,揭示人权与国权的内在联系。

It is the holy mission for dramas to follow the principle of art creation and strongly affect the reality.Guo Moruo's historical anti-war dramas have greatly displayed this essence.Based on the resemblance of history and reality,Guo Moruo deliberately designs plots the conflicts which successfully show the three political tasks of Chinese people in the anti-war period: combat with the foreign power for the sovereignty,struggle consistently for the democracy and never surrender.For these,Guo's drama can be regarded...

It is the holy mission for dramas to follow the principle of art creation and strongly affect the reality.Guo Moruo's historical anti-war dramas have greatly displayed this essence.Based on the resemblance of history and reality,Guo Moruo deliberately designs plots the conflicts which successfully show the three political tasks of Chinese people in the anti-war period: combat with the foreign power for the sovereignty,struggle consistently for the democracy and never surrender.For these,Guo's drama can be regarded as the artistic way to support the anti-war movement.

既遵循艺术创造的规律,又强烈地干预现实,这是戏剧文学的神圣使命。郭沫若的抗战史剧,便具有这种优秀品格。它利用历史与现实的相似点,营构戏剧冲突,成功地表现了抗战时期中国人民的三大政治任务,即外反侵略争国权,内反专制争民主,坚持抗争反投降。由此,郭剧称得上“艺术的抗日救国策略”。

Guo Moruo's historical anti-war drama pursues universality on resources and conception,which mainly reflect the view of life and death that mankind cares permanently.It expresses the view of life and death by conflict in dramas with three points: to eulogize the public view of lofty life and death;to castigate the view of mean life and death of the exploiting class;and to make clear dialectical relation between surviving and death.Guo's drama has provided valuable experience on how to prevent artistic works...

Guo Moruo's historical anti-war drama pursues universality on resources and conception,which mainly reflect the view of life and death that mankind cares permanently.It expresses the view of life and death by conflict in dramas with three points: to eulogize the public view of lofty life and death;to castigate the view of mean life and death of the exploiting class;and to make clear dialectical relation between surviving and death.Guo's drama has provided valuable experience on how to prevent artistic works from being devaluated and keep them alive and prime.

郭沫若的抗战史剧,选材立意追求普遍性,突出表现为反映人类永久关心的生死问题。它依靠戏剧冲突所表现的生死观,具体内涵包括三点:讴歌人民大众的崇高生死观,鞭挞剥削阶级的卑劣生死观,昭明生存与死亡的辩证关系。艺术作品如何避免速朽而永葆青春,郭剧为我们提供了宝贵经验。

 
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